Areas We Cover
Categories
Los Angeles
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Theater Review: ALL THE DEVILS ARE HERE: HOW SHAKESPEARE INVENTED THE VILLAIN (Patrick Page at BroadStage)
A MASTER VILLAIN TAKES THE STAGE Patrick Page turns Shakespeare’s greatest monsters into a riveting, slyly funny tour through human nature— one blood-red spotlight at a time. Dubbed “the villain of Broadway” by Playbill, Patrick Page has never shied away from exploring his dark side. Now, with his tour-de-force solo show All the Devils Are…
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Opera Review: ALICE RYLEY & BIG DEATHS (Source/Filter Music Collective at Heritage Square)
OPERA AMONG THE GHOSTS From playful parlor deaths to a chilling one-act about crime, punishment, and memory, Source/Filter Music Collective made Heritage Square sing. On November 8, Source/Filter Music Collective returned to Heritage Square Museum with the west coast premiere of Michael Ching’s 2015 true-crime opera Alice Ryley, about the first woman executed in Georgia….
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Theater Review: THE NOTEBOOK: THE MUSICAL (North American Tour)
Three Couples, Zero Accumulation With a score that forgets to remember, The Notebook drowns in its own mawkish bathwater There’s a musical version of The Notebook that might actually work. A decades-spanning romance built on longing, separation, and fading memory? That’s theater. What’s currently stinking up the Hollywood Pantages? That’s a $30 million hostage situation…
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Highly Recommended Concert: MARTIN CHALIFOUR & FRIENDS: THE ART OF CHAMBER MUSIC (The Music Guild at St. Alban’s, Westwood)
CHAMBER MUSIC IN AN IDEAL SETTING Glorious acoustics, a resonant space, and musicians who know how to listen to one another. There are few places in Los Angeles better suited to chamber music than St. Alban’s Episcopal Church, whose warm, luminous acoustics allow strings to bloom and piano lines to resonate without ever turning brittle….
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Theater Review: BABY (Hollywood Fringe / The Elysian)
WHEN CLOWNING, THERAPY, AND TRAUMA COLLIDE Rachel Troy’s fierce, genre-breaking solo triumph is fully realized, ferociously smart, and genuinely exhilarating. I receive thousands of invitations every year to see one-person shows—solo works popping up everywhere from major U.S. cities to international Fringe festivals, where artists travel circuit to circuit chasing audiences, awards, and momentum. With…
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Theater Preview: SWEENEY TODD: THE DEMON BARBER OF FLEET STREET (La Mirada Theatre, Starring Will Swenson and Lesli Margherita)
REVENGE AS ENTERTAINMENT With Will Swenson and Lesli Margherita, La Mirada goes all in for this major revival Some shows you make time for. Others you plan around. Sweeney Todd: The Demon Barber of Fleet Street is one of those shows — if it’s done right. When the musical first arrived in 1979 (winning 8…
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Theater Preview: URBAN DEATH XMAS: SHOW SPOOKTACULAR & MAZE! (Zombie Joe’s in NoHo)
A DELICIOUSLY VERY WRONG WAY TO CELEBRATE THE HOLIDAYS Santa’s dead, the carols are cursed, and Zombie Joe wants your soul for Christmas If you survived Urban Death: Tour of Terror in October—and lived to tell the tale—Zombie Joe’s Underground Theatre Group is inviting you back for a holiday encore that swaps pumpkin guts for…
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Theater Review: CHILDREN OF THE WINTER KINGDOM — A BONKERS HOLIDAY FANTASY (Actors’ Gang in Culver City)
A HOLIDAY PANTO THAT KNOWS WHAT IT’S DOING The Actors’ Gang offers a family-friendly fairy tale with teeth Children of the Winter Kingdom – The Bonkers Adventures of Holly and Spruce, now frolicking at The Actors’ Gang in Culver City, is reminiscent of the beloved British Christmas pantomimes. The family-friendly show is festive and song-filled,…
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Theater Review: DIE HEART: THE DIRECTOR’S CUT (Troubadour Theater Company at The Colony)
TAKE THAT, NAKATOMI The Troubies blow up Die Hard, Heart-style — and it’s pure holiday mayhem The Troubadour Theater Company — the Troubies — has been wreaking musical-comedy havoc around Los Angeles since 1995, and their latest spoof, Die Heart: The Director’s Cut, might be the most gloriously unhinged holiday offering they’ve detonated yet. Their…
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Opera Review: LA BOHÈME (Los Angeles Opera)
HERBERT ROSS’S BOHÈME RETURNS Beauty polished, questions still lingering Puccini’s tale may be endlessly familiar, yet the recent Los Angeles staging shows how even the most well-trodden path can still feel unsettled and full of open questions. For those new to the work, the opera traces two parallel romances among struggling artists in 1830s Paris….
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Event Review: LA VIRGEN DE GUADALUPE, DIOS INANTZIN (Cathedral of Our Lady of the Angels)
MIRACLE ON TEMPLE STREET Faith, fiesta, feathers, and unexpectedly fabulous ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ With candor, color, and ceremony, La Virgen de Guadalupe, Dios Inantzin has become a Los Angeles holiday ritual — and after more than twenty years under the stewardship of Latino Theater Company, it’s a miracle…
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Theater Review: HEISENBERG (Skylight Theatre)
A PRINCIPLED PRODUCTION Simon Stephens’ deceptively simple romance finally reveals its cosmic heart in close quarters at Skylight Theatre Director Cameron Watson delivers a remarkably authentic and poignant tale with his production of Heisenberg, a short play based on a rather unremarkable human relationship story. What is remarkable is that this intimate outing, which opened…
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FROM THE ARCHIVES — Theater Review: JEWTOPIA (Greenway Court Theatre in West Hollywood)
DON’T JEW HAVE ANYTHING BETTER TO DO? {From the Archives — Back in 2010, when Facebook was still fun and Broadway still flirted with stereotypes like they were going out of style (which they were), Stage and Cinema took a trip to Jewtopia. We survived to tell the tale — and we’re not even charging…
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Theater Review: AN INSPECTOR CALLS (Theatre 40 at Greystone Mansion in Beverly Hills)
THE PAST IS NEVER DEAD — IT RINGS THE DOORBELL Priestley’s prophetic 1945 masterpiece glows with fierce clarity at Theatre 40 Masquerading as one of those staid drawing room mysteries Agatha Christie would knock off during Afternoon Tea while nibbling on scones with clotted cream and crustless cucumber sandwiches, An Inspector Calls by British playwright…
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Theater Review: TABLE 17 (Geffen Playhouse)
CUTE MEETS CUTE, AGAIN Rendered with a rom-com frame around a night of emotional archaeology, Douglas Lyons’s Table 17, briskly staged by Zhailon Levingston, wants to be irresistible, and for the most part it is. The premise is simple but well-served: two years after their breakup, previously engaged Jada (Gail Bean) and Dallas (Biko Eisen-Martin)…
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Theater Review: PARANORMAL ACTIVITY (North American Premiere Tour at The Ahmanson Theatre)
CAN HORROR WORK ONSTAGE? PARANORMAL ACTIVITY MAKES ITS CASE I imagine most people’s response to hearing that Paranormal Activity has been turned into a stage play is a raised eyebrow—doubt mixed with intrigue. How is that going to work? Horror—especially supernatural horror—isn’t a genre you often find in theatre. It thrives in film, where the…
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Opera Review: FRA DIAVOLO (Pacific Opera Project)
A Night with a Gentleman Thief: Pacific Opera Project’s Delightful Fra Diavolo Daniel Auber’s Fra Diavolo amassed over 900 performances at the Opéra Comique during the 19th century before being dropped from the repertoire in 1907. Pacific Opera Project’s current production at The Highland Park Ebell Club makes a case for why this neglect is…
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Theater Review: AMERIKA OR, THE MAN WHO DISAPPEARED (Open Fist Theatre Company)
THIS WAY TO THE AMERICAN DREAM– MIND THE TRAP DOORS Kafka’s story still needs an ending, but Open Fist delivers a wildly inventive Amerika If you think America is in an existential crisis right now, you either don’t know your U.S. history, or you aren’t familiar with Franz Kafka’s Amerika or, The Man Who Disappeared—which, in Dietrich…
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Theater Review: BLUEBEARD’S CASTLE: A MEDIEVAL MUSICAL THRILLER (Odyssey Theatre)
Bluebeard’s Castle, A Medieval Musical Thriller by Russian director and playwright Sofia Streisand, making her U.S. debut at the Odyssey Theatre Ensemble, displays immense ambition that achieves only partial realization. Streisand took her inspiration from La Barbe Bleue, the French fairy tale of a serial killer whose preferred victims are the women wed to him….



















