Areas We Cover
Categories
New York
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Off-Broadway Review: THE PASS (La MaMa E.T.C.)
NO PASSING THE TRUTH John Donnelly’s drama examines the devastating cost of repression, secrecy, and the life that might have been The American premiere of John Donnelly‘s The Pass (originally produced at London’s Royal Court Theatre) is smartly directed by Max Hunter, who infuses both the play and its performances with energy, theatricality, and genuine…
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Dance Preview: FALL FOR DANCE FESTIVAL (New York City Center)
A WORLD OF DANCE IN TEN DAYS Eleven premieres and an extraordinary range of artists make New York City Center’s annual festival one of the season’s most rewarding events. For more than two decades, New York City Center’s Fall for Dance Festival has been one of New York’s most welcome annual traditions, offering audiences the…
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Theater Review: THAT MATH SHOW (The Science Theater Company / New York)
COUNT ME IN Dr. Arthur Benjamin turns mathematics into an engaging theatrical experience Who would have dreamed math could be fun? Certainly not students sweating over difficult equations, trying to figure out how to isolate the unknown. Enter Dr. Arthur Benjamin, professor of mathematics at Harvey Mudd College. Created and performed by Benjamin and directed…
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Off-Broadway Review: 25TH ANNUAL PUTNAM COUNTY SPELLING BEE (New World Stages)
SPELLBOUND This warm, witty revival reminds us that growing up is never easy—but it can be hilarious Bee-lieve the hype. The Off-Broadway revival of The 25th Annual Putnam County Spelling Bee, choreographed and directed by Danny Mefford, is pretty close to letter-perfect. The one-act musical comedy portrays the agonies of adolescence, along with a few…
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Off-Broadway Review: THE PIANO AND ME: A NEW PLAY WITH MUSIC (59E59 Theaters)
A LIFE IN THE KEYS Hershey Felder’s deeply personal journey proves as compelling as the music that shaped it Hershey Felder steps onto a stage with a grand piano surrounded by piles of old suitcases (the kind without wheels). In other words, lots of baggage. On top of one stack of luggage sits an old…
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Off-Broadway Review: CAFÉ D’AUTOMATIQUE (The Chain Theatre Summer One-Act Festival)
FOOD FOR THOUGHT Dave Hanson’s clever one-act turns awkward honesty into comic gold First dates can be anxiety-inducing to begin with, but what if your first impression became a Tower of Babble? Welcome to Café d’Automatique, where candor is always the order of the day—and perhaps the only order you’ll receive. When Erin (Katie Aldhizer)…
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Off-Off-Broadway Review: THE TAMING OF THE SHREW (Shakespeare, Entirely / La MaMa)
A CLASSIC THAT STILL DELIGHTS Strong performances and lively staging carry the day Small Boat and kotto Productions bring Shakespeare’s romantic comedy The Taming of the Shrew to life in La MaMa‘s downstairs Club Space. An onstage bar before curtain sets the tone for the evening, and by the end of the night, you may have…
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Off-Off-Broadway Review: PORTRAITS OF GAYS IN DESPAIR (HB Playwrights Theatre)
PORTRAIT OF THE ARTIST AS FIVE GAYS Paul Kubicki’s wildly inventive cycle of short plays finds humor, heartbreak, and humanity in unexpected places If Tennessee Williams and Cole Escola had an artistic progeny, the result might look something like Paul Kubicki’s Portraits of Gays in Despair: A Cycle of 5 Plays. Beginning with a vignette…
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Music Review: THE MUSIC OF US: FROM THEN TO NOW (The New York Pops / Carnegie Hall)
SOMETHING FOR ALMOST EVERYONE The New York Pops casts a wide musical net across two and a half centuries of American song. Although the first style of music most people think of when they think of Carnegie Hall is classical music, the storied venue’s grand Isaac Stern Auditorium and its co-inhabitant, Zankel Hall, quite regularly…
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Off-Off-Broadway Review: WHAT A WORLD! WHAT A WORLD! (The Tank / New York City)
NOT WAITING FOR GODOT… WAITING FOR THE DINOSAUR This delightfully confounding absurdist comedy won’t convert skeptics, but devotees of the genre may find much to admire Halfway through What a World! What a World!, a pink dinosaur toy interrupts the action and powers onstage. The actors stop and stare. The toy stops and turns upstage…
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Music Review: IF I AIN’T GOT YOU: THE BEST OF R&B (The New York Pops / Carnegie Hall)
R&B STRINGS ATTACHED The New York Pops dresses beloved love songs in elegant symphonic attire Love was in the air at Carnegie Hall on the night before Valentine’s Day as The New York Pops and conductor Steven Reineke turned their attention to the romantic side of Rhythm & Blues with If I Ain’t Got You:…
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Off-Broadway Review: PORTRAITS OF GAYS IN DESPAIR (HB Playwrights Theatre)
SAD BOYS, WILD PLAYS Where Peter Thiel, Judy Garland, and anal warts somehow make perfect sense Theatrical experiences often move us with realism. Other times we end up with a musical number featuring an actor in drag portraying Judy Garland seeking treatment for anal warts. That’s the kind of outlandish novelty inside Portraits of Gays…
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Off-Broadway Review: GIULIA: THE POISON QUEEN OF PALERMO (PAC NYC)
A TOAST TO TOXIC JUSTICE A visually ravishing musical transforms vengeance into exhilarating theater Thanks to director Mary Zimmerman, scenic designer Daniel Ostling, and lighting designer T.J. Gerckens, there is remarkable artistry on display at PAC NYC, where the thrilling new musical Giulia: The Poison Queen of Palermo opened tonight. Topping off this impressive creative…
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Dance Review: DON QUIXOTE (American Ballet Theatre / Metropolitan Opera House / New York)
VIVA DON QUIXOTE! A joyful production welcomes seasoned ballet lovers and newcomers alike For many people today, going to see a ballet is a fun idea that no longer has the air of distancing class systems and forbidding hierarchy. Gone are the days when prevailing wisdom said classical dance can only truly be appreciated by…
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Concert Review: TONY DANZA AND THE STARS OF TOMORROW (The Triad Theatre / New York City)
THEY’RE GONNA SHINE Young performers take center stage with heart and hope A sold-out fundraiser on Feb. 26 at The Triad offered a fast-moving night of entertainment and an emotionally moving glimpse into the Stars of Tomorrow Project, introducing many of its current and former participants through song, dance, and heartfelt testimonials. Opening eyes and…
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Concert Review: CHANGED FOR GOOD: A CELEBRATION OF STEPHEN SCHWARTZ (The New York Pops / Carnegie Hall)
NO PLACE LIKE SCHWARTZ A star-studded birthday gala honors one of musical theater’s most enduring songwriters The New York Pops celebrated its 43rd Birthday Gala at Carnegie Hall on April 27 with Changed for Good: A Celebration of Stephen Schwartz, honoring the Academy, Grammy, and Tony Award-winning composer-lyricist. Led by music director Steven Reineke, an…


















