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Theater Review: HELL’S KITCHEN (National Tour)
HELL’S ON FIRE Hell’s Kitchen, a jukebox musical featuring the music of R&B superstar Alicia Keys (with several new songs) and a book by Kristoffer Diaz, took Broadway by storm in 2024, racking up thirteen Tony nominations. And now, a little over a year later, its first national touring production has arrived in Chicago at…
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Theater Review: THE ROOMMATE (Desert Ensemble Theatre)
TWO WOMEN, ONE MATCH— STRIKE CAREFULLY Jen Silverman’s combustible roommate saga kicks off Desert Ensemble Theatre’s last lap Jen Silverman’s The Roommate is a stunning opener for Desert Ensemble Theatre’s 15th and final season. Directed by Kudra Wagner, this darkly comedic exploration of second chances, self-discovery, and unlikely friendship captivates from the start. With powerhouse…
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Theater Review: MASTER CLASS (A Joint Venture between Roustabouts and Scripps Ranch Theatre in San Diego)
CALLOUS CALLAS CASTS A CAPTIVATING CHARACTER Maria Callas (1923-1977) was unquestionably one of the finest opera singers of the twentieth century. The mix of her great talent with her being difficult, petulant, and opinionated only served to heighten people’s interest in her and boost her fame, as did her very public love life, including a…
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Broadway Review: LITTLE BEAR RIDGE ROAD (Booth)
WHERE LONELINESS ECHOES AND CONSTELLATIONS ARE CALLING She gets up at dawn and is asleep by eight. She lives alone and doesn’t like people. Nobody at the hospital (where she’s worked for forty years) likes her. She watches TV and complains non-stop. In short, she’s thoroughly disagreeable. But what can you do if she’s your…
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Theater Review: PARANORMAL ACTIVITY (North American Premiere Tour at The Ahmanson Theatre)
CAN HORROR WORK ONSTAGE? PARANORMAL ACTIVITY MAKES ITS CASE I imagine most people’s response to hearing that Paranormal Activity has been turned into a stage play is a raised eyebrow—doubt mixed with intrigue. How is that going to work? Horror—especially supernatural horror—isn’t a genre you often find in theatre. It thrives in film, where the…
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Theater Review: SUMMER, 1976 (Central Square Theater)
WOMEN ON THE VERGE Central Square Theater’s lovely production of playwright David Auburn’s (Proof) Summer, 1976 offers a story of two women who find an unexpected friendship at a tipping point in both their lives. It’s an especially fitting choice for Central Square Theater, the oldest female-led theater company in Boston. Central Square’s mission includes…
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Theater Review: DEATHTRAP (MadKap Productions at Skokie Theatre)
MURDER, MAYHEM, AND A MANUSCRIPT TO DIE FOR Sometimes uncontrollable forces work in your favor. How fortunate then for MadKap productions that on the opening night of their production of Ira Levin’s Deathtrap, Chicago was plunged with little warning into its first winter storm of the season, with sub-zero temperatures, gale-force winds, and heavy snow….
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Off-Broadway Review: RICHARD II (Red Bull Theater at Astor Place Theater)
GLAMOUR BEFORE THE FALL A pansexual Richard II struts through power, pleasure, and ruin in the 1980s In its current staging at the Astor Place Theatre, Red Bull Theater serves up a Richard II for 2025 with lots of flash and style (some over substance). Director Craig Baldwin, who also adapted Shakespeare’s history play, leans…
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Theater Review: SUPERIOR DONUTS (TheArtistic Home at The Den Theatre)
GO ON AND BITE INTO THIS DONUT– YOU’VE EARNED IT It must have been quite a shock to Tracy Letts fans when Superior Donuts premiered at Steppenwolf in 2008. Chicago Theatre’s favorite adopted son had been coming off a streak of intense, gripping dramas, with his most recent one, August, Osage County, cleaning up at…
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Opera Review: FRA DIAVOLO (Pacific Opera Project)
A Night with a Gentleman Thief: Pacific Opera Project’s Delightful Fra Diavolo Daniel Auber’s Fra Diavolo amassed over 900 performances at the Opéra Comique during the 19th century before being dropped from the repertoire in 1907. Pacific Opera Project’s current production at The Highland Park Ebell Club makes a case for why this neglect is…
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Theater Review: SALLY & TOM (Marin Theatre Company)
BREAKING THE FOURTH WALL INTO THE WHITE HOUSE This play-within-a-play probes power, mythology, and who gets to tell the story Making its West Coast premiere at Marin Theatre Company is Sally & Tom — a return to material the same company explored in 2017 with the earlier, more controversial Thomas & Sally by Thomas Bradshaw….
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Off-Broadway Review: ARCHDUKE (Roundabout Theatre Company at Laura Pels)
THE SANDWICHES THAT COULD HAVE CHANGED THE WORLD A wickedly funny revision of history delights even as it faces catastrophe All they ever wanted was a sandwich… That’s the revised motivation for the young Bosnian conspirators who plotted to assassinate Archduke Franz Ferdinand, heir to the Austro-Hungarian throne, in 1914. It’s posited by playwright Rajiv…
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Theater Review: AMERIKA OR, THE MAN WHO DISAPPEARED (Open Fist Theatre Company)
THIS WAY TO THE AMERICAN DREAM– MIND THE TRAP DOORS Kafka’s story still needs an ending, but Open Fist delivers a wildly inventive Amerika If you think America is in an existential crisis right now, you either don’t know your U.S. history, or you aren’t familiar with Franz Kafka’s Amerika or, The Man Who Disappeared—which, in Dietrich…
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Theater Review: ANGRY FAGS (Ghostlight Ensemble)
SHARP CAST, BLUNT SATIRE A Fierce Ensemble Fights for Meaning in Angry Fags Topher Payne’s Angry Fags first made its appearance in 2015, in a world that was decidedly different from what it is now, and Ghostlight Ensemble’s new production at the Lifeline Theatre in Rogers Park is timely. There have been some changes made…
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Theater Review: BLUEBEARD’S CASTLE: A MEDIEVAL MUSICAL THRILLER (Odyssey Theatre)
Bluebeard’s Castle, A Medieval Musical Thriller by Russian director and playwright Sofia Streisand, making her U.S. debut at the Odyssey Theatre Ensemble, displays immense ambition that achieves only partial realization. Streisand took her inspiration from La Barbe Bleue, the French fairy tale of a serial killer whose preferred victims are the women wed to him….
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Theater Review: AS YOU LIKE IT (Midwest Premiere at Writers Theatre in Glencoe)
425 YEARS LATER, THE O.G. ROMCOM STILL CASTS A SPELL Writers Theatre in Glencoe, a charming North Shore Chicago suburb, has developed a reputation for impeccably produced theater of extremely high quality. Their newest production, a Midwest premiere of the musical adaptation of William Shakespeare’s As You Like It by Laurie Woolery and Tony-winner Shaina Taub…
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Off-Broadway Review: KYOTO (Royal Shakespeare Company at Lincoln Center’s Mitzi E. Newhouse Theater)
“It will never be forgiven.” With those chilling words, delivered just days ago, the UN climate chief branded our reckless indulgence in fossil-fueled destruction as a transgression so grave it stains the conscience of humankind, and he is not being dramatic! From Stratford-upon-Avon to London’s West End, and now at the Mitzi E. Newhouse Theater…
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Theater Review: ARMS AND THE MAN (Lamb’s Players Theatre in Coronado)
A DELIGHTFUL LITTLE SCRIPT—FOR SHAW! Best known for Pygmalion (which was adapted into My Fair Lady), Irish playwright George Bernard Shaw challenged people’s views on social issues, including class structure. In his Arms and the Man, there’s a clear message of celebrating the letting go of putting on airs, as well as a hard look at…
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Theater Review: RENT (Revolution Stage Company)
NO DAY BUT TONIGHT Revolution Stage Company’s Rent delivers heart and heat, if not always polish Revolution Stage Company’s production of Rent, directed by James Owens, bursts with passion and commitment, offering an earnest exploration of love, loss, and survival in New York City’s East Village at the height of the HIV/AIDS crisis. The energy…
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Theater Review: GOLDEN AGE (Force of Nature Productions at Sawyer’s Playhouse in North Hollywood)
SUPER ZEROES UNITE! Aging heroes, flat jokes, and laughs that need life support Golden Age by Thomas J. Nisuraca is the roughest of rough theatre. Staged by Force of Nature Productions and directed by Aurora Culver at North Hollywood’s Sawyer’s Playhouse, Golden Age kicks off with a premise worthy of a Saturday Night Live skit:…
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