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Theater
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Theater Review: BUTTERCUP (Intercontinental Drift at Marin Shakespeare)
A RIOTOUS ROMP Audiences are often drawn to a theatre by curiosity when an unknown play opens, particularly when the description is “The sacred, the profane, and side-splitting hilarity unite mother and daughter.” What on earth does that mean? Gianna Digregorio Inspired by Guy de Maupassant’s 1880 short story “Boule de Suif” (which translates into…
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Theater Review: ARISTOTLE/ALEXANDER (Company of Angels)
Teenagers these days are out of control. They eat like pigs, they are disrespectful of adults, they interrupt and contradict their parents, and they terrorize their teachers. — Aristotle When you have endless arts options to choose from every day, you eventually develop simple, blunt, sometimes arbitrary, rules to help decide what to see. One…
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Theater Review: HAMLET (A.C.T.’s Strand Theatre)
A rare and exhilarating theatrical event is unfolding at American Conservatory Theater’s Strand Theater: Suzy Eddie Izzard’s one-person performance of Hamlet. This is no ordinary production. It’s a singular encounter with Shakespeare’s masterpiece, filtered through the mind, wit, and boundless energy of a celebrated British comedian, actor, and self-described “action transvestite” who now goes by…
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Theater Review: THE HEART SELLERS (TheatreWorks)
With just two actors onstage for 90 minutes, The Heart Sellers relies entirely on the chemistry, charisma, and emotional intelligence of its performers—and in TheatreWorks’s production, Nicole Javier as Luna and Narea Kang as Jane more than rise to the occasion. Under the fluid direction of Jennifer Chang, their performances are vivid, honest, and remarkably…
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Theater Review: THE PLAY THAT GOES WRONG (Greater Boston Stage Company in Stoneham, MA)
GOING WRONG NEVER FELT SO RIGHT Like any great farce, the success of The Play That Goes Wrong depends on the utmost precision and skill of the actors, crew, and design team to make everything go right while simultaneously making it all appear to the audience to be going woefully wrong. It’s all in the…
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Theater Review: FAT HAM (San Francisco Playhouse)
TO THINE OWN SELF BE TRUE…AND FUNNY Now playing at San Francisco Playhouse, Fat Ham is James Ijames’ Pulitzer Prize-winning and Tony-nominated riff on Hamlet—but this is no brooding royal revenge tale. Instead, it’s a vibrant, funny, and deeply human family drama set in a Southern backyard, where barbecue smoke and family secrets hang thick…
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Theater Review: THE CAKE (The Bent, Palm Springs)
A SLICE OF LIFE WITH LAYERS OF ISSUES The Bent, Coachella Valley’s main theatre geared towards the queer community, is currently running The Cake, playwright Bekah Brunstetter’s take on the true news story about a bakery that refused to make a cake for a same-sex wedding. The Cake is a dramedy, with four actors generating…
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Theater Review: DIETRICH (Tour at Revolution in Palm Springs)
FALLING IN LOVE AGAIN Last night, Revolution Stage Company presented Cindy Marinangel‘s in her one woman show, Dietrich. Inspired by the legendary Marlene Dietrich, this is a captivating night of theater. Marinangel fully inhabits Dietrich, bringing a fresh and compelling take on her life and career. From the moment she steps onto the stage she…
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Theater Review: UNCLE VANYA (Shakespeare Theatre Company)
A BEAUTIFULLY SHABBY, STARKLY HUMAN TRIUMPH From the moment the house opens, Shakespeare Theatre Company’s Uncle Vanya, directed by Simon Godwin and starring Hugh Bonneville, signals that this is no ordinary Chekhov. The “pre-show” is a quietly brilliant touch: actors drift onstage, greet the audience, lace up their boots, and half-slip into character as if the…
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Theater Review: CAROUSEL (Boston Lyric Opera)
A SPIRITED REVIVAL WITH DEPTH AND DISSONANCE Eighty years after Carousel had its final pre-Broadway preview at Boston’s Colonial Theatre, Boston Lyric Opera revives Rodgers and Hammerstein’s 1945 classic with both nostalgia and an edge. Under the thoughtful direction of Anne Bogart and the sure baton of David Angus, this production revisits a golden-age musical…
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Theater Review: SHOWSTOPPER (Gary Stockdale at Whitefire Theatre in Sherman Oaks)
HIGH NOTES AND HARD KNOCKS: SHOWSTOPPER CHARTS THE SONGBOOK OF SURVIVAL Singer songwriter Gary Stockdale has a loyal but eclectic fan base. His long-term devotees date back to legendary TV producer Steven Bochco’s cutting-edge and sadly short-lived musical police drama Cop Rock, in which he played a drug dealer who stood before the bench and…
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Theater Review: DON’T EAT THE MANGOS (Huntington Theatre Company at Calderwood Pavilion)
MURDER BY MANGO Ricardo Pérez González’s Don’t Eat the Mangos—a tragicomedy brimming with revelation, rage, and retribution—transforms the Calderwood stage into a site of reckoning. Directed by David Mendizábel, this gripping family drama unfurls within the walls of a Puerto Rican home, where three adult sisters contend with the burdens of caregiving, long-held grievances, and…
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Theater Review: #CHARLOTTESVILLE (Keegan Theatre in D.C.)
HAUNTING, URGENT, AND SPEAKS VOLUMES Priyanka Shetty’s #Charlottesville, currently running at the Keegan Theatre, is a searing and deeply personal exploration of one of the darkest moments in recent American history—the 2017 “Unite the Right” rally in Charlottesville, Virginia. More than a mere recounting of the events, the production offers a visceral and emotionally charged portrait…
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Theater Review: THE WORLD GOES ‘ROUND (Lark Theater)
CELEBRATING KANDER & EBB: WHAT A LARK! In the heart of southern Marin County, Larkspur’s Lark Theater is a 1936 art deco movie house with a single screen. It required hard work, dedicated volunteers and plenty of donations from 2004 to 2007 to transform it into a state-of-the-art film and cultural center. Today, this historic…
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Theater Review: SUBURBIA (Mojo Ensemble at Odyssey Theatre)
Suburbia is too close to the country to have anything real to do and too close to the city to admit you have nothing real to do. — American essayist Sloane Crosley First, I want to acknowledge the passing of Ron Sossi, Founding Artistic Director of the Odyssey Theatre Ensemble, who made theatre in LA…
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Theater Review: SISTER ACT (Ford’s Theater in D.C.)
BENEATH THE SCHMALTZ IS A JOYFUL NOISE Fun, uplifting, and yes, frivolous, Sister Act is a musical remake of the famously successful 1992 hit movie starring Whoopi Goldberg. The historic Ford’s Theater, which also houses a museum based on Abraham Lincoln’s legacy, is a tourist destination and is known for producing non-controversial shows for the…
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Theater Review: TRUE WEST (Roustabouts Theatre Company at Diversionary Theatre in San Diego)
TRUE ZEST IN TRUE WEST As my sixtieth year on earth winds down, I’d like to believe those years have seasoned me with a strong degree of wisdom, patience, and finesse. As I said, I’d like to believe that, but there are two people who can reduce me to a furious, outrageous adolescent in a…
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Theater Review: INTO THE WOODS (Musical Theatre West)
THE FAIRY TALES BREAK– AND THAT’S THE POINT The stories are still here. Cinderella. Jack. Little Red. Rapunzel. A Baker and his Wife, tangled in a curse and each other. Into the Woods has always worn its source material like a costume—but it keeps a blade tucked underneath. Musical Theatre West’s new production doesn’t sharpen…
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Theater Review: THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE (Wisteria Theater in North Hollywood)
BEE MINUS Now playing at Wisteria Theater in North Hollywood is one of the few wonderful musicals from this century so far, The 25th Annual Putnam County Spelling Bee, by William Finn (music and lyrics) and Rachel Sheinkin (book). Now 20 years old, this delightful musical follows a group of middle schoolers as they struggle…
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Broadway Review: THE PICTURE OF DORIAN GRAY (Music Box)
THE PICTURE OF ASTOUNDING THEATRE I’ve been fortunate to witness some extraordinary one-person plays on Broadway. To name a few: Zoe Caldwell in Lillian, Ben Kingsley in Edmund Kean, Robert Morse in TRU, as well as Elaine Stritch at Liberty, I Am My Own Wife, and outstanding performances by John Leguizamo, Eric Bogosian, and Anna…



















