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Cabaret Review: MAX RAABE & PALAST ORCHESTER (“Dream a Little Dream” Tour at Symphony Hall, Boston & Carnegie Hall NY)
SMOOTH AS SILK Max Raabe & Palast Orchester brought its “Dream a Little Dream” tour to Boston last night, transporting the Symphony Hall audience to an era of Big Band swing and “hot jazz” in the Berlin and beyond of the 1920s and 1930s. (The show hits Carnegie Hall on March 21.) Bandleader Raabe, who…
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Dance Review: DONGPO: LIFE IN POEMS (International Tour)
A LIFE IN DANCE Dongpo (Su Shi’s art name) is a beloved and revered Chinese poet, writer, politician, calligrapher, and painter who was born during the Song dynasty, in the year 1,037. His life and art have inspired great minds; among them is an artist of broad talents, Shen Wei, the award-winning Chinese-American director, choreographer,…
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Cabaret Review: ALAN CUMMING IS NOT ACTING HIS AGE (Tour; Cumming to Broadway on March 25)
CUMMING OR GOING, YOU’LL WANT TO SEE THIS ONE Man of many parts, Alan Cumming discusses life’s big issues: death, love, and, yes, the size of his scrotum in Alan Cumming Is Not Acting His Age, a cabaret that started on the West End and will soon be returning to Broadway’s Studio 54. Accompanied by…
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Cabaret Review: IT’S DE-LOVELY: JEFF HARNAR SINGS COLE PORTER (Birdland and on Tour)
IT’S DELIGHTFUL, IT’S DE-LOVELY, IT’S DE-HARNAR It was as a 16-year-old boy in a suburb of Chicago that Jeff Harnar fell in love with the songs of Cole Porter. He encountered these songs not through his parents’ huge record collection or by attending local concerts, but rather through the old films he watched on television….
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Concert Review: BERNADETTE PETERS (Tour at Luckman)
SAINT BERNADETTE After she hung up her late-Victorian hat after taking over for Bette Midler in Hello, Dolly! on Broadway, the inimitable Bernadette Peters made her West End debut in Stephen Sondheim’s Old Friends on the West End, which ended on January 6, 2024. Now, she has embarked on another concert tour, making her first…
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Dance Review: COPPÉL-I.A. (Les Ballets de Monte-Carlo)
AN UPDATE COPPÉLIA ABOUT A.I. IS ALL INTELLIGENCE AND NO ARTIFICE Coppélia — a comic ballet from 1870 with music by Léo Delibes and libretto by Charles-Louis-Étienne Nuitter — is produced quite often, either in a classical vein a la Giselle, or with updates to make the story relevant to a particular era. Opening tonight…
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Theater Review: MJ THE MUSICAL (First National Tour)
IF YOU WANNA BE STARTIN’ SOMETHIN’, COME FOR THE MUSIC AND DANCE The musical biography of Michael Jackson (tersely titled MJ) is playing a brief one-week run at the San Diego Civic Theatre as part of a national tour. The show is an exhilarating audience experience whenever the hugely talented large cast sings and dances….
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Theater Review: MY MOTHER HAD TWO FACES (The Rockwell in Somerville, MA; then touring)
HER MOTHER, HERSELF It’s a truism that many women fear “becoming their mother,” and that’s certainly the implied starting point of Karin Trachtenberg’s one-woman show, My Mother Had Two Faces. The performance opens with a recording of Marlene Dietrich singing “Mutter, Kannst Du Mich Vergeben” (“Mother, Can you Forgive Me”) — an interesting choice in…
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Theater Review: GIRL FROM THE NORTH COUNTRY (North American Tour)
MCPHERSON EXPLOITS DYLAN IN GIRL FROM THE NORTH COUNTRY Girl from the North Country is one of those shows that sounds promising in the abstract: a musical incorporating songs by Bob Dylan. Whatever you think of Dylan’s singing voice, it’s undeniable that he wrote some great songs–and a few of them are used in this…
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Theater Review: CHICAGO (National Tour)
ALL THAT JAZZ AND MORE The national tour of Chicago at the San Diego Civic Theater — now through Sunday — reaffirms what generations of theater fans have recognized. This musical ranks among the major theatrical entertainments in the history of American musical theater. For verification, consider the full house at the Wednesday night performance…
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Highly Recommended Dance: COMPAÑÍA NACIONAL DE DANZA, SPAIN (Luckman Fine Arts Complex at Cal State LA)
COMPAÑÍA DE SUEÑOS The Luckman Fine Arts Complex at Cal State LA is hosting Compañía Nacional de Danza in their Luckman debut, the last stop in the U.S. as part of an International Tour. The Madrid-based “Spanish National Dance Company” will perform a mixed repertory program featuring varied and representative styles, recognizable inside and outside…
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Dance Review: COMMON GROUND(S) / THE RITE OF SPRING (Pina Bausch International Tour at the Dorothy Chandler Pavilion)
RITE ON! As part of an international tour, the weekend-long dance program that opened at the Dorothy Chandler Pavilion on Thursday — an extra-added night due to ticket demand — gave us a taste of the neo-expressionist work of trailblazer Pina Bausch, whose company The Tanztheater Wuppertal Pina Bausch made its American debut here in…
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Dance-Theater Review: MESSAGE IN A BOTTLE (North American Tour)
A SHOW THAT SENDS OUT AN S.O.S. Set to 28 songs of pop icon Sting, newly arranged and recorded with Beverley Knight and Lynval Golding (of The Specials), Sadler’s Wells Associate Artist Kate Prince (So You Think You Can Dance, Everybody’s Talking About Jamie) and her Zoo Nation company have a story to tell about the refugee…
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Theater Review: MYSTIC PIZZA THE MUSICAL (National Tour)
A TASTY SLICE OF 80s NOSTALGIA In the ever-evolving landscape of film-to-stage musical adaptations, the latest entrant Mystic Pizza emerges as a charming addition. Based on the eponymous 1988 cult-classic film delight, we are brought back to the quaint environs of Mystic, Connecticut, and the intertwined lives of three young Portuguese-American women, childhood friends working…
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Theater Review: ALL THINGS EQUAL — THE LIFE AND TRIALS OF RUTH BADER GINSBURG (Pre-Broadway National Tour)
FROM NOTORIOUS TO VICTORIOUS Michelle Azar vividly invokes the spirit of famed jurist Ruth Bader Ginsburg in Rupert Holmes’s one-woman show All Things Equal. As implied in the play’s subtitle The Life and Trials of Ruth Bader Ginsburg, Ginsburg faced many trials in and out of the courtroom. Set in Ginsburg’s chambers at the United…
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Concert Review: CÉCILE McLORIN SALVANT (Sanders Theater in Cambridge, MA)
PURE PLEASURE Acclaimed vocalist Cécile McLorin Salvant brought nothing but pleasure to Sanders Theater in Cambridge last night, courtesy of Celebrity Series of Boston. From the moment she stepped onto the darkened stage in her bright tangerine dress and what appeared to be platform Doc Martens and electric blue socks, she captivated the audience with…
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Theater Review: THE LION KING (National Tour)
IT DOESN’T MATTER WHETHER IT’S THE KING OF MUSICALS OR NOT; IT’S THE KING OF EXPERIENCES Endearing heroes and villains. Shakespeare and ancient myth. Coherent storytelling. Anthropomorphic jungle animals. Gorgeous African chanting. Transfixing puppet pageantry on a pythonic, prodigious level. A celebration of theatrical ingenuity. Forty-nine cast members –six of whom are South African. Over…
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Dance Review: MATTHEW BOURNE’S ROMEO AND JULIET (North American Premiere, Ahmanson Theatre in L.A.)
DANCE OF DESPAIR AND DESIRE Sir Matthew Bourne’s Romeo and Juliet, which made its North American premiere at the Ahmanson last night, is a bonafide hit, redefining this classic ballet (based on Shakespeare’s 1597 masterpiece) for the 21st century. Bourne, a visionary in the world of dance, has crafted a production that pulsates with modern…
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Theater Review: KOOZA (Cirque du Soleil — International Tour in San Francisco and San Jose)
KOOZA RETURNS TO THE CITY OF ITS 2007 U.S. PREMIERE Circuses since the 19th century conjure up images of clowns, fire eaters, men walking on stilts and lion tamers with jungle felines jumping through flaming hoops. The sexy girl in the sparkling bustier riding atop the elephants around in a circle is the quintessential image…
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Highly Recommended Theater: CHICAGO (National Tour at San Diego Civic Theatre)
MY KIND OF SHOW, CHICAGO IS Coming to the San Diego Civic Theatre is the National Tour of the 1996 revival of Chicago, now the longest-running revival in Broadway history, and the second longest running musical behind Phantom of the Opera. But it’s a short run, February 13-18, 2024, so don’t say I didn’t give you…
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