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Gregory Fletcher
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Off-Broadway Review: DARK NOON (St. Ann’s Warehouse)
THE NOT-SO-GOOD, THE BAD AND THE REALLY REALLY UGLY What better way to get a fresh perspective of our American West than by attending a 300-year history reenactment in 100 minutes? Written and directed by the acclaimed Danish director Tue Biering, with Nhlanhla Mahlangu as his co-director and choreographer, and performed by seven South African…
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Theater Interview: JOEY MERLO (Playwright, Off-Off-Broadway’s “Midnight Coleslaw’s Tales from Beyond the Closet!!!”)
HOLY QUEER HORROR! IT’S JOEY MERLO Joey Merlo may be best known (so far) for his On Set with Theda Bara, a “haunting and refreshingly funny fever dream” (Vulture), a one-man play starring David Greenspan — who also stars in the third play of the trilogy Midnight Coleslaw’s Tales from Beyond the Closet!!! Currently the…
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Highly Recommended Off-Broadway: HYPNOTIQUE (Extension at The Club Car at McKittrick Hotel)
THE McKITTRICK HOTEL, HOME OF SLEEP NO MORE, EXTENDS LATE NIGHT SULTRY SPECTACLE HYPNOTIQUE ALL-NEW NOCTURNAL EXPERIENCE EXTENDED Performances have been extended again on Friday and Saturday nights at 10:30 ’” with tickets on sale through June 29, 2024 ’” for Hypnotique – A Late Night Sultry Spectacle. The all-new Hypnotique revue offers a unique after-dark experience that envelops you. I was captivated by…
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Theater Interview: DANNY GARDNER (Now Appearing Off-Off-Broadway in The Opposite of Love)
AVANT-GARDNER NewYorkRep is currently presenting the world premiere of The Opposite of Love by Ashley Griffin, which runs through June 15, 2024 at the Royal Family Performing Arts Space at Church of St. Mary the Virgin, the second Episcopal Church on West 46th Street to house and support a dedicated space for live theater —…
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Highly Recommended Theater: BEN PLATT LIVE AT THE PALACE (Broadway’s Palace Theater)
PLATT’S WHERE IT’S AT AT THE PALACE As if opening the newly refurbished Palace Theater (after a 4 year hiatus) isn’t exciting enough, why not add Tony, Grammy, and Emmy Award winner Ben Platt as the star to christen it? For his opening performance last night, the surprise guest was the great Kacey Musgraves. Platt…
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Opera Review: CARMEN (Metropolitan Opera House)
MOVING TO AMERICA’S HEARTLAND, CARRIE CARCKNELL FINDS THE HEART OF CARMEN Carmen is one of the most popular operas worldwide and has been part of the Metropolitan Opera’s repertoire since its first season in 1884. 102 years later, I first experienced the Met Opera as a grad student when I attended the opening night of…
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Theater Interview: ETHAN JOSEPH (Now appearing at the Metropolitan Opera in “Fire Shut up in My Bones”)
A CHAMPION RETURNS In my first interview with Ethan Joseph a year ago, I wondered how a 12-year old boy would be able to top performing at the Met in Terence Blanchard’s Champion. On one of the biggest stages in New York and with the largest pit orchestra, onstage chorus, and production budgets, as well…
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Off-Broadway Review: GRENFELL: IN THE WORDS OF SURVIVORS (National Theatre at St. Ann’s Warehouse)
THE FLAMES OF INJUSTICE Documentary theatre, a.k.a. docudrama, uses existing nonfiction sources to create works of performance that reenact historical events. My earliest recollection of docudrama was Twilight, Los Angeles 1992, written by performer Anna Deavere Smith from interviews with people involved in the L.A. Riots that followed the acquittal of the police who brutally…
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Broadway Review: THE OUTSIDERS (Bernard Jacobs Theater)
THE OUTSIDERS IS PURE THEATRICAL GOLD Neither a rehash of S.E. Hinton’s classic 1967 novel nor of the iconic 1983 film by Frances Ford Coppola, the stunning new musical The Outsiders, which opened tonight at Broadway’s Bernard B. Jacobs Theatre, is recommended not just for the adaptation by Adam Rapp with Justin Levine but for…
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Off-Broadway Review: THE ALLY (Public Theater)
“In all debates, let truth be thy aim, not victory, or an unjust interest.” ’• William Penn Itamar Moses (The Band’s Visit) is a playwright we should all be listening to. His new play The Ally, which opened tonight at the Public Theater, is so timely and relevant, it acts as a master class in fully…
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Off-Broadway Review: THE HUNT (St. Ann’s Warehouse)
THE HUNT IS ON, BRUTAL AND UNMISSABLE The Jungle. Volcano. Life & Times of Michael K. In the last year alone, the venerable St. Ann’s Warehouse has hosted stunning theater from around the world. But last night came the most powerful, provocative theater imaginable. Not to be missed, the U.S. premiere of London’s Almeida Theatre…
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Off-Broadway Review: FIVE, THE PARODY MUSICAL (Five Musical LLC at Theater 555)
FUNNY FIVE SENDS-UP SIX To the worldwide fanbase of the Toby Marlow and Lucy Moss’s Six, fear not — the new Off-Broadway parody Five pays loving homage to the girl-power musical sensation that brings the six wives of Henry VIII together for a competition to decide which one had it worse. In Six, each queen…
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Interview: GREG MULLAVEY (Now Playing King Lear in Frog + Peach’s Production Off-Broadway)
KING LEAR, KING LEAR Gregory Mullavey stars in the Frog + Peach Theatre Company’s production of Shakespeare’s King Lear through Feb. 18, 2024. Mr. Mullavey performs the iconic tragic character who, nearing the end of his reign, challenges his three daughters in a most unusual way to determine who will reign over his kingdom. Mr….
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Off-Broadway Review: ONCE UPON A MATTRESS (Encores! at New York City Center)
A MATTRESS THAT REVIVES AND RENEWS When Encores! announced Once Upon a Mattress as part of their season’s concert series reviving American musicals, my first thought: Does this nutty chestnut need reviving? After all, there have been numerous in-your-neighborhood productions (for decades, Mattress was one of the most-produced musicals in high schools, colleges, and community…
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Off-Broadway Review: OUR CLASS (Fisher Fishman Space at BAM, the Brooklyn Academy of Music)
STAGED AT AN EMOTIONAL DISTANCE, OUR CLASS IS A HARROWING REMINDER OF ONGOING ANTISEMITISM At a recent viewing of Joshua Harmon’s Broadway play Prayer for the French Republic, French Jews no longer feel safe with the overt antisemitism in Paris and ultimately ask themselves, “Why do they hate us?” In Our Class by Tadeusz SŠ‚obodzianek…
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Theater Review: LOVE, LOVE, LOVE (Studio Theatre in Washington, D.C.)
IS LOVE REALLY ALL YOU NEED? “Love” appears three times in the title of this three-act play, and there are three separate time periods and settings, all of which are directed with solid, assured focus by David Muse, impressively in his 14th year as Studio Theatre Artistic Director. Written by the prolific British playwright Mike…
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Off-Off-Broadway Review: THE WHOLE OF TIME (Torn Page)
THE WHOLE PICTURE Joben Productions presents The Whole of Time by Romina Paula, an Argentinean playwright and multidisciplinary artist. The play was translated by Jean Graham-Jones, a scholar of Argentine theatre and performance, and directed by Tony Torn with a downtown, raw, intimate approach. Part of the fun of attending this 70-minute performance is getting…
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Dance Review: COMMON GROUND(S) / THE RITE OF SPRING (Pina Bausch Tour at Park Avenue Armory)
THE RITE OF BAUSCH As part of an international tour, this outstanding New York premiere which opened last night showcases a double bill: The Rite of Spring features Pina Bausch’s monumental choreography and Common Ground[s] pays tribute to her by partners at the Pina Bausch Foundation, École des Sables, and Sadler’s Wells. Germaine Acogny and…
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Interview: JELANI REMY (currently performing in Broadway’s Back to the Future: The Musical)
REMY OH MY Hill Valley has been recreated at the Winter Garden Theatre, where Back to the Future: The Musical opened in September. Speeding up to 88 miles per hour, Marty McFly (Casey Likes) is transported back to 1955 in a time machine, built by the eccentric scientist Doc Brown (Roger Bart). The course of history…
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Interview: SANTINO FONTANA (appearing in Classic Stage Company’s ‘I Can Get It For You Wholesale’)
HIS BRILLIANT CAREER…CONTINUED Twelve years ago, Stage and Cinema’s Gregory Fletcher interviewed Santino Fontana for his 2011 performance in Roundabout’s Sons of the Prophet, for which he won a Lucille Lortel, Obie, and Outer Critics Circle Award. The New York Times theater critic Charles Isherwood raved about Fontana’s “sensitive performance” and introduced him as “one…
Off-Broadway Review: THE MONSTERS (Manhattan Theatre Club at NY City Center)
by Alex Simmons | February 11, 2026
in New York, TheaterTheater Review: THREE COCONUTS (West Coast Jewish Theatre in Santa Monica)
by Judson Feder | February 11, 2026
in Los Angeles, TheaterBoston Theater Review: LITTLE WOMEN (Actors’ Shakespeare Project)
by Lynne Weiss | February 10, 2026
in Boston, TheaterTheater Review: MY LIFE AS A COWBOY (North American Premiere at Open Space Arts)
by Croydon Fernandes | February 9, 2026
in Chicago, TheaterTheater Review: MY SON THE PLAYWRIGHT (Rogue Machine)
by Michael Landman-Karney | February 9, 2026
in Los Angeles, TheaterTheater Review: CAMP MORNING WOOD (Prism Theater in Palm Springs)
by Stan Jenson | February 9, 2026
in Palm Springs
(Coachella Valley), TheaterTheater Review: THE IRISH … AND HOW THEY GOT THAT WAY (Porchlight Music Theatre)
by Croydon Fernandes | February 8, 2026
in Chicago, Theater
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