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Jesse David Corti
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Los Angeles Theater Review: CHESS (East West Players)
ALL THE WRONG MOVES The musical Chess highlights the tongue-twisting, swift, and pithy lyrics by Tim Rice and the soaring, dazzling music by Benny Andersson and Björn Ulvaeus of ABBA fame. In previous Stage and Cinema reviews of productions at MTG and the Met Theatre, its history has been well-documented: The super-partnership of Rice-Andersson-Ulvaeus in 1979;…
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LOS ANGELES MUSIC REVIEW: TRIBUTE TO MILES (Herbie Hancock, Wayne Shorter, Marcus Miller, Vinnie Colaiuta, and Sean Jones at Disney Hall)
MILES FURTHER, JAZZ FARTHER Pianist/keyboardist Herbie Hancock, saxophonist Wayne Shorter, drummer Vinnie Colaiuta, trumpeter Sean Jones, and bassist Marcus Miller settled into Disney Hall to pay tribute to arguably the greatest pioneer of Jazz music after Duke Ellington, Mr. Miles Davis. Hancock greeted the nearly sold-out audience with an emphatic “Los Angeles is in the House!”…
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Los Angeles/Regional Theater Review: THE PARISIAN WOMAN (South Coast Repertory in Costa Mesa)
THE PETITE POLITIQUE Few playwrights have it as good as Beau Willimon at the moment; he’s a critical and commercial success on all three major platforms’”stage, screen, and stream. His play Farragut North was so successful and praiseworthy that George Clooney and Leonardo DiCaprio both bought the rights to adapt it to film; George Clooney…
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Los Angeles Music Review: WILD UP: BROOKLYN | BRIDGE TO PALM (REDCAT)
PASSION OVER PERFECTION wild Up is an electric ensemble of twenty-two twenty-somethings who vigorously perform a maelstrom of eclectic musical works ranging from J.S. Bach to They Might Be Giants. Led by the dynamic and skittish Artistic Director-Conductor Christopher Rountree at REDCAT in Disney Hall last Wednesday, the zestful ensemble performs a bizarrely arranged program of…
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Los Angeles Theater Review: SLIPPING (Lillian Theatre in Hollywood)
NO SLIPS HERE After previous productions in Chicago and New York, Daniel Talbott’s first play Slipping touches down in Los Angeles and serves as both the inaugural production of Rattlestick Playwrights Theater in Los Angeles and his directorial debut. The deconstructed text is challenging – hopping back and forth in place and time utilizing a plethora of short scenes…
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Los Angeles Theater Review: AMERICAN BUFFALO (Geffen Playhouse in Westwood)
THE GEFFEN PRODUCTION OF AMERICAN BUFFALO PREFERS TO GRAZE RATHER THAN STAMPEDE The script of David Mamet’s assaulting and brutal American Buffalo still packs bite after thirty-eight years. The rapid-fire rat-a-tat-tat staccato dialogue crackles, and its unsentimental, unflinching portrait of two-bit low-lifes willing to scrape, scrap, and screw anything and everything to get their slice…
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Los Angeles Theater Review: THE BEAUX’ STRATEGEM (A Noise Within in Pasadena)
RESTORED RESTORATION Northern Irish playwright George Farqhuar died at the tender age of 30, in 1707. However, he finished writing one last play before his passing, The Beaux’ Stratagem, a restoration comedy that was a financial and critical success; unfortunately, Farqhuar could only enjoy its success from the grave. In 1939, Thornton Wilder, hot off…
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Los Angeles Theater Review: THE BARGAIN AND THE BUTTERFLY (Artworks Theatre in Hollywood)
A BUTTERFLY THAT’S STILL IN THE COCOON Katherine Noon’s latest ensemble workshop-developed hydra creation, The Bargain and the Butterfly, takes its inspiration from Nathaniel Hawthorne’s The Artist of the Beautiful. In Hawthorne’s tale, Owen Warland works at a watchmaker’s shop; he is a brilliant fool with a heart of gold who is more caught up…
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Los Angeles Theater Review: EURYDICE: (A Noise Within in Pasadena)
MYTH UNDERSTOOD Sarah Ruhl’s Eurydice is classical in its mythological origins but forges a modern path with a point of view modification and feministic flair. The original Greek myth of Orpheus is centered on the incomparable, eponymous musician who loses his wife to the netherworld too soon. He is then motivated to do whatever it takes…
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Los Angeles/Tour Theater Review: ONE NIGHT WITH JANIS JOPLIN (Pasadena Playhouse)
ONE NIGHT WITH PEARL Break out the Southern Comfort and feathered boa, One Night with Janis Joplin is a helluva concert experience presented at the Pasadena Playhouse. Writer-director-creator Randy Johnson offers a celebration of the biographical-musicological journey of Janis Joplin through a psychedelic prism and accents it with 21st century theatrics. No tragedy here, just…
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Los Angeles Theater Review: MRS. WARREN’S PROFESSION (Antaeus Theatre Company)
HOW TO SURVIVE CHAUVINISTIC INHUMANITY WITHOUT REALLY TRYING We live in a nation where people celebrate socialite Kim Kardashian, who bore a child with a man who’s not her husband. Sexual indiscretion can be summed up as “Hey, what happens in Vegas, stays in Vegas.” And whether it’s a running joke or understood truth, the…
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Los Angeles Music Review: JAZZ AT LINCOLN CENTER ORCHESTRA WITH WYNTON MARSALIS (Disney Hall)
THE PRIDE OF JAZZ PURITANS Wynton Marsalis has received a plethora of awards from numerous countries, committees and academies for his talents and contributions to the world as a musician, arranger, composer, and cultural ambassador. In 2009, he received the Insignia Chevalier of the Legion of Honor from France; it’s the equivalent of attaining knighthood in…
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Los Angeles Theater Review: MOMMUNE (Chalk Repertory Theatre)
WHAT DO YOU DO WITH A BAD MOM? Chalk Repertory Theatre continues presenting non-traditional, site-specific theatre with the world premiere of Dorothy Fortenberry’s newest work, Mommune. “Mommune” is the name of a childcare center, and the two-hour real-time melodrama about motherhood – featuring an all-woman ensemble – takes place at an actual day care center,…
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Los Angeles Theater Review: THE LAST DAYS OF JUDAS ISCARIOT (Victory Theatre in Burbank)
THE PLAY ABOUT A TRIAL ULTIMATELY BECOMES A TRIAL TO WATCH Stephen Adley Guirgis’ The Last Days of Judas Iscariot is a courtroom drama set in Purgatory where the guilty or not guilty verdict literally means heaven or hell for the one standing trial. The one being judged in this case is former apostle and…
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Los Angeles Theater Review: THE GRAPES OF WRATH (A Noise Within)
RIPPED TO RAGS IN A BEAUTIFUL WAY John Steinbeck’s Pulitzer Prize and National Book award-winning novel The Grapes of Wrath operates as both a harrowing portrait of the American struggle for life, liberty, and happiness, and an impassioned rally cry for the downtrodden; it is a fitting title (suggested by the writer’s wife) considering it…
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San Diego Theater Review: PYGMALION (Old Globe)
GALATEA COMES TO LIFE Transformation. Evolution. Metamorphosis. These words are often confined to biological definition, abused in a critic’s articulation, and criminally under-applied by artists of this generation. Most popular art today can be likened to fast food: Sub-par products synthesized under the pretense that it’s what the consumer is demanding. In actuality, it is…
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Los Angeles Dance/Theater Review: TRAVERSE (Arcosm at Theatre Raymond Kabbaz)
CROSS OVER FROM ROUTINE AND VIVRE LE VIE Napoleon’s vision to make the world his grand empire of France was stifled by his winter campaign in Russia and his defeat at Waterloo. However, what he may not have imagined is France’s prevailing influence in the world – not necessarily as a military superpower – but…
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Los Angeles Theater Review: BACKBEAT: THE BIRTH OF THE BEATLES (Ahmanson Theatre)
TALK ABOUT A LONG AND WINDING ROAD So, this cool cat painter, a blonde Frau, and several Liverpool lads named John, Paul, George, and Pete walk into a bar in Hamburg: While this sounds like the beginning of a bad joke, it is actually a more accurate description of Backbeat, a bad “musical.” Based on…
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Theater Review: TRACK 3 (Theatre Movement Bazaar at Bootleg)
RUSHIN’ RUSSIAN Track 3 at the Bootleg Theater is a peculiar sort. Richard Alger’s adaptation of Anton Chekhov’s classic Three Sisters is better described as a transmogrification of the text. The play centers on sisters Olga, Masha, Irina, and their brother, Andrei. Dissatisfied with life in a provincial town, they all share a yearning to…
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Los Angeles Theater Review: THE GOOD NEGRO (Hudson Mainstage)
THE SLIPPERY SIGNIFICANCE OF GREAT AND GOOD A person’s true character is revealed in crisis. The road to triumph is filled with battles lost and sacrifices made, but overall it is worth the pain and perseverance. Tracey Scott Wilson’s The Good Negro follows Reverend James Lawrence, who leads the civil rights movement in Birmingham, Alabama…
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