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Milo Shapiro
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San Diego Theater Review: THE FOREIGNER (Lamb’s)
THE FOREIGNER HAS GOOD REASON TO STAY PUT Some theatre is staged to raise our awareness. Some theatre is designed to tell a story that will move us emotionally. Some theatre is intended to share a different viewpoint. All of this is good. On the other end of the scale, some theatre exists for nothing…
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San Diego Theater Review: MAPLE AND VINE (Cygnet)
A TWISTED TRIP DOWN MEMORY LANE Imagine yourself transported back to 1955: Forming values in the image of Father Knows Best; solving family problems as cleanly as Ozzie and Harriet; and living in the perfect suburban community with like-minded neighbors. When compared to our complicated, isolating, 21st-century push-button lives, we may feel a nostalgic longing to…
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Theater Review: SHE-RANTULAS FROM OUTER SPACE-IN 3D! (Diversionary Theatre)
CAMPY SHE-RANTULAS HAS QUITE A BITE Dictionary.com defines “camp” as “something that provides sophisticated, knowing amusement, as by virtue of its being artlessly mannered or stylized, self-consciously artificial and extravagant.” Perhaps more to the point, though, is the quote found in the margin; author Curtis F. Brown quips, “In short, camp mocks bad taste; kitsch…
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Regional Theater Review: THE TALLEST TREE IN THE FOREST (La Jolla Playhouse)
A NOURISHING TREE While lacking in emotional engagement, Daniel Beaty’s solo outing exploring the life of actor/singer/activist Paul Robeson undoubtedly entertains, educates, inspires, and leaves the audience with a great deal to talk about. With an international following of his music, stage performances and cinema work, Paul Robeson was one of the best-known black men…
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San Diego Theater Review: WIT (Lamb’s Players Theatre in Coronado)
WIT DOESN’T HOLD BACK Years back, Oldsmobile released a new line of sporty, sleek cars with the tagline “This is NOT your father’s Oldsmobile.” For those who associate Lamb’s Players with lighter fare such as Godspell, Guys and Dolls and Christmas specials, the powerhouse production of Wit which opened this week proves that this is NOT…
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San Diego/Tour Preview: DRALION (Cirque du Soleil)
HUMANS ARE THE SPECTACLE, NOT ANIMALS Childhood memories of circus fun include ringleaders putting heads in a lion’s mouth, dancing bears, and elephants resting a paw upon a lovely lady’s head. That is, such memories exist if you are a person of a certain age. If you haven’t been to a circus type event since…
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San Diego Theater Review: MISTAKES WERE MADE (Cygnet Theatre)
WORTH ITS WEIGHT IN GOLDFISH As a rising star in San Diego’s theater scene, Cygnet put a lot of eggs in one basket in producing Mistakes Were Made. Fortunately, they invested in the right basket with Phil Johnson, whose ability to go broadly comedic and then reel it back in sells this show for all…
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San Diego Theater Review: SEE HOW THEY RUN (Lambs Players in Coronado)
SEE HOW THIS WARTIME FARCE HOLDS UP The marquee outside of Lamb’s Players declares See How They Run to be “one of the funniest shows ever.” While never achieving a promise as great as that, Lamb’s has resurrected a sixty-year-old gem with good effect and more than enough laughs. As staged farces go, this one…
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San Diego Theater Review: GOD OF CARNAGE (The Old Globe’s Sheryl and Harvey White Theatre)
COMEDIC CARNAGE SHARPLY WALKS THE LINE OF TRAGEDY Playwright Yasmina Reza has said, “My plays have always been described as comedy, but I think they’re tragedy. They are funny tragedy, but they are tragedy. Maybe it’s a new genre.” Reza isn’t kidding herself. Audience members can be spotted gasping, flinching, moaning, and covering their faces during…
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Regional Theater Review: Man of La Mancha (Cygnet Theatre in San Diego)
A GREAT KNIGHT, BUT JUST A GOOD NIGHT When a show comes back time and again, the review question is two-fold: (1) Is it worth reviving? and (2) Does this production offer a reinterpretation such that it warrants another look (or a first time look for a new generation)? In the case of Cygnet’s Man of…
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Regional Theater Review: INHERIT THE WIND (The Old Globe in San Diego)
CREATIONISM VS. EVOLUTION; RELEVANCE VS. TIMELESSNESS Dubbed “The Trial of the Century” (with rhetorical apologies to O.J.), the actual 1925 trial that inspired Inherit the Wind marks a milestone in the American legal system: The first time science vs. religion found its way to the public courthouse. The Scopes trial (named after defendant John Scopes,…
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Theater Review: BLOOD AND GIFTS (Mandell Weiss Forum Theatre; La Jolla Playhouse in San Diego)
GRIPPING PLAY EXPLORES THE TANGLED WEB BORN OF AN IDEALISTIC WAR Set primarily in Pakistan along the Afghan border, J.T. Rogers’ Blood and Gifts begins in 1981, a critical point in the Cold War. Brezhnev’s Russian invasion of Afghanistan has Reagan in a quagmire: how does the U.S. attempt to stop the spread of communism…
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Regional Theater Review: COMING ATTRACTIONS (Moxie Theatre in San Diego)
CAMPY LAUGHS FROM BROAD CHARACTERS Playwright Zsa Zsa Gershick is best known for her GLAAD and NAACP award-winning play Bluebonnet Court, a drama with humorous moments. With her latest world-premiere at Moxie Theatre, Coming Attractions, she flips the intention, giving us instead a wit-filled comedy with touching moments. Though all-but-one of the characters are fiction,…
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Tour Review: TOTEM (Cirque du Soleil)
CIRQUE’S PERKS What’s a circus without lions, tigers, and elephants? In the case of Cirque du Soleil’s Totem, their eleventh major production in 26 years, it’s a marked improvement, proving that animals acts are strictly for the birds when it comes to grand circus entertainment. Press materials tell us that “Totem traces the fascinating journey…
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Regional Theater Review: BROWNIE POINTS (Lamb’s Players in San Diego)
POINTS FOR THE RICH MIX IN BROWNIE Five women consider themselves to be friends because their daughters are in the same Girl Scouts troupe. The bond they share should have been enough to plan and co-lead a weekend camping excursion for the troupe, but challenges along the way reveal different personalities that were belied by…
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Regional Theater Review: TORTILLA CURTAIN (Lyceum Stage in San Diego)
THE TORTILLA CURTAIN RISES TO BIG APPLAUSE A frequently-used device in plot is to create two or more distinctively different characters and see how they function once they are thrown together (Kiss of the Spider Woman, The Odd Couple), but in Tortilla Curtain, the difference is the effect they have had on each other as…
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San Diego Theater Review: THE GREAT AMERICAN TRAILER PARK MUSICAL (San Diego REP)
CORNED BEEF TRASH The Great American Trailer Park Musical has a misleading superlative. The show mirrors A Tuna Christmas and Sordid Lives, in that it takes a humorous look at the goings-on of America’s trashy lower-middle class, yet these other shows are far superior in writing and character development. The Rep’s solid production can not…
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Regional Theater Review: THE DROWSY CHAPERONE (Coronado Playhouse in Coronado, CA)
SWEET AND WITTY SPOOF IS A CURE-ALL FOR THE BLUES The playbill cover for Coronado Playhouse’s highly charming production of The Drowsy Chaperone describes it as “A Musical Within A Comedy,” which is partly true: it’s also both a take-off and homage to old-fashioned Broadway musicals (book by Bob Martin and Don McKellar and music…
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Regional Theater Review: THE GLASS MENAGERIE (Cygnet Theatre at The Old Town Theatre in San Diego)
CYGNET’S GLASS MENAGERIE SPARKLES It is easy to see why Tennessee Williams’ The Glass Menagerie was an immediate hit when it debuted in 1944. In an era of everyone keeping up appearances, hiding any real pains at home, personal struggles could make one feel painfully alone. Williams gave the masses a chance to sneak a…
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Theater Review: GYPSY (ion theater company in San Diego)
MOSTLY EVERYTHING’S COMING UP ROSES For most theater lovers, Gypsy equals Ethel Merman as Mama Rose, even if you never saw her do it. After a single time hearing Merman’s larger-than-life rendition of “Everything’s Coming Up Roses,” it’s hard to imagine anyone else belting out that role. So when one hears that ion theater company…
Theater Review: LEGALLY BLONDE (Berkeley Playhouse / Berkeley)
by Chuck Louden | September 21, 2026
in San Francisco
(Bay Area), TheaterTheater Review: TEXAS SODOMY (Whitefire Theatre / Sherman Oaks)
by Michael Landman-Karney | September 20, 2026
in Los Angeles, TheaterTheater Review: THE GLASS MENAGERIE (Center REP / Walnut Creek)
by Chuck Louden | September 20, 2026
in San Francisco
(Bay Area), TheaterTheater Review: HANGMEN (Long Beach Playhouse)
by Michael Landman-Karney | September 19, 2026
in Los Angeles, TheaterTheater Review: THE HUMANITIES (Victory Gardens Theater / Chicago)
by Croydon Fernandes | September 19, 2026
in Chicago, TheaterTheater Review: BEGIN AGAIN (World Premiere Musical / The Old Globe / San Diego)
by Milo Shapiro | September 19, 2026
in San Diego, TheaterTheater Review: JEKYLL & HYDE (Kokandy Productions / Broadway Playhouse / Chicago)
by Emma S. Rund | September 19, 2026
in Chicago, TheaterTheater Review: MARISOL (Open Fist Theatre Company / Los Angeles)
by Lawrence Lucero | September 18, 2026
in Los Angeles, TheaterTheater Review: THE VISIT (Pasadena Playhouse)
by Michael Landman-Karney | September 17, 2026
in Los Angeles, Theater



















