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Milo Shapiro
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Film Review: NORMAN LEAR: JUST ANOTHER VERSION OF YOU (directed by Heidi Ewing & Rachel Grady)
LEAR: KING OF THE 1970s SITCOM “Maybe [people] continued to agree with Archie Bunker – as I said earlier, you can’t change people’s minds, but you can get them to think.” – Norman Lear When you think of words to describe 1960s television, one word that won’t come to mind is “edgy”. It’s almost hard…
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San Diego Theater Review: DINNER WITH MARLENE (Lamb’s Players Theatre in Coronado)
LAMB’S SERVES UP A TASTY DINNER WITH MARLENE There’s an old parlor game of trying to decide: If you could attend a dinner party and choose any guests you wanted around the table, whom would you select? For Eric Hanes, who visited Paris from Sweden in 1938, he might well have picked the people who…
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San Diego Theater Review: THE ROCKY HORROR SHOW (Cygnet Theatre)
GIVE YOURSELF OVER TO ABSOLUTE PLEASURE Those familiar with the movie version of The Rocky Horror Show may be shocked to find that there is no typo in the title of the stage version: Here, there is no “Picture” before “Show.” Before anyone had thoughts of a movie about the gang from Transsexual Transylvania, there…
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San Diego Theater Review: WHEN THE RAIN STOPS FALLING (Cygnet Theatre)
WHEN IT RAINS, IT SOARS Let’s start with the unavoidable down-side so we can end with the up-side. While Cygnet Theatre’s When the Rain Stops Falling is spectacular, it is terribly complicated and confusing. It’s challenging enough that the 2008 play time-jumps across four generations, sometimes with different actors playing the same character, but Australian playwright Andrew Bovell purposely holds…
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San Francisco Theater Review: COMPANY (San Francisco Playhouse at the Kensington Park Hotel)
IN GOOD COMPANY In a world of musicals that are filled with catchy harmonies and melodies that stick in your mind, Stephen Sondheim’s songs have frequently been the rebels. Sondheim is notorious for creating moods through carefully clashing tones and purposeful disharmonies. For some attendees, it’s a reason to celebrate his work; for others, it’s…
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San Diego Theater Review: AVENUE Q (Coronado Playhouse in Coronado)
IT DOESN’T SUCK TO BE AVENUE Q AT CORONADO In the right setting, irreverence is so jovial. Perhaps our era of thought-police and political correctness has made it delicious to pervert that which seems simple and pure solely for the sake of entertainment, but musicals such as The Producers and The Book of Mormon are…
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Film Review: THE OUTRAGEOUS SOPHIE TUCKER (Directed by William Gazecki)
A BLAST OF THE RED HOT MAMA “I believe in tit for tat. And if that’s not true, someone owes me a lot of tat!” – Sophie Tucker A good line, if you’re Kathy Griffin, Lisa Lampanelli, or Roseanne Barr living in 2014. But if you’re Sophie Tucker, breaking into show biz during the Teddy…
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San Diego Theater Review: PAGEANT (Cygnet Theatre)
DRAG YOURSELF DOWN TO PAGEANT Exiting Cygnet’s revival of Pageant, my writing pad, normally filled with pages of barely decipherable notes, had nothing upon it but the title. This successfully silly and enjoyable entertainment is neither deep nor needs fixing’”and besides, who can turn away from such lovely ladies? Pageant takes us through an over-the-top…
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San Diego Theater Review: JADE HEART (MOXIE)
THE GREAT CALL OF CHINA The very nature of adoption can leave a child’”and the adult he or she becomes’”filled with questions: Who were you, Mother? Why did you make this choice? Do you regret it? And perhaps most painful to ponder: Would you be glad to meet me, if you could? For Jade McCullough…
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San Diego Theater Review: MY SON THE WAITER, A JEWISH TRAGEDY (Lyceum in San Diego)
TRAGIC FOR HIM BUT GOOD FUN FOR US Hot on the heels of the run of Old Jews Telling Jokes, the Lyceum brings us a very different and more personal look at Jewish humor. Instead of a non-stop set of jokes, comedian and actor Brad Zimmerman’s one-man show is a well-rounded piece. Part observational humor,…
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San Diego Theater Review: OLD JEWS TELLING JOKES (Lyceum Theatre)
WHAT, WOULD IT KILL YOU TO HEAR A JEWISH JOKE, I ASK YOU? A German, a Frenchman, and a Jew are crawling across the desert. The German says, “Mein Gott! I’m so hot and thirsty and tired. I must have a beer!” The Frenchman says, “Mon Dieu! I’m so hot and thirsty and tired. I…
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San Diego Theater Review: RED (San Diego REP)
A BLINKING YELLOW FOR RED AT THE REP Is a soup can art? To Matisse, probably not. To Warhol, clearly yes. And to everyone else? Ah, that’s when we start getting into what art really is. Playwright John Logan’s Red looks deeply at this question from the perspectives of two very different men in 1958….
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San Diego Theater Review: SPRING AWAKENING (Cygnet Theatre in Old Town)
A LOT OF YOUTHFUL SPRING BUT LITTLE CHARACTER AWAKENING Given harsh themes including child abuse, rape, homosexuality, and suicide, one can easily see why Frank Wedekind’s original German play Spring Awakening was initially banned when released; these subjects may be par for the course on the nightly news, but it was pretty hot stuff for Germany…
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Film Review: THE CONGRESS (directed by Ari Folman)
THE WRIGHT STUFF In this highly stylized adaptation of Stanislaw Lem’s sci-fi novel The Futurological Congress, Robin Wright stars as herself, but the scenario is different. She’s still the aging star of the classic films Princess Bride and Forrest Gump, but her career has taken a long, slow dump because of her frequent need to…
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San Diego Theater Review: THE FOREIGNER (Lamb’s)
THE FOREIGNER HAS GOOD REASON TO STAY PUT Some theatre is staged to raise our awareness. Some theatre is designed to tell a story that will move us emotionally. Some theatre is intended to share a different viewpoint. All of this is good. On the other end of the scale, some theatre exists for nothing…
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San Diego Theater Review: MAPLE AND VINE (Cygnet)
A TWISTED TRIP DOWN MEMORY LANE Imagine yourself transported back to 1955: Forming values in the image of Father Knows Best; solving family problems as cleanly as Ozzie and Harriet; and living in the perfect suburban community with like-minded neighbors. When compared to our complicated, isolating, 21st-century push-button lives, we may feel a nostalgic longing to…
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Theater Review: SHE-RANTULAS FROM OUTER SPACE-IN 3D! (Diversionary Theatre)
CAMPY SHE-RANTULAS HAS QUITE A BITE Dictionary.com defines “camp” as “something that provides sophisticated, knowing amusement, as by virtue of its being artlessly mannered or stylized, self-consciously artificial and extravagant.” Perhaps more to the point, though, is the quote found in the margin; author Curtis F. Brown quips, “In short, camp mocks bad taste; kitsch…
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Regional Theater Review: THE TALLEST TREE IN THE FOREST (La Jolla Playhouse)
A NOURISHING TREE While lacking in emotional engagement, Daniel Beaty’s solo outing exploring the life of actor/singer/activist Paul Robeson undoubtedly entertains, educates, inspires, and leaves the audience with a great deal to talk about. With an international following of his music, stage performances and cinema work, Paul Robeson was one of the best-known black men…
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San Diego Theater Review: WIT (Lamb’s Players Theatre in Coronado)
WIT DOESN’T HOLD BACK Years back, Oldsmobile released a new line of sporty, sleek cars with the tagline “This is NOT your father’s Oldsmobile.” For those who associate Lamb’s Players with lighter fare such as Godspell, Guys and Dolls and Christmas specials, the powerhouse production of Wit which opened this week proves that this is NOT…
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San Diego/Tour Preview: DRALION (Cirque du Soleil)
HUMANS ARE THE SPECTACLE, NOT ANIMALS Childhood memories of circus fun include ringleaders putting heads in a lion’s mouth, dancing bears, and elephants resting a paw upon a lovely lady’s head. That is, such memories exist if you are a person of a certain age. If you haven’t been to a circus type event since…
Theater Review: OCTET (Goodman Theatre)
by Mitchell Oldham | July 19, 2026
in Chicago, TheaterTheater Preview: PROOF (El Portal Theatre / North Hollywood)
by pwsadmin | July 17, 2026
in Los Angeles, Theater


















