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Milo Shapiro
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San Diego Theater Review: SHOCKHEADED PETER (Cygnet Theatre Company)
WHAT A SHOCK In 1845, German psychiatrist Heinrich Hoffmann wrote a disturbing but popular children’s book featuring the perils of children who misbehave. A century and a half later, in 1998, the popular book was adapted for the stage by Improbable, a London theater company, and The Tiger Lillies, a cult British musical trio; together, they brought the stories…
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San Diego Theater Review: FIRST DATE (San Diego Musical Theatre at Horton Grand Theatre)
A FIRST DATE THAT GOES WELL The device of having characters receive advice from a conscience or someone from their past is tried and true in musicals: They’re Playing Our Song‘s Vernon’s gets help from his Greek Chorus “boys”; Grease‘s Frenchy is (beauty)schooled by the Teen Angel; and now, First Date‘s Aaron and Casey get input, helpful…
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San Diego Theater Review: THE GEEZE AND ME (THE TENTH Avenue Arts Center)
IT’S WORTH SINGING ABOUT GETTING OLDER Perhaps the only thing worse than getting older is thinking about it. So when a nascent theater company puts on a show’”a musical no less’”about the fear and associated feelings regarding aging (and the odds of becoming what is referred to as a “Geeze”), some theatergoers may understandably be hesitant to…
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San Diego Theater Review: ON THE 20TH CENTURY (Cygnet Theatre Company)
A LONG RIDE ON THE TWENTIETH CENTURY In today’s world of seeing T-shirts in fancy restaurants, it’s almost difficult to envision that, once upon a time, people would dress to the nines for a 16-hour train ride, being attended to by spiffy stewards, waiters, and chefs. But that’s exactly what hundreds of New York’s elite did…
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San Diego Theater Review: 9 TO 5 (San Diego Musical Theatre at Spreckels Theatre)
I COULD WATCH 9 TO 5 24/7 In 1980, an unlikely film trio, Lily Tomlin, Jane Fonda, and Dolly Parton, was the center of 9 to 5, an amusing feminist romp with lovable characters. Years later, Patricia Resnick took the screen play she co-authored and created the book for the stage version, featuring new music by Parton,…
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San Diego Theater Review: BAD JEWS (Cygnet Theatre)
BAD JEWS MAKES FOR GOOD THEATRE, BUT OY SUCH AGITA There’s an old joke: “What do you get if you put three Jews in the same room? Four opinions.” In Joshua Harmon’s Bad Jews, the joke is elevated to a new level when the three strikingly different people are two brothers, Liam and Jonah, and…
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Film Review: NORMAN LEAR: JUST ANOTHER VERSION OF YOU (directed by Heidi Ewing & Rachel Grady)
LEAR: KING OF THE 1970s SITCOM “Maybe [people] continued to agree with Archie Bunker – as I said earlier, you can’t change people’s minds, but you can get them to think.” – Norman Lear When you think of words to describe 1960s television, one word that won’t come to mind is “edgy”. It’s almost hard…
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San Diego Theater Review: DINNER WITH MARLENE (Lamb’s Players Theatre in Coronado)
LAMB’S SERVES UP A TASTY DINNER WITH MARLENE There’s an old parlor game of trying to decide: If you could attend a dinner party and choose any guests you wanted around the table, whom would you select? For Eric Hanes, who visited Paris from Sweden in 1938, he might well have picked the people who…
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San Diego Theater Review: THE ROCKY HORROR SHOW (Cygnet Theatre)
GIVE YOURSELF OVER TO ABSOLUTE PLEASURE Those familiar with the movie version of The Rocky Horror Show may be shocked to find that there is no typo in the title of the stage version: Here, there is no “Picture” before “Show.” Before anyone had thoughts of a movie about the gang from Transsexual Transylvania, there…
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San Diego Theater Review: WHEN THE RAIN STOPS FALLING (Cygnet Theatre)
WHEN IT RAINS, IT SOARS Let’s start with the unavoidable down-side so we can end with the up-side. While Cygnet Theatre’s When the Rain Stops Falling is spectacular, it is terribly complicated and confusing. It’s challenging enough that the 2008 play time-jumps across four generations, sometimes with different actors playing the same character, but Australian playwright Andrew Bovell purposely holds…
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San Francisco Theater Review: COMPANY (San Francisco Playhouse at the Kensington Park Hotel)
IN GOOD COMPANY In a world of musicals that are filled with catchy harmonies and melodies that stick in your mind, Stephen Sondheim’s songs have frequently been the rebels. Sondheim is notorious for creating moods through carefully clashing tones and purposeful disharmonies. For some attendees, it’s a reason to celebrate his work; for others, it’s…
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San Diego Theater Review: AVENUE Q (Coronado Playhouse in Coronado)
IT DOESN’T SUCK TO BE AVENUE Q AT CORONADO In the right setting, irreverence is so jovial. Perhaps our era of thought-police and political correctness has made it delicious to pervert that which seems simple and pure solely for the sake of entertainment, but musicals such as The Producers and The Book of Mormon are…
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Film Review: THE OUTRAGEOUS SOPHIE TUCKER (Directed by William Gazecki)
A BLAST OF THE RED HOT MAMA “I believe in tit for tat. And if that’s not true, someone owes me a lot of tat!” – Sophie Tucker A good line, if you’re Kathy Griffin, Lisa Lampanelli, or Roseanne Barr living in 2014. But if you’re Sophie Tucker, breaking into show biz during the Teddy…
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San Diego Theater Review: PAGEANT (Cygnet Theatre)
DRAG YOURSELF DOWN TO PAGEANT Exiting Cygnet’s revival of Pageant, my writing pad, normally filled with pages of barely decipherable notes, had nothing upon it but the title. This successfully silly and enjoyable entertainment is neither deep nor needs fixing’”and besides, who can turn away from such lovely ladies? Pageant takes us through an over-the-top…
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San Diego Theater Review: JADE HEART (MOXIE)
THE GREAT CALL OF CHINA The very nature of adoption can leave a child’”and the adult he or she becomes’”filled with questions: Who were you, Mother? Why did you make this choice? Do you regret it? And perhaps most painful to ponder: Would you be glad to meet me, if you could? For Jade McCullough…
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San Diego Theater Review: MY SON THE WAITER, A JEWISH TRAGEDY (Lyceum in San Diego)
TRAGIC FOR HIM BUT GOOD FUN FOR US Hot on the heels of the run of Old Jews Telling Jokes, the Lyceum brings us a very different and more personal look at Jewish humor. Instead of a non-stop set of jokes, comedian and actor Brad Zimmerman’s one-man show is a well-rounded piece. Part observational humor,…
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San Diego Theater Review: OLD JEWS TELLING JOKES (Lyceum Theatre)
WHAT, WOULD IT KILL YOU TO HEAR A JEWISH JOKE, I ASK YOU? A German, a Frenchman, and a Jew are crawling across the desert. The German says, “Mein Gott! I’m so hot and thirsty and tired. I must have a beer!” The Frenchman says, “Mon Dieu! I’m so hot and thirsty and tired. I…
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San Diego Theater Review: RED (San Diego REP)
A BLINKING YELLOW FOR RED AT THE REP Is a soup can art? To Matisse, probably not. To Warhol, clearly yes. And to everyone else? Ah, that’s when we start getting into what art really is. Playwright John Logan’s Red looks deeply at this question from the perspectives of two very different men in 1958….
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San Diego Theater Review: SPRING AWAKENING (Cygnet Theatre in Old Town)
A LOT OF YOUTHFUL SPRING BUT LITTLE CHARACTER AWAKENING Given harsh themes including child abuse, rape, homosexuality, and suicide, one can easily see why Frank Wedekind’s original German play Spring Awakening was initially banned when released; these subjects may be par for the course on the nightly news, but it was pretty hot stuff for Germany…
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Film Review: THE CONGRESS (directed by Ari Folman)
THE WRIGHT STUFF In this highly stylized adaptation of Stanislaw Lem’s sci-fi novel The Futurological Congress, Robin Wright stars as herself, but the scenario is different. She’s still the aging star of the classic films Princess Bride and Forrest Gump, but her career has taken a long, slow dump because of her frequent need to…
Theater Review: LEGALLY BLONDE (Berkeley Playhouse / Berkeley)
by Chuck Louden | September 21, 2026
in San Francisco
(Bay Area), TheaterTheater Review: TEXAS SODOMY (Whitefire Theatre / Sherman Oaks)
by Michael Landman-Karney | September 20, 2026
in Los Angeles, TheaterTheater Review: THE GLASS MENAGERIE (Center REP / Walnut Creek)
by Chuck Louden | September 20, 2026
in San Francisco
(Bay Area), TheaterTheater Review: HANGMEN (Long Beach Playhouse)
by Michael Landman-Karney | September 19, 2026
in Los Angeles, TheaterTheater Review: THE HUMANITIES (Victory Gardens Theater / Chicago)
by Croydon Fernandes | September 19, 2026
in Chicago, TheaterTheater Review: BEGIN AGAIN (World Premiere Musical / The Old Globe / San Diego)
by Milo Shapiro | September 19, 2026
in San Diego, TheaterTheater Review: JEKYLL & HYDE (Kokandy Productions / Broadway Playhouse / Chicago)
by Emma S. Rund | September 19, 2026
in Chicago, TheaterTheater Review: MARISOL (Open Fist Theatre Company / Los Angeles)
by Lawrence Lucero | September 18, 2026
in Los Angeles, TheaterTheater Review: THE VISIT (Pasadena Playhouse)
by Michael Landman-Karney | September 17, 2026
in Los Angeles, Theater


















