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Paulanne Simmons
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Cabaret Review: APRIL FOOLS (Birdland Jazz Club)
FEAST OF FOOLS Nobody knows when April Fools’ Day started, but sure as shooting, on April 1st, someone is going to tell you your zipper is open or they just heard your number called on television and you won the lottery. Some say April Fools’ Day goes back to a Roman festival called Hilaria, celebrated…
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Cabaret Review: EVERYTHING THE TRAFFIC WILL ALLOW (Klea Blackhurst’s Tribute to Ethel Merman)
BLOW, BLACKHURST, BLOW! When Klea Blackhurst burst onto the stage at Chelsea Table & Stage on March 10 to perform Everything the Traffic Will Allow, one might have well imagined the original Ethel Merman had come to life. Then Blackhurst belted out her first note and it was hard not to be convinced the diva…
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Cabaret Review: IT’S DE-LOVELY: JEFF HARNAR SINGS COLE PORTER (Birdland and on Tour)
IT’S DELIGHTFUL, IT’S DE-LOVELY, IT’S DE-HARNAR It was as a 16-year-old boy in a suburb of Chicago that Jeff Harnar fell in love with the songs of Cole Porter. He encountered these songs not through his parents’ huge record collection or by attending local concerts, but rather through the old films he watched on television….
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Off-Broadway Review: JELLY’S LAST JAM (Encores! at New York City Center)
JELLY’S JAM IS JAMMIN’ THAT’S ALL YOU NEED TO KNOW Jelly Roll Morton was born Ferdinand Joseph Lamothe in New Orleans. Both his parents traced their Creole ancestry four generations back to the 18th century. He was a jazz and ragtime pianist, composer and bandleader who is regarded as the first arranger of jazz. Nicholas…
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Off-Off-Broadway Review: THE ORDER OF THE GOLDEN SCRIBE: INITIATION TEA (Caveat, Manhattan’s Lower East Side)
YOUR GOLDEN TICKET TO HIGH ADVENTURE …AND HIGH TEA What could entice a typical New Yorker to get up fairly early on a Saturday or Sunday morning and make the trip to a narrow side street in the Lower East Side? The answer to this question is simple: The Order of the Golden Scribe, a…
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Concert Review: JAZZ, LOVE AND GERSHWIN: A CENTURY OF RHAPSODY IN BLUE (The New York Pops at Carnegie Hall)
IT’S VERY CLEAR: GERSHWIN IS HERE TO STAY The centerpiece of The New York Pops‘ Jazz, Love, and Gershwin: A Century of Rhapsody in Blue was quite obviously Gershwin’s iconic orchestral piece. And at the top of the evening, Musical Director Steven Reineke told the audience it would be “a thrilling performance, I promise you.” If…
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Off-Off-Broadway Review: THE ANIMAL KINGDOM (U.S. Premiere at Connelly Theater Upstairs)
A KINGDOM DIVIDED Sam (Uly Schlesinger) is a bright, articulate and sincere young man. But he is also nervous, sensitive and bitter. In fact, he has recently attempted suicide. Actress Ruby Thomas’s first play, The Animal Kingdom, explores what family relationships might lead to such an act. The play, making its U.S. premiere at the…
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Theater Review: FORMIDABLE! (Aznavour 100th Anniversary World Tour at Town Hall in New York)
AZNAVOUR IS YOUNG AGAIN Charles Aznavour hoped to be still singing before audiences on his 100th birthday. Unfortunately, he died in 2018 at the age of 94. But Jules Grison is celebrating Aznavour’s 100th birthday in grand style, starring in Formidable! Aznavour 100th Anniversary World Tour. Produced and directed by Gil Marsalla, the man behind…
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Broadway Review: PRAYER FOR THE FRENCH REPUBLIC (Manhattan Theatre Club’s Samuel J. Friedman Theatre)
Prayer is a surge of the heart, it is a simple look turned toward heaven, it is a cry of recognition and of love, embracing both trial and joy. – St. Therese of Lisieux When I saw Manhattan Theatre Club‘s 2022 NY City Center production of Joshua Harmon’s Prayer for the French Republic, it seemed to…
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Concert Review: THE BEST CHRISTMAS OF ALL WITH NORM LEWIS (The New York Pops at Carnegie Hall)
When Norm Lewis joins forces with The New York Pops and Essential Voices USA for a night of seasonal celebration, you know you’re in for a treat. Indeed The Best Christmas of All with Norm Lewis did not disappoint. On Dec. 23, the stage at Carnegie Hall was decked with a huge holiday wreath and…
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Cabaret Review: A SWINGING BIRDLAND CHRISTMAS (Birdland Jazz Club)
Even if you’re the last Scrooge to get into the Christmas spirit, a trip to Birdland to see A Swinging Birdland Christmas will do the trick. Returning to Birdland for the fourteenth year, the show features Klea Blackhurst, Jim Caruso and Billy Stritch (also at the piano) singing a whole lot of Christmas songs about…
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Off-Broadway Review: AMID FALLING WALLS (TSVISHN FALNDIKE VENT) (Edmond J. Safra Hall at the Museum of Jewish Heritage)
WE LIVE FOREVER When people think of Jews during the Holocaust (if they think of the Holocaust at all) they picture old and young passively assembling for deportation to concentration camps or lining up submissively to be sent to the gas chambers. But National Yiddish Theatre Folksbiene’s newest offering Amid Falling Walls (Tvishn Falndike Vent)…
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Cabaret Review: A PLACE FOR US: A CELEBRATION OF JEWISH BROADWAY (Ari Axelrod)
ARI AXELROD HAS FOUND HIS PLACE Considering how many Jewish musicians have written for Broadway, it must have been difficult for Ari Axelrod to choose the repertoire for his new cabaret show, A Place for Us: A Celebration of Jewish Broadway. Nevertheless, the show represents a wide range of songwriters, from Rodgers and Hammerstein to…
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Off-Broadway Review: STEREOPHONIC (Playwrights Horizon)
THE LONG-PLAYING STEREOPHONIC SHOULD’VE BEEN A SINGLE David Adjmi’s Stereophonic at Playwrights Horizons, directed by Daniel Aukin, has an excellent ensemble cast, a perfectly realistic set by David Zinn and pleasant, if derivative music by Will Butler. Unfortunately, that doesn’t quite make up for the verbosity and excessive length of the play. Eli Gelb and…
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Broadway Review: GUTENBERG! THE MUSICAL! (James Earl Jones Theatre)
FINALLY, A MUSICAL THAT ISN’T GUTEN-FREE Those who saw Josh Gad and Andrew Rannells in The Book of Mormon have been looking forward eagerly to their return as a team in Gutenberg! The Musical! They will not be disappointed. Scott Brown and Anthony King’s Gutenberg!, nimbly directed by Alex Timbers, is a blast from beginning to…
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Cabaret Review: TIME TRAVELER (Ute Lemper at Joe’s Pub at The Public Theater)
TAKING A TRIP WITH UTE LEMPER Ute Lemper’s Time Traveler, which plays Joe’s Pub one more time on October 22, highlights pivotal events in the German-born chanteuse’s life. These events include her move to Berlin forty years ago when she became part of a Kurt Weill show; her 1987 move to Paris to play Sally…
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NYC Cabaret Review: AMANDA GREEN & FRIENDS (Birdland Jazz Club)
In what she calls a celebration of autumn, performer and songwriter Amanda Green and her “amazing friends,” Jen Colella, Jarrod Spector, Kelli Barrett, Alan H. Green, Jade Jones and Kristoffer Cusick, presented a program of “chestnuts old and new” from several projects. These projects were occasionally songs she’d written for people such as her own…
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Off-Broadway Review: BEST FRIENDS (14Y Theater)
‘CAUSE YOU GOT TO HAVE FRIENDS Israeli playwright Anat Gov’s Best Friends comes to the 14th Street Y with an impressive history. Best Friends is the longest-running comedy in Israel and winner of the prestigious Israel National Theater Award for Best Comedy in 1999. It also had a sold-out run at Rattlestick Theater. Now, directed…
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Off-Broadway Review: AT THE ILLUSIONIST’S TABLE (The McKittrick Hotel)
UNIQUE, DELICIOUS, ENTERTAINING, MAGICAL No matter how many times illusionists deceive our eyes and mentalists read our minds, we are always amazed by their feats. This is certainly true of Scott Silven, whose performances are especially stylish and smart. This fall for a limited run, Silven’s At the Illusionist’s Table returns for the fifth time…
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Off-Broadway Review: ANNE BEING FRANK (28th Street Theatre)
A FRANK PORTRAYAL Perhaps the most famous quote from Anne Frank: Diary of a Young Girl is “Despite everything, I believe that people are really good at heart.” However, these words were written before the Frank family was discovered in the secret annex and sent to concentration camps. Would Anne have had the same sentiments…
Concert Review: AN EVENING WITH LAURA BENANTI (Kaufmann Concert Hall, 92NY)
by Rob Lester | February 5, 2026
in Concerts / Events, New YorkTheater Review: CONFEDERATES (Redtwist Theatre)
by Croydon Fernandes | February 5, 2026
in Chicago, TheaterTheater Review: DESCRIBE THE NIGHT (Austin Playhouse West Campus)
by Leo Weiser | February 4, 2026
in Texas, TheaterChicago Opera Review: COSÌ FAN TUTTE (Lyric Opera)
by Barnaby Hughes | February 4, 2026
in Chicago, TheaterTheater Review: RISING WATER (Theatre L’Acadie)
by Croydon Fernandes | February 4, 2026
in Chicago, TheaterTheater Review: STEREOPHONIC (National Tour, CIBC Theatre Chicago)
by Croydon Fernandes | February 3, 2026
in Chicago, Theater, ToursOff-Broadway Review: ULYSSES (Elevator Repair Service at The Public Theater)
by Paola Bellu | February 2, 2026
in New York, TheaterTheater Review: PUNISH ME: A PSYCHOLOGICAL THRILLER (Hudson Backstage Theatre)
by Nick McCall | February 2, 2026
in Los Angeles, Theater



















