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Paulanne Simmons
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Off-Broadway Review: BEST FRIENDS (14Y Theater)
‘CAUSE YOU GOT TO HAVE FRIENDS Israeli playwright Anat Gov’s Best Friends comes to the 14th Street Y with an impressive history. Best Friends is the longest-running comedy in Israel and winner of the prestigious Israel National Theater Award for Best Comedy in 1999. It also had a sold-out run at Rattlestick Theater. Now, directed…
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Off-Broadway Review: AT THE ILLUSIONIST’S TABLE (The McKittrick Hotel)
UNIQUE, DELICIOUS, ENTERTAINING, MAGICAL No matter how many times illusionists deceive our eyes and mentalists read our minds, we are always amazed by their feats. This is certainly true of Scott Silven, whose performances are especially stylish and smart. This fall for a limited run, Silven’s At the Illusionist’s Table returns for the fifth time…
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Off-Broadway Review: ANNE BEING FRANK (28th Street Theatre)
A FRANK PORTRAYAL Perhaps the most famous quote from Anne Frank: Diary of a Young Girl is “Despite everything, I believe that people are really good at heart.” However, these words were written before the Frank family was discovered in the secret annex and sent to concentration camps. Would Anne have had the same sentiments…
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Cabaret Review: JUST PLAY (Cady Huffman and Mary Ann McSweeney at Birdland)
When Cady Huffman walks onto the stage and starts singing, backed only by Mary Ann McSweeney’s bass, people may wonder just what kind of show they’re going to see. But only a few more minutes into Just Play, the audience at Birdland on August 31 knew exactly what the show would be: wonderful. Of course,…
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Off-Broadway Review: THE DOCTOR (North American Premiere at the Park Avenue Armory)
A DOCTORED PLAY NURSED BY JULIET STEVENSON Robert Icke’s adaptation of Viennese dramatist Arthur Schnitzler’s 1912 play, Professor Bernhardi might have been an interesting, if somewhat confusing, play about a hodgepodge of ideas if not for Juliet Stevenson, who emerges as a majestic and moving presence that presides over the stage like the Colossus of…
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Dance Recommendation: BIG FIVE OH! (Pilobolus’s 50th Anniversary Tour, The Joyce Theatre in New York)
How lucky is New York? Pilobolus, the groundbreaking, legendary, international dance sensation, is celebrating a half century of radical creativity and boundary pushing. This is one of America’s greatest dance companies, and must be seen for their strength, fluidity and awesome choreography. The extended three-week engagement, featuring three New York premieres, will play The Joyce Theater…
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Broadway Review: NOTRE DAME DE PARIS (David H. Koch Theatre at Lincoln Center)
I HAVE A HUNCH YOU’LL LOVE THIS Victor Hugo published The Hunchback of Notre Dame, or Notre Dame de Paris in French, in 1831. Since that time the novel about Quasimodo, the hunchback and the much-loved Romani dancer, Esmeralda, has been adapted into silent films, talkies, animated films, television miniseries, plays and operas. In 1998,…
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NY Cabaret Review: PHANTOMS OF THE CABARET (Artemisia LeFay)
MAY ARTEMISIA LEFAY HAUNT EVERY CABARET IN TOWN With two cabaret shows under her belt, Ghosts of Weimar Past and Phantoms of the Cabaret, it’s easy to think Artemisia LeFay has an obsession with otherworldly beings. But at the beginning of the latter show, which she performed at Don’t Tell Mama last Friday June 30,…
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Broadway Review: ONCE UPON A ONE MORE TIME (Marquis Theatre)
YES, ONE MORE TIME IS ONE MORE TIME ONE MORE TIME, BUT YOU’LL HAVE A GREAT TIME It well may be that there are no new plots left in the world of theater. But does that mean we have to keep seeing playwrights rewriting and directors reworking what other minds have created? In the past…
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Cabaret Review: HOORAY FOR HOLLYWOOD! (Billy Stritch, Carole J. Bufford and Liam Forde at Birdland)
HOORAY FOR HOORAY Most songs became standards because they were made famous by popular singers. So it’s easy to forget how many of them were introduced on the silver screen. Hooray for Hollywood!, the musical revue that made its New York debut at Birdland Theater on June 15, is a welcome reminder of the many…
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Cabaret Review: LOVE SONG SATURDAY NIGHT (Scott Siegel at 54 Below)
YOU GOTTA LOVE IT Spring is in the air and so is love at 54 Below, where Scott Siegel is presenting Love Song Saturday Night, a monthly show where couples are encouraged to “swoon, raise a glass, and maybe share a kiss.” The June 3 edition featured songs from Broadway, country, pop, R & B…
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Cabaret Review: THE ALL NEW A RHAPSODY OF GERSHWIN (Matt Baker)
BAKER COOKS UP ONE HOT GERSHWIN Aussie jazz pianist Matt Baker says his earliest introduction to the work of George Gershwin was when a schoolmate played Rhapsody in Blue. His love of Gershwin was cemented with the release of Herbie Hancock’s Gershwin’s World. In time Baker met and learned from Hancock, who even taught him…
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New York Exhibit Review: WONDERLAND DREAMS
THE RABBIT HOLE SHEBANG Have you read Alice’s Adventures in Wonderland? Have you wondered what it might be like to be transported into Alice’s world? Wonderland Dreams will allow you, your friends, your children and your grandchildren to have such a unique experience. Created by artist Alexa Meade, Wonderland Dreams is 26,000 square feet of…
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Cabaret Review: STEPPIN’ OUT WITH FRED ASTAIRE (Gavin Lee at Birdland)
GAVIN’S PUTTIN’ ON THE RITZ Gavin Lee first became fascinated with Fred Astaire when he was a child watching old movies on television. He also likes to dress up. If that doesn’t qualify him for his solo show, Steppin’ Out with Fred Astaire, certainly his fine voice and graceful tapping do. The show, which made…
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Theater/Cabaret Review: ALONE: A NEW MUSICAL (John Ertman and Joseph Mathusek at 54 Below)
Creating a musical is not an easy task. Finding backers to produce it is even more difficult. When creative people have the fortitude and faith to take on such an endeavor, one wants to be as positive as possible. So it is with a heavy heart that I cannot fully endorse Alone: A New Musical….
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Off-Broadway Review: THE GOODBYE GIRL (J2 Spotlight Musical Theatre Company at Theatre Row)
ARE WE EVER GOING TO SAY GOODBYE TO GOODBYE GIRL? The 1977 film The Goodbye Girl, written by Neil Simon and directed by Herbert Ross, was the first romantic comedy to earn over $100 million at the box office. So it should come as no surprise that it didn’t take long for Simon to turn…
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Broadway Review: SUMMER, 1976 (Manhattan Theatre Club at Samuel J. Friedman)
A WARM SUMMER From the moment we first see Diana (Laura Linney) and Alice (Jessica Hecht), the two friends whose story is told in David Auburn’s new play, Summer, 1976, we know exactly who they are. Diana is dressed in a sleek black top and pants; Alice wears a light peasant dress. The two women…
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Cabaret Review: TAWANDA IN MANHATTAN (Tawanda celebrates debut album “Smile” at Chelsea Table & Stage)
SMILE, INDEED Tawanda, who just won the 2023 Bistro Award for Jazz Vocalist, celebrated her debut album, Smile, at Chelsea Table & Stage on April 20. The accomplished vocalist is only 26, but she told the audience she “feels like an old soul.” Indeed she began the evening with a sizzling rendition of a Cole…
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Cabaret Review: SURVIVING CABARET (Sharon McNight at Green Room 42 in NYC)
40 YEARS OF STORIED SONGS When a songstress entitles her show Surviving Cabaret, one can expect a lot of sad ballads and weepy blues. Not so with Sharon McNight’s new show at Green Room 42. Yes, there is a bit of nostalgia. McNight opens with Janis Ian’s “I’m Standing Here,” which features lyrics proclaiming, “See…
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Off-Broadway Review: THE STRANGE UNDOING OF PRUDENCIA HART (The Club Car at McKittrick Hotel)
A PUB CRAWL FROM FOLKLORE INTO FANTASY When a show is called The Strange Undoing of Prudencia Hart, you can bet that it’s going to be a bit surreal, somewhat disturbing and ultimately captivating. The production that bears this name, which opened March 17 in The Club Car of The McKittrick Hotel (home of Sleep…
Theater Review: WAIT UNTIL DARK (Greater Boston Stage Company)
by Lynne Weiss | March 12, 2026
in Boston, TheaterTheater Review: THE ANTIQUITIES (SpeakEasy Stage at Boston Center for the Arts)
by Lynne Weiss | March 12, 2026
in Boston, TheaterOff-Broadway Review: ZACK (Mint Theater Company)
by Paola Bellu | March 11, 2026
in New York, TheaterOff-Broadway Review: BUGHOUSE (Vineyard Theatre on East 15th St)
by Gregory Fletcher | March 11, 2026
in New York, TheaterCabaret & Theater Review: GREY ARIAS (The Flea)
by Paola Bellu | March 10, 2026
in Cabaret, New York, TheaterOff-Broadway Review: MARCEL ON THE TRAIN (Classic Stage Company)
by Paulanne Simmons | March 10, 2026
in New York, Theater



















