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Tony Frankel
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Theater : AMERICAN SHAKESPEARE CENTER’S BLKFRSTV (Blackfriars Playhouse / Staunton, VA)
CAUGHT ON TAPE It was an unprecedented and timely decision. It was March 15, 2020, and the American Shakespeare Center — which operates the fantastic Blackfriars Playhouse in Staunton, VA — had just enough time to digitally capture two of their ensembles performing six shows just before the shutdown due to COVID-19. These thrilling experiences…
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THE MAGIC WILL RETURN (Disney Theme Parks)
YOU THINK YOU’RE FEELING RESISTANT?! It has now become woefully clear that we will have quite a wait until crowd-gathering can return to a pre-coronavirus level. While you may be feeling a bit edgy, remember we will all be returning to the magic one day. In an attempt to fill my storehouse of magic, I…
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Theater Extras: “SPOTLIGHT ON PLAYS” SERIES (A Broadway’s Best Shows Benefit for The Actors Fund)
UPCOMING STAR-FILLED ONE-NIGHT-ONLY LIVESTREAM EVENTS TO BENEFIT THE ACTORS FUND Broadway’s Best Shows is about to launch the weekly one-night-only “Spotlight On Plays” series beginning this Thursday, May 7, 2020 to benefit The Actors Fund. These one-night-only events will be livestreamed each subsequent Thursday on The Actors Fund YouTube channel and Broadway’s Best Shows’ YouTube and…
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Extras: THOUGHTS ON ART, ISOLATION AND THERAPY
REASSESS BEFORE REENTRY Who knows if the COVID-19 epidemic will change the world for the better? Remember, some asserted that 9/11 would make us recognize how precious life is and that it would have us reassess contentious relationships with our fellow countries. Yet we went right back to the tenacious polarity between political parties in…
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Film Review: BACURAU (directed by Kleber Mendonça Filho and Juliano Dornelles)
BACURAU TO THE FUTURE If you don’t allow Bacurau to unfold itself on its own terms, you may find one of the most surprising and daring films of the year maddening and alienating. It isn’t always easy to decipher just what game is afoot in this genre-bending Brazilian film, but moviegoers are going to eat…
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Music Preview: AT HOME WITH GUSTAVO (LA Phil)
KEEPING US TOGETHER WHILE WE’RE APART For some, sitting at home can during our long shut-in can be crazy-making, but not because there isn’t enough to stream. It’s just that so much of it is blather. Los Angeles Philharmonic’s Music & Artistic Director Gustavo Dudamel believes a major ingredient missing during these trying times is…
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Music Review: LADYSMITH BLACK MAMBAZO (Royce Hall UCLA)
PRESERVING THE SPIRIT For the last live performance I may see for a long, long time, I attended a near-empty Royce Hall for the recording of a concert by Ladysmith Black Mambazo. The group — best known for their astounding chorale rhythms on Paul Simon’s Graceland — had cancelled a previous date due to the…
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Theater Review: A BODY OF WATER (Actors Co-op)
PARTS OF A BODY Part Albee, part Ionesco, part mystery thriller, part Doubt, part Groundhog Day and — sadly — all red herrings, Lee Blessing’s 2005 A Body of Water can’t decide what it wants to be in the end — which is a shame because individual parts of this body are bracing. (Actor Co-op’s…
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Music Preview: ACADEMY OF ST MARTIN IN THE FIELDS WITH JOSHUA BELL, VIOLIN (The Soraya)
I’LL BE THERE WITH BELL ON Many know that Academy of St Martin in the Fields is a touring and recording chamber orchestra founded by Sir Neville Marriner in 1958. But did you know that since 2011 the world-renowned virtuoso violinist Joshua Bell has been their Music Director? Next to Marriner, who turns 90 next…
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CD Review: COLOR OUT OF SPACE (Original Motion Picture Soundtrack by Colin Stetson)
OUT OF SPACE IS OUTTA SIGHT! OK, now you’re talking!! As modern music continues to drone down some boring atonal alley, and soundtracks lack any kind of personality, along comes the soundtrack for Color Out of Space, an adaptation of a 1927 H.P Lovecraft short story by infamous director Richard Stanley, who was sacked from…
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Theater Review: HUMAN INTEREST STORY (Fountain)
HERE’S SOMETHING THAT WILL INTEREST YOU This is the second show this year in L.A. to take head-on the insanity of modern journalism (the insanity being that while newspapers deliver so-called news, they gotta make a buck, so sensationalism often wins out [ask Hearst], but now we have the interenet to contend with, where any…
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Theater Review: REVENGE SONG (Geffen Playhouse)
IT’S THE HIGH SCHOOL SHOW THAT I WISH I WROTE IN HIGH SCHOOL The thing that looks like a high school vanity project at the Geffen Playhouse is actually a world premiere with a lot of bucks behind it. While I certainly appreciate that Qui Nguyen of the self-described “geek” theater company Vampire Cowboys in…
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Theater Review: THE BOOK OF MORMON (Tour)
I CAN ALWAYS USE MORE MEN Well, here’s a national tour that isn’t resting on its laurels. Somewhat tighter with impeccably glorious performances, a golden angel high above at the center of a light-filled proscenium arch seems to trumpet, The Book of Mormon is here to douse your doldrums with a delirious, dandy delight. It…
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Theater Review: HERE WE GO and THIS IS A CHAIR (Inkblot “C” of Open Fist Theatre’s Rorschach Festival)
CARYL ME HOME When the author is famed English playwright Caryl Churchill, theater about death and life’s surmounting surrealism isn’t depressing at all; it’s exhilarating. The author of Cloud Nine, Owners and Top Girls has written many short works as well, and right now two great one-acts are being given a minor production by Open…
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Theater Review: LADY DAY AT EMERSON’S BAR & GRILL (Ebony Rep)
AT DAY’S END Thanks to Lanie Robertson’s bedrock-basic script, Wren T. Brown’s dedicated staging, Karole Foreman’s extraordinarily vulnerable performance, and Stephan Terry’s elegant piano playing, Ebony Rep’s 90-minute revival of Lady Day at Emerson’s Bar & Grill pays full homage to Billie Holiday’s heroism and heartbreak. Unlike her famous “God Bless the Child,” Lady Day…
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Theater Review: ARSENIC AND OLD LACE (La Mirada)
THERE’S ARSENIC AND LACE; BUT IT DOESN’T FEEL OLD Serial murder, euthanasia, slasher psychopaths, bodies buried in a crawl space, face-lifts for people trying to change their images, the cyanide poisonings of innocent strangers — it’s a click-bait tabloid-rotten world we live in. Not like the good old days, when crime didn’t pay and virtue…
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Music Review: ALL-STRAUSS (Philippe Jordan, Gautier Capuçon, Teng Li, Los Angeles Philharmonic)
STRAUSS RELIEVER A few years ago, I saw Richard Strauss’s opera, Elektra. Let me just say that even with moments of beautiful, chilling music it veered into atonal territory, sounding like a disjointed, anticlimactic Danse Macabre, but without the dance. The vocal lines skewed towards the upper range which not only grated on the ear,…
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Theater Review: UNTIL THE FLOOD (Center Theatre Group at the Kirk Douglas Theatre)
AFTER THE FLOOD Until the Flood lasts only 70 minutes. But its concentrated running time delivers a devastating drama. A ton of truth-telling now on tour at the Kirk Douglas Theatre, this 2016 one-act is the creation of actor, poet and oral historian Dael Orlandersmith. She becomes the partisans, witnesses, survivors and, above all, inhabitants…
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Theater Reviews: RED INK (Playwrights’ Arena) and EARTHQUAKES IN LONDON (Rogue Machine)
YELLOW JOURNALISM, BLUE PLANET — UNCERTAIN FUTURES Propaganda has always existed. It’s when people promote and publicize their agenda utilizing biased or misleading information, a perfect tool for predomination, profit, and/or political power. With the advent of the internet, propaganda such as yellow journalism — which uses scandal-mongering, sensationalism and exaggeration of news events to…
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Theater Review: THE LAST SHIP (National Tour)
A SHIP THAT REMAINS DOCKED Sting’s musical The Last Ship has been in a shakedown cruise since it opened in Chicago six years ago. Based on last night’s star-studded opening night at the Ahmanson in Los Angeles, this retooled version sadly remains docked. Sure, it’s got a decent new book that jettisons jetsam from the…
Off-Broadway Review: ARIAS WITH A TWIST (HERE Arts Center / NYC)
by Kevin Vavasseur | September 23, 2026
in New York, TheaterTheater Review: LEGALLY BLONDE (Berkeley Playhouse / Berkeley)
by Chuck Louden | September 21, 2026
in San Francisco
(Bay Area), TheaterTheater Review: TEXAS SODOMY (Whitefire Theatre / Sherman Oaks)
by Michael Landman-Karney | September 20, 2026
in Los Angeles, TheaterTheater Review: THE GLASS MENAGERIE (Center REP / Walnut Creek)
by Chuck Louden | September 20, 2026
in San Francisco
(Bay Area), TheaterTheater Review: HANGMEN (Long Beach Playhouse)
by Michael Landman-Karney | September 19, 2026
in Los Angeles, TheaterTheater Review: THE HUMANITIES (Victory Gardens Theater / Chicago)
by Croydon Fernandes | September 19, 2026
in Chicago, TheaterTheater Review: BEGIN AGAIN (World Premiere Musical / The Old Globe / San Diego)
by Milo Shapiro | September 19, 2026
in San Diego, TheaterTheater Review: JEKYLL & HYDE (Kokandy Productions / Broadway Playhouse / Chicago)
by Emma S. Rund | September 19, 2026
in Chicago, TheaterTheater Review: MARISOL (Open Fist Theatre Company / Los Angeles)
by Lawrence Lucero | September 18, 2026
in Los Angeles, Theater



















