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Tony Frankel
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Los Angeles Theater Preview: PAL JOEY (Musical Theatre West in Long Beach)
YOUR PAL IS COMING TO TOWN Sassy and brassy Pal Joey is a wondrous rouser that spins the tale of a roué gone rotten in Depression-era Chicago. As part of its Reiner Staged Reading Series, Musical Theatre West is presenting Rodgers and Hart’s original 1940 version of their masterwork, and I promise a glorious revival at CSULB on Sunday, January 24 at 7. With…
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Tour Review: 1984 (The Broad Stage in Santa Monica)
THAT WAS THE YEAR THAT IS, OR ALL’S ORWELL THAT ENDS ORWELL When the meek and paranoid everyman Winston Smith scribbles “Down with Big Brother” in his journal, he soon blossoms into a determined and impassioned rebel. But taking a stand in the dystopian superstate of George Orwell’s sadly timeless 1984 hardly creates the happy endings we see in today’s books, films,…
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Tour Theater Review: BULLETS OVER BROADWAY THE MUSICAL (North American Tour)
BULL FROM BROADWAY In keeping with the never-ending trend of turning films into Broadway musicals, Douglas McGrath and Woody Allen’s 1994 comedy, Bullets Over Broadway, has been turned into a jukebox musical. It may have flopped on Broadway but, as with the disastrous If/Then before it, producers must know that tickets will be bought for this disappointing dreck,…
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Los Angeles Music Preview: NICHOLAS McGEGAN & SEAN CHEN (Pasadena Symphony)
A CLASSICAL UNFINISHED EMPEROR In a program in which familiarity breeds joy, the Pasadena Symphony begins the New Year with three of the most popular pieces in the repertoire, led by the insanely affable and exuberant Nicholas McGegan: Prokofiev’s short but mighty Classical Symphony, Schubert’s Unfinished Symphony, and Beethoven’s Piano Concerto No. 5, best known…
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Film Preview: THE CONTENDERS (MoMA’s Film Series at the Hammer Museum)
THE CONTENDERS REIGNS SUPREME For the past eight years, the Film Department of New York’s Museum of Modern Art has scrutinized releases, searching for the select few films from the previous twelve months which qualify for the end-of-the-year screening series known as The Contenders. Whether mainstream movies, independents, foreign-language films, documentaries, or art-house sensations, this intelligently and brilliantly…
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Los Angeles Music Review: DAVID BENOIT TRIBUTE TO CHARLIE BROWN (Carpenter Center in Long Beach)
GREAT GOOD GRIEF It’s clear that jazz pianist David Benoit has more than an affection for all things Charlie Brown. The pensive character from Charles Schultz’ strip, Peanuts, has certainly inspired many–from filmmakers and musicians to the “Average Joe” who contemplates the enormity of just existing–but Benoit presented his charming Christmas concert with a childlike persona that was…
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Los Angeles Theater Review: THE CHRISTIANS (Center Theatre Group at the Mark Taper Forum)
CROSSFIRE Between religious zealots, especially those who use the word of God to control the populace rather than to create peace, and the liberation of a new world’”gay marriage, Roe v. Wade’”more and more people are leaving organized religion. Especially in America. A recent study indicated that millennials are leaving the church in droves. Some…
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Los Angeles Theater Review: THE LATINA CHRISTMAS SPECIAL (Los Angeles Theatre Center)
ME SO FELIZ A friend mentioned that three comediennes–a Cuban American from Miami, a Mexican American from Texas, and the daughter of an “over-dedicated Mexican mother and a compliant Lithuanian father” from Sun Valley, CA–are putting on a show in which they indulge in reminiscences about their childhood Navidades (Christmases). He invited me, but I declined, telling my friend…
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Los Angeles Music Preview: ALL-RACHMANINOFF (Cristian Măcelaru and Kirill Gerstein with the LA Phil)
GET YOUR RACHS OFF I can think of nothing better to do this holiday season then something that has nothing to do with the holidays. It’s not easy to find, but in the midst of the Messiah morass, the Los Angeles Philharmonic is offering an All-Rachmaninoff program this weekend that is sure to bring you…
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Tour Theater Review: IF/THEN (National Tour)
WHAT/EVER Saved from total disregard by a libretto that occasionally manages to engage with humor and knowingness, this brave attempt to examine the subject of fate versus choice utterly fails to cohere into a moving experience. Composer/lyricist Brian Yorkey and composer Tom Kitt, the creators of Next to Normal, use parallel time-lines to explore the…
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Theater Review: THE BRIDGES OF MADISON COUNTY (U.S. National Tour)
HOW DO YOU LIKE YOUR BRIDGES? Given Marsha Norman’s awkward and dispiriting adaptations for The Secret Garden (1991) and The Color Purple (2005), the most surprising, but not the best, element of the musicalized version of The Bridges of Madison County is her libretto. Neither is Jason Robert Brown’s score the greatest thing on stage at the Ahmanson Theatre, where this short-lived…
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Los Angeles Music Preview: DEAR MR. SINATRA, A SWINGING CENTENNIAL (John Pizzarelli, Cheyenne Jackson and Monica Mancini at Valley Performing Arts Center in Northridge)
THE BEST IS YET TO COME ON SINATRA’S BIRTHDAY Frank Sinatra was not only one of the most popular entertainers of the 20th century, but he was arguably the greatest singer as well, recording more than 1,500 songs. His extraordinary interpretative genius and the way he could rescue some songs from obscurity and extend the…
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Los Angeles Music & Dance Review: STRAVINSKY & BALANCHINE’S APOLLO (LA Phil at Disney Hall)
APOLLO EARTHBOUND; SHOSTAKOVICH SOARS Rollicking, mysterious, and adventurous may be attributes of Britten’s Young Apollo,but these adjectives also describe the outcome, respectively, of the three pieces that comprised the Los Angeles Philharmonic’s program last night. Britten’s 1939 10-minute work for piano, string quartet, and string orchestra, included a rip-roaring performance by Joanne Pearce Martin; Stravinsky’s 1928 ballet…
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Los Angeles Theater Review: DO I HEAR A WALTZ? (Musical Theatre Guild)
DO I FEAR A WALTZ? Musicals are generally “lost” for any one of a number of reasons: the libretto may be filled with once topical socio-political humor now meaningless to contemporary audiences; it’s too expensive to produce; the score may have gone out of fashion; or the show itself is like a machine whose parts don’t…
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Los Angeles Music Review: PETER NERO (Valley Performing Arts Center in Northridge)
NERO MY HEART TO THEE I always have a peculiar mix of excitement and trepidation when seeing a favorite entertainer live for the first time, especially when they are well past retirement years. In the case of Peter Nero, I wondered if my memories of listening to this astounding pianist would be pushed aside by a…
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Los Angeles Opera Review: HOPSCOTCH (The Industry)
IF STORYTELLING’S YOUR THING, SKIP SCOTCH French poet and essayist Charles Pierre Péguy wrote, “It is the essence of genius to make use of the simplest ideas.” Yuval Sharon, director and creator of Hopscotch, “the world’s first-ever opera to take place in cars,” is the essence of genius. Only a genius of this kind could…
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Los Angeles Dance Review: THE ART OF FALLING (Hubbard Street Dance Chicago + The Second City)
FALLING IN LOVE WITH LAUGHS AND LEAPS Sadly a review of record, but this experimental, eclectic mash-up from Chicago looks to have a life beyond its short runs in the cities of wind and angels; in fact, The Art of Falling returns next year to the Harris Theater in Chicago where it had its world…
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Tour Review: KRISTIN CHENOWETH: COMING HOME TOUR (Disney Hall)
THE WRONG HOME FOR HOME If you happened to catch Broadway diva Kristin Chenoweth’s 2014 PBS special, Coming Home, there wasn’t much reason to see her live yesterday at Disney Hall. I am an enormous fan of the Wicked star and Oklahoman ambassador (her special was taped live at the theater that bears her name…
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Los Angeles Theater Preview: ’57 CHEVY (Los Angeles Theater Center)
HOW BROWN WAS MY VALLEY? The San Fernando Valley has always creeped me out. My family moved from Anaheim to Canoga Park (now West Hills) in 1971 (two weeks before the earthquake, thank you). For the next 11 years I never felt like I fit in. It was like it was haunted or something. White…
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Los Angeles Music Review: BYCHKOV & CAPUÇON (Los Angeles Philharmonic at Disney Hall)
A MILD MENDELSSOHN & A SOARING STRAUSS When scholars speak of the greatest concertos ever written for the violin, certainly the names of Beethoven, Brahms, and Bruch are bandied about. But for out-and-out popularity with audiences you can look to two, both of which’”regardless that they are performed and recorded with alarming regularity’”remain reigning favorites….
Theater Review: ST. NICHOLAS (Black Button Eyes / City Lit / Chicago)
by Croydon Fernandes | July 3, 2026
in Chicago, TheaterFAST PAYOUT CASINOS USA 2026 — 5 BEST INSTANT WITHDRAWAL CASINOS RANKED
by Michael Carr | July 3, 2026
in ExtrasTheater Review: MEN OF SOUL (Black Ensemble Theater / Chicago)
by Mitchell Oldham | July 1, 2026
in Chicago, Theater



















