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Tony Frankel
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Los Angeles Theater Review: NEED TO KNOW (Rogue Machine Theatre in Theatre Theater)
NEED TO KNOW MORE Since moving into my six-unit apartment eight months ago, I have encountered the loveliest neighbors a man could hope for. But just two weeks ago, a tall, gangly, middle-aged man, who was watering the lawn at the four-unit building next door, saw my husband and I hurriedly entering the locked gate in…
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Los Angeles Opera Preview: MOBY-DICK (LA Opera)
THE FUTURE OF AMERICAN OPERA IS HERE I shudder when the time comes to see a “New American Opera.” The majority of new works are frustratingly inaccessible. Instead of reinventing opera, most composers stick with the same non-melodic minimalist recitative while librettists get more wrapped up in poeticism (such as repeating phrases for unfathomable reasons)…
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Los Angeles Theater Review: WICKED LIT 2015 (Mountain View Mausoleum and Cemetery)
SHORT ON WICKED; SHORTER ON LIT While Knott’s Scary Farm has been doing it for decades with its haunted mazes, interactive theater is gaining ground nationwide as a way to address dwindling and/or disinterested theatergoers. Live performances are battling with the internet’s popularity: The performing arts need audiences, and audiences are intrigued by the notion…
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Los Angeles Theater Review: SONDHEIM ON SONDHEIM (International City Theatre in Long Beach)
GOD HE’S GOOD A belated but welcome revue, Sondheim on Sondheim offers both songs and personal musings from one of Broadway’s best composer/lyricists. This inside look is rich with the stories behind the songs, new arrangements for old favorites, and a few obscure tunes. Part showcase and part documentary, this Los Angeles premiere, as with other…
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Los Angeles Theater Review: GUARDS AT THE TAJ (Geffen Playhouse)
ROSENCRANTZ AND GUILDENSTERN ARE ALIVE AND WELL AND WAITING FOR GODOT Rajiv Joseph’s surprisingly complex and touching two-hander concerns a couple of guards assigned to stand watch at the walls in front of the newly built Taj Mahal, which will be revealed to the public for the first time since construction began 16 years earlier….
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Los Angeles Theater Preview: MY FAIR LADY (Musical Theatre West in Long Beach)
COME YE TO THE FAIR…LADY, THAT IS I’m rather certain one cannot visit enough productions of My Fair Lady. The 1956 musical, based on George Bernard Shaw’s Pygmalion, tells the tale of Professor Henry Higgins, a puffed-up upper-class grammarian, and Eliza Doolittle, his lower-class, flower girl protégé whom Higgins turns into a lady by changing her…
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Los Angeles Theater Review: GROUNDLINGS STAKEOUT (Groundlings Theatre)
HOT DOG SUCKING AHEAD You know, it’s funny, I was asking a friend just the other day if he knows of any show in town which has a guy sucking on a hot dog. And it would be great if it wasn’t a drama but something cutting edge. Oh, plus some wildly original vaudevillian humor….
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Los Angeles Theater: THE GROUNDINGS HALLOWEEN SHOW (The Groundlings Theatre)
SUNNY AND SCARE You think theater in Los Angeles can be frightening? Well, here’s entertainment that’s intentionally soulless. “It’s so funny, you’ll laugh your head off” takes on a whole new meaning with The Groundlings Halloween Show (a.k.a. You Paid to Die Tonight II), a frightening amalgam of sketch comedy and all the scary shit you…
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Theater Review: CARRIE: THE KILLER MUSICAL EXPERIENCE (Los Angeles Theatre)
GET CARRIE’D AWAY The key words in the title Carrie: The Killer Musical Experience are Killer Experience. Director Brady Schwind has taken a forever-troubled musical based on source material which probably should have never been musicalized and turned it into one of the most blazingly memorable and, yes, killer experiences you may ever have in…
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National Tour Dance Review: TWYLA THARP: 50TH ANNIVERSARY TOUR (Wallis)
TWYLA’S TWILIGHT While most American dance companies go on tour with a “best of” program, Twyla Tharp has refreshingly opted to offer two world premieres for her 50th Anniversary Tour, seen at the Wallis last night (the tour continues through November, 2015). Similar in structure but different in feel, both “Preludes and Fugues” and “Yowzie”…
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National Tour Theater Review: THE SOUND OF MUSIC (Ahmanson Theatre)
VON TOURIST TRAPP The original stage version of Rodgers and Hammerstein’s The Sound of Music was such a crowd pleaser that many are surprised to learn the 1959 Mary Martin vehicle received very mixed reviews. The umpteenth revival which opened last night as the onset of a national tour not only illuminates why this is…
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San Diego Theater Review: LA CAGE AUX FOLLES (San Diego Musical Theatre)
OOH LA LA FOR LA CAGE AUX FOLLES If any gay activist ever derides this delightful musical, they would do well to remember just how radical La Cage aux Folles was when it hit Broadway in 1983 (the original play [1973] and film [1978] even more so). A third of a century later, it’s still…
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San Diego Theater Review: MASTER CLASS (ion theatre)
SCHOOLED BY CALLAS If you’ve ever been to a master class, then Terrence McNally’s Master Class (1995) will seem very familiar. If you haven’t, then you’re in for a real eye-opener. A master class, as its name suggests, is a class given by an expert (or master) to students in a particular discipline, typically music,…
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Los Angeles Music Preview: TEARS OF JOY, TEARS OF SORROW (Le Salon de Musiques at the Chandler)
YOUR TRANSCENDENCE AWAITS The grand opening concert of Le Salon de Musique’s 2015/2016 arrives on Sunday, October 4, 2015, at the Dorothy Chandler Pavilion. Every time I visit, Le Salon proves itself to be the greatest chamber music outfit I have ever discovered. You get world-class players in an intimate setting offering masterful works (often…
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Opera Preview: IL TROVATORE (The Metropolitan Opera and Fathom Events)
A TREASURE TROVATORE There’s nothing subtle about Verdi’s ambitiously conceived Il Trovatore (The Troubadour). And David McVicar’s grandly realized, dark and hellish version will be shown in select U.S. screens on October 3, 2015, as The Met: Live in HD begins another season of live transmissions. The opera is one of the three triumphs of…
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Regional Theater Review: ONE MAN, TWO GUVNORS (South Coast Rep in Costa Mesa)
ONE SKETCH, TWO STYLES When the National Theatre of Great Britain produced One Man, Two Guvnors, playwright Richard Bean’s 2011 update of Carlo Goldoni’s 18th Century comedy, The Servant of Two Masters, the razor-sharp ensemble under Nicholas Hytner’s direction paved the way for a star turn by James Cordon, who played Francis, a daft dolt…
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Los Angeles Theatre Preview: BONNIE AND CLYDE (Musical Theatre Guild at the Alex in Glendale)
GANGSTER MUSICAL You’ve seen the movie, you’ve seen the car, now see the musical. Meet the most famous robbing, murdering, loving couple in U.S. history. From their first meeting at a West Texas diner through their tumultuous courtship and romance, from their brief, history-making crime spree to their fateful final drive through Louisiana, this thrilling…
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Los Angeles Dance Preview: MARIINSKY BALLET (Raymonda at SCFTA; Cinderella at Dorothy Chandler)
MARIINSKY BALLET & ORCHESTRA DOUBLE DOSE Russia’s Mariinsky Ballet, one of the world’s most influential and historically rich dance companies, returns to Segerstrom Center for the Arts September 24 – 27, 2015 opening the Center’s 30th Season with Raymonda. Performing with the Mariinsky Orchestra, conducted by Gavriel Heine, this will be the company’s eighth visit to…
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Regional Theatre Preview: CHARLES PHOENIX: RETRO DISNEYLAND SLIDE SHOW AT DAPPER DAY (AMC Theaters in Downtown Disney in Anaheim)
SLIDE INTO THE OLD DISNEYLAND My first visit to Disneyland was 1964, and I still remember many attractions from that day which will be covered when pop culture humorist and author Charles Phoenix sweeps us away on a fun-filled adventure to the early days of Disneyland when every visit was a day worth dressing for!…
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Los Angeles Theater Preview: THE BAKER’S WIFE (Actors Co-op in Hollywood)
A RARE TREAT SERVED PIPING HOT The Stephen Schwartz/Joseph Stein musical The Baker’s Wife never made it to Broadway. The musical folded in Washington. D.C. in 1976 before reaching New York City but has since gained something of a cult status in both the United States and England (listen to the “original cast” CD starring…
Theater Review: ST. NICHOLAS (Black Button Eyes / City Lit / Chicago)
by Croydon Fernandes | July 3, 2026
in Chicago, TheaterFAST PAYOUT CASINOS USA 2026 — 5 BEST INSTANT WITHDRAWAL CASINOS RANKED
by Michael Carr | July 3, 2026
in ExtrasTheater Review: MEN OF SOUL (Black Ensemble Theater / Chicago)
by Mitchell Oldham | July 1, 2026
in Chicago, Theater



















