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Tony Frankel
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Los Angeles Theater Preview: SINGIN’ IN THE RAIN (Musical Theatre West in Long Beach)
THE DROUGHT ENDS THIS WEEKEND You may know the term “Jukebox Musical” from the ridiculous amount of new Broadway musicals which take previously published songs’”most often popular hits that audiences will recognize’”and squeeze them into a new libretto. The sad truth is that even the dumbest of books is tolerated for rabid fans of the…
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Los Angeles Music Preview: LIONEL BRINGUIER CONDUCTS THE LA PHIL (Hollywood Bowl)
THE PYROTECHNICS AFTER THE FOURTH OF JULY As if the blazing heat wave last week wasn’t enough of an indication that summer is upon us, the Los Angeles Philharmonic is opening the first week of its classical season at the Hollywood Bowl. It’s still tough to beat the communal experience of sitting under the stars…
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Los Angeles Theater Review: BEST OF ALBUQUERQUE FRINGE 2025 (Hollywood Fringe Festival)
THE WORST OF THE BEST Let me say that I have no idea what I just saw. Clearly, some very clever folk have come up with the very clever idea to spoof a Fringe Festival, which Fringe Festivals certainly deserve. Two very silly and rarely believable hosts, played by Jacob Smith and Lauren Flans (the…
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Los Angeles Music Review: BIG BAND SWING! (Michael Feinstein and the Pasadena POPS in Arcadia)
IT’S VERY CLEAR, FEINSTEIN IS HERE TO STAY No one can argue that Michael Feinstein has singlehandedly reinvigorated the American Songbook for the 21st century, but this beguiling raconteur is also a consummate showman who is so knowledgeable and adorable that you may just want to pinch his cheeks. This is why he is a…
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Los Angeles Theater Review: MAX AND ELSA: NO MUSIC. NO CHILDREN. (Hollywood Fringe Festival)
THE HOLLYWOOD HILLS ARE ALIVE WITH THE SOUND OF MAX AND ELSA Greetings my lovelies! Garrulous Greta here with some glorious news. You may remember not long ago I received a letter from a fan of The Sound of Music (and who isn’t in love with that glorious 1965 film?’”and if you aren’t we don’t…
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San Diego Theater Preview: TWELFTH NIGHT, OR WHAT YOU WILL (The Old Globe)
TWELFTH NIGHT LANDS AT THE OLD GLOBE A comedy’s brewing up in the rehearsal rooms of The Old Globe. Soon, winds will whip, distressed voices will call out and a ship’s timbers will be shivering, cracking, and smashing against a coastline’”all in the Lowell Davies Festival Theatre of course. Two castaways’”the lady Viola and the…
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Los Angeles Theater Review: THE YEARBOOK (Magnum Opus Theatre at the Hollywood Fringe)
MASTERFRINGE THEATRE When Barnaby Hughes reviewed a previous Magnum Opus production of Surf Dogs Unite for Stage and Cinema, he wrote that the show “will leave you doubled over with laughter.” Even knowing my own writers, I somewhat doubted that clichéd statement. But last night, I saw the players take an actual awful screenplay about misfit high…
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Tour Theater Review: THE PHANTOM OF THE OPERA (North American Tour)
THE PHANTOM MENACE Last night’s opening of The Phantom of the Opera, a refurbished revival of previous national tours, proves one thing: Since Andrew Lloyd Webber’s baby was born almost 30 years ago in London, the only thing that’s improved is theatrical technology, not aesthetics or storytelling or performers. In an overwrought, overblown production overseen…
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Los Angeles Theater Review: MARRY ME A LITTLE (Good People Theater Company at the Hollywood Fringe)
MARRIED TO SONDHEIM When I first saw Marry Me A Little in the mid-1980s, it was a revelation. But not because of the story. This revue uses trunk songs of Stephen Sondheim, songs which–at that time–were relatively unknown (many have since been performed in the show they came from (Saturday Night) or at any given…
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Los Angeles Opera Review: DOG DAYS (LA Opera Off Grand at REDCAT)
WHAT A DOG The term “Dog Days” refers to the hottest period of the year, the sultry part of summer when Sirius, the Dog Star, rises in unison with the sun. It’s a time marked by sluggishness. Opera is going through its own dog days in which the majority of new works I’ve seen are…
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Los Angeles Film & Music Preview: LACO @ THE MOVIES CELEBRATES WALT DISNEY ANIMATION STUDIOS (The Theatre at Ace Hotel)
I WOULDN’T MOUSE IT FOR THE WORLD Saturday June 13 is one of those magic days for entertainment choices in Los Angeles. Along with theater, dance, opera, the L.A. Film Festival and the Hollywood Fringe Festival, classic film is represented across town in classic movie palaces. Chaplin’s masterpiece City Lights is showing at the beautiful…
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Los Angeles Dance Preview: RODIN (Eifman Ballet of St. Petersburg at the Dorothy Chandler Pavilion)
SCULPTED TO PERFECTION Boris Eifman’s kinetic Eifman Ballet of St. Petersburg is quickly becoming known for full-length ballets, quite often with a plot and literary source. What you will see is frenzied dancing, electric mood swings, pulsating lighting on swirling sets, and complete commitment to the emotional peak of every scene. The huge, young troupe’”currently…
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Film Preview: THE QUEENDOM OF TONGA (directed by Brian Favorite)
GIVE SOME GREEN ON PINK FOR THE QUEENDOM Pinkstart, part of Kickstarter, is the new global LGBT crowdfunding website. The Queendom of Tonga, a fascinating 50-minute documentary now in post-production, seeks funding to complete short animation sequences by Tess Martin. Follow a Peace Corps volunteer, directed to stay in the closet, as he navigates how to…
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Regional Theater Review: SAMSARA (Chance Theater)
PREGNANT PAUSE A loving, liberal, and somewhat quirky childless couple, Craig and Katie, discovers that the only option to have their own baby is to implant her egg and his sperm in another woman. But fertilization in the States is pricey, so the surrogate mother will be Indian. The rented womb belongs to Saraiya, who…
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Los Angeles Theater Preview: ANDRÉ & DORINE (Los Angeles Theatre Center)
LIFE AS WE KNOW IT It was one of those magical evenings in the theater that shall live with me forever. When Kulunka Teatro’s André & Dorine appeared at the Los Angeles Theatre Center for only three performances back in September, 2012, I considered myself among the lucky few privileged enough to have witnessed such…
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Los Angeles Theater Review: OUR LADY OF 121ST STREET (Victory Theatre in Burbank)
IN HARLEM’S WAY We never meet the titular Our Lady of 121st Street, a no-nonsense New York nun who had a profound effect on the characters in Stephen Adly Guirgis’s 2003 play. Nor do we meet, as it were, the plot. At rise, a middle-aged boxer shorts-wearing white man’”his suit is conspicuously missing the pants’”stands…
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Los Angeles Music Preview: MUSIC OF WHITACRE AND Pí„RT (Los Angeles Master Chorale at Disney Hall)
THE SUM OF THESE Pí„RTS It really was a bit of a revelation. I was always interested in choral music, from Barbershop four-part harmonies to the more intricate passages of Tallis, but I distinctly remember the thrill when first I heard the work of the modern Estonian composer Arvo Pårt. A friend popped a cassette…
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Los Angeles Theater Review: IMMEDIATE FAMILY (Mark Taper Forum)
COMMERCIAL WITHOUT COMMERCIALS Imagine if the ‘70s sitcom Good Times did not hit TV until 2007. Now imagine a 3-episode arc about the coming out of a black man who brings his white boyfriend home for his brother’s wedding. Toss into the racial and gay humor some dysfunctional family drama revelations and old-fashioned sight gags,…
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L. A. Dance Preview: AMERICAN CONTEMPORARY BALLET 2015 (Gensler and Farmers and Merchants Bank in downtown)
GO FACE THE MUSIC+DANCE Assuredly, Artistic Director Lincoln Jones’ American Contemporary Ballet (ACB) has become the go-to organization for thrilling dance in Los Angeles. Along with his muse Theresa Farrell (ACB’s associate director), Jones offers two programs that are always accompanied by live music. The polished technique of the company’s dancers combined with highly original…
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Los Angeles Film Event Preview: LAST REMAINING SEATS (Los Angeles Conservancy)
MOVIES THE WAY THEY WERE MEANT TO BE SEEN 28 years ago, a handful of volunteers from The Los Angeles Conservancy, a nonprofit that recognizes, preserves, and revitalizes the historic architectural of L.A. County, dreamt up Last Remaining Seats, a summertime program which presents classic films and live entertainment in historic movie palaces. The brilliantly…
Off-Broadway Review: ARIAS WITH A TWIST (HERE Arts Center / NYC)
by Kevin Vavasseur | September 23, 2026
in New York, TheaterTheater Review: LEGALLY BLONDE (Berkeley Playhouse / Berkeley)
by Chuck Louden | September 21, 2026
in San Francisco
(Bay Area), TheaterTheater Review: TEXAS SODOMY (Whitefire Theatre / Sherman Oaks)
by Michael Landman-Karney | September 20, 2026
in Los Angeles, TheaterTheater Review: THE GLASS MENAGERIE (Center REP / Walnut Creek)
by Chuck Louden | September 20, 2026
in San Francisco
(Bay Area), TheaterTheater Review: HANGMEN (Long Beach Playhouse)
by Michael Landman-Karney | September 19, 2026
in Los Angeles, TheaterTheater Review: THE HUMANITIES (Victory Gardens Theater / Chicago)
by Croydon Fernandes | September 19, 2026
in Chicago, TheaterTheater Review: BEGIN AGAIN (World Premiere Musical / The Old Globe / San Diego)
by Milo Shapiro | September 19, 2026
in San Diego, TheaterTheater Review: JEKYLL & HYDE (Kokandy Productions / Broadway Playhouse / Chicago)
by Emma S. Rund | September 19, 2026
in Chicago, TheaterTheater Review: MARISOL (Open Fist Theatre Company / Los Angeles)
by Lawrence Lucero | September 18, 2026
in Los Angeles, Theater



















