Areas We Cover
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New York
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Dance Review: MARY, QUEEN OF SCOTS (Scottish Ballet / David H. Koch Theater at Lincoln Center)
HEAVY IS THE CROWN Scottish Ballet’s ambitious historical epic dazzles in moments while struggling under the weight of its story How much do you know about Mary, Queen of Scots? If you’re anything like me, the answer is: not very much. Perhaps you’ve heard of Mary primarily as a foil to her English cousin, Elizabeth…
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Off-Broadway Review: JEROME (Playwrights Horizons)
GHOSTS OF LOVE John J. Caswell, Jr.’s moving drama finds unexpected grace amid fear, desire, and survival As Pride Month begins, there may be no better theatrical companion than John J. Caswell, Jr.‘s moving, daring, and expansive new play. Set in the isolated Arizona backcountry town of Jerome—a virtual ghost town—it follows Con (Stephen Spinella)…
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Off-Broadway Review: ||: GIRLS :||: CHANCE :||: MUSIC :|| (Vineyard Theatre)
JANGLED JAM SESSION This coming-of-age ensemble never quite finds its rhythm In an age where most pre-teens and teens have the world in the palm of their hand via their smartphone, growing up happens faster than ever. Such speed may have benefited ||: Girls :||: Chance :||: Music :|| at the Vineyard Theatre, which tells…
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Theater Review: THE EMPORIUM (Classic Stage Company / Off-Broadway)
SHOPPING FOR MEANING Thornton Wilder’s long-lost play arrives decades late, still reaching for something just beyond its grasp Seventy-five years is a long time to wait for a world premiere. But that is precisely the circumstance surrounding The Emporium, Thornton Wilder’s long-unfinished play, now receiving its New York debut at Classic Stage Company—and the wait,…
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Off-Broadway Review: WELL, I’LL LET YOU GO (Studio Seaview)
LETTING GO, HOLDING ON A beautifully observed portrait of grief anchored by Quincy Tyler Bernstine’s extraordinary performance If only someone would paint a portrait of Quincy Tyler Bernstine‘s grief-stricken face. And not just any artist. I mean an experienced portraitist who can capture the profound depth and complexity of her astonishing performance in Well, I’ll…
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Off-Broadway Review: THE MAIDS (St. Ann’s Warehouse / Brooklyn)
MIRROR, MIRROR, ON THE WALL Kip Williams delivers a visually stunning assault on the senses, even when the drama struggles to keep pace A co-production with London’s Donmar Warehouse, The Maids arrives at St. Ann’s Warehouse in a blistering new adaptation written and directed by Kip Williams, closing out the season with a production as…
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Off-Broadway Review: HEATED RIVALRY: THE UNAUTHORIZED MUSICAL PARODY (6th Floor Theater at The Culture Club)
PUCK BUNNIES AND POWER PLAYS Knowing exactly who it’s playing to, this gleefully ridiculous send-up shoots and scores There are fandoms, and then there are fandoms. The kind that inspires message boards, fan fiction, watch parties, and now, apparently, full-blown musical theater parodies. Heated Rivalry: The Unauthorized Musical Parody understands exactly who its audience is,…
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Broadway Review: CELEBRITY AUTOBIOGRAPHY (Shubert Theatre)
READING BETWEEN THE LINES OF FAME Broadway’s funniest staged reading proves that truth is often stranger —and funnier—than fiction Yevgeny Yevtushenko famously wrote, “A poet’s autobiography is his poetry. Anything else is just a footnote.” Judging by the material on display at the opening night of Celebrity Autobiography, many celebrities probably should have stopped at…
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Concert Review: LOUIS ARMSTRONG, A CELEBRATION OF THE FATHER OF JAZZ (Kaye Playhouse at Hunter College)
WHAT A WONDERFUL WORLD Hunter College’s American Voices series salutes the musician who changed the sound of America When it comes to American music few artists are as iconic and representative as Louis Armstrong, the famous trumpeter and vocalist whose career spanned five decades and influenced many genres including jazz, rhythm and blues, and rock…
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Off-Broadway Review: THE PEOPLE VERSUS LENNY BRUCE (Cause Célèbre at Theatre Row)
A TRIAL FOR LENNY—AND SOMETIMES THE VIEWER A courtroom drama that probes language, censorship, and the cost of pushing boundaries Unique among the performing arts, standup comedy is the only craft that cannot be sharpened without an audience. And, ironically, the only performing art that we allow, even expect, to deeply offend. Who ever heard…
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Concert Review: CONCERT OF THE CENTURY (Carnegie Hall / New York City)
FIFTY YEARS LATER, STILL MAKING HISTORY A glittering lineup of musical giants turned Carnegie Hall’s anniversary celebration into an overwhelming tribute to artistic endurance Move over MET Gala: Carnegie Hall has just celebrated its Concert of the Century with another once-in-a-lifetime summoning of all-stars. Organized 50 years ago by Isaac Stern, the original event brought…
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Off-Broadway Review: BIKE SHOP: THE MUSICAL (Theater for the New City)
PUT THIS IN YOUR WHEELHOUSE A show that takes its audience on a ride, and shifts gears from drama to comedy and back The oft-heard practical advice to authors hoping that their stories, novels, songs, plays, etc. will ring true is: “Write what you know.” Generally attributed to Mark Twain—who did pretty well for himself…
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Broadway Review: THE ROCKY HORROR SHOW (Roundabout Theatre Company / Studio 54)
LET’S DO THE TIME WARP AGAIN AND AGAIN A high-energy revival proves this cult classic still knows how to party Unless you grew up in a monastery, had a severely conservative upbringing, or are just too young, you’ve probably seen or at least heard of the drag-tastic cult classic The Rocky Horror Picture Show. Maybe…
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Theater Review: CARNIVAL! (J2 Spotlight Musical Theater Company / AMT Theater, NYC)
UNDER THE BIG TOP, A SMALL GEM ENDURES A tender revival of a vintage musical finds its strength in sincerity, not spectacle Poignancy, Pep, Pizzazz, and Puppets. If the age of 65 equals becoming a senior citizen, then the musical Carnival!—which opened on Broadway in April of 1961—is certainly eligible. But the current revival, now…
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Theater Review: HAMLET (National Theatre Company at BAM in Brooklyn)
THE DANISH PRINCE, DECODED Focused staging and strong performances bring Hamlet’s inner life into view at BAM. The National Theater’s Hamlet at BAM follows in the tradition of other fine productions of the play at the esteemed Brooklyn institution going back as far as 1961, returning to the Harvey stage over a dozen times. With…
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Theater Preview: MS. BLAKK FOR PRESIDENT (Vineyard Theatre, NYC)
POLITICS, IN FULL DRAG: A CAMPAIGN LIKE NO OTHER Wayne Brady leads a wild, urgent, and unexpectedly timely ride through queer history and unfinished business. There have been outsider candidates before, but none quite like Joan Jett Blakk—the self-declared Black drag queen who ran for President of the United States in the early 1990s, armed…



















