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Theater Preview: MS. BLAKK FOR PRESIDENT (Vineyard Theatre, NYC)
POLITICS, IN FULL DRAG: A CAMPAIGN LIKE NO OTHER Wayne Brady leads a wild, urgent, and unexpectedly timely ride through queer history and unfinished business. There have been outsider candidates before, but none quite like Joan Jett Blakk—the self-declared Black drag queen who ran for President of the United States…
Theater Review: MILLENNIALS ARE KILLING MUSICALS (World Premiere at The Colony Theatre)
by Michael Landman-Karney | May 4, 2026
in Los Angeles, TheaterDON’T BLAME MILLENNIALS: MILLENNIALS ARE KILLING MUSICALS IS KILLING MUSICALS (OR, WHEN SATIRE EATS ITSELF) An exhausting, vulgar, and unfocused musical that mistakes noise for insight and collapses into the very thing it claims to critique. There is a song in Millennials Are Killing Musicals, the new tuner currently suffocating…
Theatre Review: HYMN (Odyssey Theatre Ensemble)
by Ernest Kearney | May 3, 2026
in Los Angeles, TheaterA HYMN WITHOUT THE HALLELUJAH A polished, well-acted drama that never quite ignites Hymn by playwright Lolita Chakrabarti is a well-crafted piece, with detailed characters and dialogue that is enunciated with sincerity. Drina Durazo of Lower Depth Theatre, in collaboration with The Odyssey Theatre Ensemble’s Sally Essex-Lopresti, has mounted a…
Dance Review: GISELLE (Los Angeles Ballet)
by Shari Barrett | May 3, 2026
in Dance, Los AngelesLOVE, BETRAYAL, AND GHOSTS IN A LUSH GISELLE Los Angeles Ballet delivers a visually rich and emotionally satisfying take on the Romantic classic. Los Angeles Ballet (LAB) closes its 20th Anniversary Season with a milestone: its first appearance at the Ahmanson Theatre, presenting the ghostly Romantic classic Giselle. Founded in…
Theater Review: FOR WANT OF A HORSE (Echo Theater Company, Atwater Village Theatre)
by pwsadmin | May 2, 2026
in Los Angeles, TheaterHOLD YOUR HORSES A provocative subject that proves hard to recommend—and harder to ignore Olivia Dufault’s For Want of a Horse tackles a subject most plays wouldn’t dare touch—and to its credit, it does so without melodrama. But what might have been a deeply human exploration of how such a…
Theater Review: EELPOUT! (Shattered Globe at Theater Wit)
ICE FISHING, MALE BONDING, AND ONE VERY TALKATIVE FISH An uproarious and unexpectedly poignant Midwest comedy that finds connection in the unlikeliest of places. “There are only two or three human stories, and they go on repeating themselves as fiercely as if they had never happened before”. That line from…
Off-Broadway Review: KENREX (Lucille Lortel)
by Carol Rocamora | May 1, 2026
in New York, TheaterA COMMUNITY PUSHED PAST THE LAW An electrifying solo tour de force that turns a town’s nightmare into gripping theater. The largest Off-Broadway cast this season—over a dozen roles—may well be at the Lucille Lortel Theatre. Remarkably, they’re played by one actor. That’s only one reason you should see the amazing…
Theatre Review: HYMN (Odyssey Theatre Ensemble)
by Ernest Kearney | May 3, 2026
in Los Angeles, TheaterDance Review: GISELLE (Los Angeles Ballet)
by Shari Barrett | May 3, 2026
in Dance, Los AngelesOff-Broadway Review: KENREX (Lucille Lortel)
by Carol Rocamora | May 1, 2026
in New York, TheaterDance Review: MERE MORTALS (SF Ballet)
by Chuck Louden | April 30, 2026
in Dance, San Francisco
(Bay Area)Theater Review: BLUE KISS (Ruskin Group Theatre)
by Ernest Kearney | April 30, 2026
in Los Angeles, TheaterMusic Review: NELLIE McKAY (City Vineyard)
by Rob Lester | April 29, 2026
in Cabaret, New York