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Dance Review: LIMÓN DANCE COMPANY (The Joyce Theater)
MISSA BRAVOS The Limón Dance Company celebrates its 78th season at the Joyce Theater with an epic program that reflects José Limón’s humanist aesthetic: Limón’s The Traitor, Scherzo, Missa Brevis; Doris Humphrey’s Two Ecstatic Themes; and the world premiere of Kayla Farrish‘s The Quake that Held Them All. I enjoyed every minute of it. Even if you’re not a fan of…
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Theater Review: GATZ (Elevator Repair Service at The Public)
GREAT F. SCOTT! Elevator Repair Service’s justifiably heralded Gatz returns to The Public, opening tonight for a final New York City encore, and it’s congenial, unforgettable theater. Directed by John Collins, this single 6 1/2-hour production (more than 8 hours with the breaks) terrorized me at first because I can’t sit still for such a long time,…
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Theater Review: BACK TO THE FUTURE: THE MUSICAL (National Tour)
TIME I’LL NEVER GET BACK Without hyperbole, I can say that Back to the Future is the worst musical I have ever seen. Any time I see a show that truly knocks it out of the park, it fills me with so much joy to be able to review it. Nothing quite compares to the…
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Extras: CASINOS IN CINEMATIC HISTORY: A DYNAMIC EVOLUTION AND THEIR CONTINUED ALLURE
The gambling culture has always been intertwined with the cinematic culture as cinema has always been fascinated with the glamour of the casino world. The gambling culture is thriving in the United States where for example the casino hotspot Las Vegas continues to gain high numbers in revenue, for example reporting a revenue stream of…
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Theater Review: DRAGON LADY (Lesher Theatre, Walnut Creek)
DRAGON LADY ROARS AT CENTER REP Sara Porkalob’s solo tribute to her grandmother is both an astounding theatrical event and a master class in storytelling. Part biography, part autobiography, part cabaret musical, and part comedy, the show is a tour-de-force, on a sumptuous set by Randy Wong-Westbrooke. Dragon Lady runs at the beautiful Lesher Theatre in Walnut…
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Opera Recommendation: LITTLE WOMEN (Fort Worth Opera)
This November 22 and 24 at the W. E. Scott Theatre in the Fort Worth Cultural District, Fort Worth Opera presents its season-opening production: Mark Adamo’s operatic adaptation of beloved literary classic, Little Women. Adamo’s exquisite opera, a daringly contemporary adaptation, provides a rich new version of the story, breathing exciting life into the resonant…
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Opera Review: DON BUCEFALO (Pacific Opera Project at The Garibaldina in Los Angeles)
PACIFIC OPERA PROJECT UNEARTHS A TREASURE In the often unexplored corners of the operatic repertoire lie forgotten gems that, when rediscovered, shine brightly. Pacific Opera Project’s revival of Don Bucefalo by Antonio Cagnoni is one such treasure. Premiering in Milan in 1847, Don Bucefalo enjoyed considerable success in its time but has since slipped into…
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Theater Review: PERICLES (Royal Shakespeare Company at Chicago Shakespeare on Navy Pier)
ROYAL SHAKESPEARE’S RADIANT PERICLES All the indicators promised that it’d be special: after a 30-year lull, England’s Royal Shakespeare Company (RSC) and Chicago Shakespeare Theater (CST) entered a new and ongoing partnership. Part of this refreshed collaboration included bringing RSC’s production of Shakespeare’s seldom seen Pericles to Navy Pier. But it wasn’t until the first…
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Highly Recommended Opera: AIDA and THE OPERA GALA (Boston Lyric Opera at Emerson Colonial Theater)
Stefan Egerstrom (King of Egypt), Brian Major (Amonasro) and Morris Robinson (Ramfis) On Sunday, November 10, 2024, Boston Lyric Opera’s one-performance-only of Giuseppe Verdi’s triumphal masterpiece Aida preceded the return of its annual fundraiser that supports access through community initiatives. Following the 3pm staged concert performance of Aida, the stunning Opera Gala 2024, which will…
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Theater Review: DIVA THE PLAY (Zephyr Theatre)
MEMORIES OF CHERISHED TIMES As we age and our memories fade away, certain items from our lifetime can trigger both happy and unpleasant memories, making us feel in the moment without worrying about what we may have already forgotten. Thus, your life can become a joyous celebration of happy times filled with love and great…
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Opera Review: SANCTA SUSANNA: A HORROR OPERA (Source/Filter Music Collective at Heritage Square Museum)
OH, SUSANNA!! For two performances only, October 24 & 25, 2024, two-year old Source/Filter Music Collective took a big step, producing its first fully-staged opera: Paul Hindemith (music) and August Stramm’s (libretto) scandalous 1921 Sancta Susanna. Timed for Halloween and staged inside the Lincoln Avenue Methodist Church at Heritage Square Museum, this production also marked…
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Theater Review: LEROY AND LUCY (World Premiere at Steppenwolf’s Ensemble Theater)
The devil’s voice is sweet to hear. — Stephen King, from the novel Needful Things Steppenwolf’s production of Leroy and Lucy by Ngozi Anyanwu is a seductive and life-affirming reimagining of the legend of Robert (Leroy) Johnson and his deal with the devil. Little is known about Robert Johnson’s life, largely because it was so…
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Opera Review: ROMEO & JULIET [ROMÉO ET JULIETTE] (Los Angeles Opera)
The Los Angeles Opera‘s revival of Gounod‘s Roméo et Juliette dazzled in its opening performance last night, thanks to extraordinary vocal performances and masterful conducting. With Amina Edris and Duke Kim delivering passionate portrayals of the star-crossed lovers, and Domingo Hindoyan leading the orchestra in a lush, romantic interpretation of Gounod’s score, the evening was…
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Theater Review: LA CAGE AUX FOLLES (Palm Canyon Theater)
OOH LA LA FOR LA CAGE AUX FOLLES With songs by the incomparable Jerry Herman, bookwriter Harvey Fierstein once again broke ground after his Torch Song Trilogy with La Cage aux Folles. It was groundbreaking as the first Broadway musical to prominently feature a gay couple as main characters along with an ensemble of drag queens,…
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Theater Review: DOGS (Red Theater in Chicago)
HOT DOGS! Red Theater’s Take on Speed Eating is a Fast and Furious Glimpse into the Fascinating Sometimes you need to head in a different direction to uncover life’s true hidden treasures. The Edge Off Broadway, an unassuming theatrical venue just south of Bryn Mawr, harbors one such gem in Red Theater’s Dogs, which opened…
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Off-Broadway Review: VLADIMIR (Manhattan Theatre Club at New York City Center)
There’s an eponymous and ominous presence onstage at New York City Center Stage I. You can’t see him. But his evil, autocratic and tyrannical nature permeates every scene in Erika Sheffer’s riveting play, Vladimir, from the moment we see a drunk Boris Yeltsin resign to the play’s tragic ending. That man, of course, is Vladimir…
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Recommended Theater: LIFE AND TIMES OF MICHAEL K (Handspring Puppet Company and Baxter Theatre at The Wallis)
THE WALLIS HOSTS EXTRAORDINARY THEATER Handspring Puppet Company (War Horse) joins Cape Town’s Baxter Theatre to bring Life & Times of Michael K to the Bram Goldsmith Theater at The Wallis in Beverly Hills November 21 to 24, 2024. I was lucky enough to catch it at St. Anne’s Warehouse in Brooklyn and it’s a must-see to…
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VINTAGE MEETS VIRAL: HOW PMJ HAS MASTERED THE ART OF SOCIAL MEDIA IN A RETRO STYLE
Postmodern Jukebox (PMJ) has carved out a unique corner of the internet, skillfully merging the sounds and aesthetics of bygone musical eras with the digital reach of modern-day social media. Founded in 2010 by jazz pianist and arranger Scott Bradlee, PMJ began as a grassroots project in a basement apartment, reimagining contemporary pop hits in…
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Film Review: ANORA (Written and Directed by Sean Baker)
A Cannes Palme d’Or winner that trades plot for character, with Mikey Madison and a stellar ensemble stealing the spotlight Writer/director Sean Baker’s Anora is a uniquely different film that stands apart for its commitment to character-driven storytelling over plot — a choice that earned it the prestigious Palme d’Or at the Cannes Film Festival….
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