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Off-Broadway Review: SLEEP NO MORE (Punchdrunk Theatre Company at McKittrick Hotel; Closes on January 5, 2025)
SOMETHING WICKED THAT WAY GOES No plague can kill a great show. It came back after COVID. In a rare clash of film noir, performance art, an awesome murder mystery party, and Shakespeare, Punchdrunk’s Sleep No More is the ultimate voyeuristic thrill. Audience members don Venetian masks and explore the depths of the 1930s-style McKittrick…
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Theater Review: SUESSICAL (Berkeley Playhouse)
“HOW LUCKY YOU ARE” TO SEE SEUSSICAL No one does youth and family theater better in the Bay Area than The Berkeley Playhouse. Everything they offer features classic and family friendly shows performed by talented ensemble actors of all ages. Even the young child performers can sing and dance to choreographed numbers with heart and…
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Theater Review: DR. SEUSS’S HOW THE GRINCH STOLE CHRISTMAS! (The Old Globe)
YOU’LL BE GRINCHING FROM EAR TO EAR For the 27th year The Old Globe is presenting its hit musical Dr. Seuss’s How the Grinch Stole Christmas!, continuing its position as one of the essential entertainment attractions of the holiday season. Youngsters and adults will love it for the same reasons. It tells a great story…
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Off-Broadway Review: KING LEAR (The Kenneth Branagh Theatre Company at The Shed)
A NEOLITHIC AND LEAN LEAR Shakespeare’s works can be read in many ways and I have witnessed so many diverse stage interpretations that I never know what I am about to see when I venture towards one of his plays. This time it was King Lear, which opened tonight at The Shed, directed by Rob Ashford, Kenneth Branagh,…
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LATEST LIST OF FREE SPINS NO DEPOSIT BONUS CODES FOR AUSTRALIAN PLAYERS
In the competitive world of online gambling, free spins no deposit codes Australia 2024 have emerged as a popular promotional tool among Australian casinos. These offers allow players to spin the reels of slot games without risking their own money, providing a unique opportunity to explore new games and potentially win real cash. However, while…
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Off-Broadway Review: THE Z TEAM (Theatre Row)
THE ZZZZzzz TEAM The Z Team, currently playing at Theatre Row, is a new work by father-and-son team Jeff and Jacob Foy. Directed by Jeff Whiting, it’s advertised to be uproarious: “If The Office and The Bad News Bears had a baby, it would be The Z Team.” Times like this call for lighthearted comedies, so…
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Cabaret Review: EMILY GOGLIA PRESENTS THE LIMELIGHT CLUB (The Moon Room on Melrose)
TOO DARN HOT, EMILY! Hello, all you cabaret junkies. Have I got a surprise for you. And in Los Angeles of all places. I happened upon a true cabaret, the kind I go to New York for — ya know, Birdland, Green Room 42, The Duplex — but I found a lovely locale called The Moon…
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Broadway Review: MAYBE HAPPY ENDING (Belasco Theatre)
THERE’S NO ‘MAYBE’ ABOUT IT HAPPINESS HAS LANDED AT THE BELASCO When Avenue Q ran against Wicked at the Tonys for Best Musical, it was often compared to the American folktale The Little Engine That Could vs. the big corporate multi-million-dollar musical. One was a small contender with lots of heart; the other a huge…
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Theater Review THE NANNY LIVE! (Oasis Nightclub in SF)
Club Oasis, San Francisco’s premiere drag and cabaret theater showcases the best of Bay Area’s queer community’s talent, from fresh performers to campy remakes of pop culture and TV shows (their recent Rocky Horror was a hoot). The latest sitcom to be spoofed by the talented Oasis team of performers is The Nanny. the CBS…
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Theater Review: THE ODD COUPLE (Roustabouts Theatre Company in San Diego)
EVERYTHING ODD IS NEW AGAIN Before ABC-TV made 114 episodes of the 1970-1975 sit-com The Odd Couple starring Tony Randall and Jack Klugma), there was the movie starring Jack Lemmon and Walter Matthau in 1968. But all of that followed the original Neil Simon play by the same name, which was a huge Broadway hit…
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THE IMPACT OF AI ON RESPONSIBLE GAMBLING: SAFEGUARDING USERS IN REAL-TIME
The rapid evolution of artificial intelligence (AI) is reshaping industries across the globe, and the gambling sector is no exception. While gambling offers entertainment and economic opportunities, it also carries the risk of addiction and financial harm. This is particularly relevant in the context of non Gamstop casinos which operate outside the UK’s self-exclusion scheme…
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MOVING TIPS MADE EASY: TIPS FOR ACTORS, ARTISTS AND CREATIVES ON THE GO
In the arts and entertainment industry, moving is often a fact of life — whether it’s for a new theater production, film shoot, or seasonal gig. For many creative professionals, the process can feel chaotic and overwhelming. What follows are some helpful tips to make sure the process unfolds smoothly. Build a Timeline Around Your…
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Theater Review: INTO THE WOODS (Kokandy Productions)
INTO THE WOODS ACCOMPANIED BY TWO PIANOS? IN A STOREFRONT THEATRE? IT’S A DREAM COME TRUE Kokandy’s production of Into the Woods directed by Derek Van Barham with music direction by Nick Sula is a clever reimagining of this Stephen Sondheim/James Lapine classic for a storefront theatre space. Most notably, this production reimagines the orchestrations…
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Theater Review: PACIFIC OVERTURES (East West Players / Los Angeles)
EAST WEST PLAYERS PULLS OUT ALL THE SHOGUNS FOR A RARELY SEEN SONDHEIM MUSICAL On Sunday, East West Players opened their new production of Pacific Overtures by Stephen Sondheim (music and lyrics) and John Weidman (book). From 1976, this is one of Sondheim’s more overlooked shows. If you’ve never seen this unusual musical, this will…
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Theater Review: NEXT TO NORMAL (CV Rep in Cathedral City)
ABNORMALLY REAL CV Rep opened it’s 24/25 season this past week with a triumphant production of the rock musical Next to Normal, ably directed by CV Rep’s Artistic Director Adam Karsten. Groundbreaking in its exploration of mental illness, grief, and the impact these issues have on a family, the show won the Pulitzer Prize for…
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TEACHING AI TO CREATE: THE BASICS OF TRAINING MODELS FOR IMAGE GENERATION
AI technology is transforming how we approach creativity, with advancements in image generation offering exciting new possibilities and knowledge on how to make AI pictures. From artistic expression to practical applications, training AI models to create images opens up countless opportunities across industries. Emerging tools like ai undress can help designers visualize and explore potential designs or…
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Dance Review: PAUL TAYLOR DANCE COMPANY (Fall Season Programs at David H. Koch Theater at Lincoln Center)
Modern dance was born as a protest, a reaction to the rigid structure of classical ballet. As is evident from my review of the dazzling program Extreme Taylor at the Joyce in June, I couldn’t wait to see the company again, to explore more of their movement vocabulary. Now, the Paul Taylor Dance Company is back with…
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Concert Review: VENETIAN SPLENDOR: Vivaldi Four Seasons & Gondola Songs (Avi Avital and SF’s Philharmonia Baroque Orchestra, SoCal Tour: Soka, Granada Theatre, The Soraya)
BRAVO, AVI! As part of a SoCal tour, Israeli Mandolinist Avi Avital and San Francisco’s Philharmonia Baroque Orchestra stopped at at Soka University Concert Hall on Sunday, Nove 10, 2024. The concert’s main feature was Vivaldi’s Four Seasons, with the solo violin part transcribed to Mandolin by Avital himself. The program repeats tomorrow night Nov…
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Theater Review: FIDDLER ON THE ROOF (starring Jason Alexander at La Mirada Theatre for the Performing Arts)
JASON ALEXANDER ISN’T FIDDLING AROUND — HIS POIGNANT PERFORMANCE GROUNDS THIS REVIVAL In Lonny Price’s revival of Fiddler on the Roof, Jason Alexander’s performance as Tevye stands out as the production’s defining accomplishment. Alexander, well known for his comedic prowess on television, surprises here by sinking into the rich, layered pathos of Tevye — a…
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Cabaret Review: UNDRESSED: THE MUSICAL (Red Eye NY)
UNMENTIONABLES WORTH MENTIONING New Yorkers are generally up for anything. Improv musical? Sure. Improv musical with five men in their underwear? Absolutely! Improv musical based on your most embarrassing moment in public? Uhhh… Luckily, the talented performers of Undressed: The Musical even the playing field by performing in their knickers. The audience aren’t the only…
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