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Caroline Cao
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Theater Interview: RICHARD CHANG (张德胜) (Playwright and Performer of “Ai Yah Goy Vey!”)
Playwright-Performer Richard Chang Turns Reductionism Into Multiculturalism Years ago, while riding the subway, playwright Richard Chang witnessed passengers snickering at a Chinese battery seller advertising his wares in a thick Cantonese accent. Raised in the melting pot of Malaysia, Chang considered how the American landscape reduced a marginalized stranger into a laughable spectacle. It was…
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New York Opera Review: AGRIPPINA (The Met)
GRIPPING AGRIPPINA For a political comedy littered with slapstick, it’s fittingly ironic that this newest Met Opera take on Agrippina opens and bookends with morbidity: All the main players are perched on tombs bearing their names. This adaptation of Théâtre Royal de la Monnaie’s production occurs during the tricentennial of George Frideric Handel’s music and…
Music Review: NELLIE McKAY (City Vineyard)
by Rob Lester | April 29, 2026
in Cabaret, New YorkOff-Broadway Review: BROKEN SNOW (Theatre 71)
by Gregory Fletcher | April 28, 2026
in New York, TheaterTheater Review: THE SECRET SHARER (DNAWorks at Emerson Paramount Center)
by Lynne Weiss | April 27, 2026
in Boston, TheaterBroadway Review: JOE TURNER’S COME AND GONE (Barrymore Theatre)
by Paola Bellu | April 25, 2026
in New York, Theater

