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Michael M. Landman-Karny
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Theater Review: SUCH SMALL HANDS (Chance Theater)
A WHISPER THAT ECHOES There are plays that knock you over with intensity. And there are those that seep in, settle under your skin, and stay there long after the lights come up. Adam Szymkowicz‘s Such Small Hands falls firmly in the latter category. This quiet but devastating meditation on memory, mortality, and devotion opened…
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Highly Recommended Theater: REGENCY GIRLS (Pre-Broadway World Premiere at The Old Globe)
YOU GO, GIRLS! San Diego’s theater scene is about to get a jolt of excitement as The Old Globe prepares the pre-Broadway world premiere of Regency Girls, a bold and hilarious new musical comedy opening on April 2, 2025. Featuring an all-star creative team and a powerhouse cast, this electrifying production promises to be one…
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Highly Recommended Concerts: VIENNA PHILHARMONIC (Carnegie Hall, Segerstrom and Zellerbach Hall)
WANT TO HEAR ONE OF THE GREATEST ORCHESTRAS THAT HAS EVER EXISTED? VIENNA PHILHARMONIC MAKES ONLY THREE U.S. APPEARANCES: COSTA MESA, BERKELEY & NEW YORK For California classical music lovers, a delight is in store. Vienna Philharmonic, one of the most renowned orchestras in the world, comes to Zellerbach Hall in Berkeley March 5-7, followed…
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Theater Review: DESPERATE MEASURES (International City Theatre in Long Beach)
A SHAKESPEAREAN WESTERN MUSICAL? DON’T WORRY, IT MEASURES UP The wild west sizzles with song and chaos in Desperate Measures, the rootin’-tootin’ Wild West musical shinin’ bright at International City Theatre in Long Beach. Peter Kellogg (book and lyrics) and David Friedman (music) convert a Shakespearean problem play into a hootenanny of moral quandaries, mistaken…
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Concert Review: LONDON SYMPHONY ORCHESTRA (Yunchan Lim, piano; Antonio Pappano, conductor; Philharmonic Society of Orange County)
A NIGHT OF THUNDER AND ELEGANCE Presented by Philharmonic Society of Orange County, the London Symphony Orchestra, among the most disciplined and savagely expressive classical orchestras in the world, arrived in Costa Mesa at Segerstrom Concert Hall on Feb. 19, 2024, with Antonio Pappano conducting and a young firebrand at the keyboard. Yunchan Lim, the…
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Theater Review: ANNIE (2024/2025 NationalTour)
IF YOU WANT TO KNOW WHERE THE SUN DOESN’T COME OUT, SEE THIS NATIONAL TOUR OF ANNIE If the sun will come out tomorrow, somebody better tell this production. The national tour of Annie, playing at Costa Mesa’s Segerstrom Center for the Arts through February 23, is a two-and-a-half-hour exercise in endurance, proving that while…
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Theater Interview: ALEXANDER ROBERTSON (Broadway and West End Producer)
ALEXANDER ROBERTSON. HIS NAME IS ALEXANDER ROBERTSON. At the tender age of 26, Alexander Robertson has made a mark on Broadway as a co-producer with his current show roster including Cabaret at the KitKat Club, Gypsy, and the upcoming Smash and Boop!, both opening this spring. His past credits have included Appropriate, The Wiz, New York,…
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Theater Review: BACON (Rogue Machine at The Matrix)
BACON SIZZLES If you’re in search of a play that simmers with tension before scorching the stage with raw, emotional fire, English playwright Sophie Swithinbank’s Bacon, currently searing audiences at the tiny Henry Murray Stage upstairs at the Matrix, will leave you thoroughly singed—and perhaps a little brittle. Bacon is less a coming-of-age story and…
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Dance Review: ALONZO KING LINES BALLET (“Mother Goose” and “Tribute to Alice Coltrane” at Segerstrom Hall)
Alonzo King LINES Ballet’s Double Bill of Ravel’s Mother Goose and King’s Tribute to Alice Coltrane presented a fascinating study of how two musical worlds—one rooted in French impressionism and the other in American jazz spirituality—can be bound together through movement. King’s choreography bridged these contrasting styles, creating an immersive experience of transformation. The evening…
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Theater Review: EVANSTON SALT COSTS CLIMBING (Rogue Machine at the Matrix Theatre in Los Angeles)
THE END OF THE WORLD COMES WITH A COFFEE BREAK There’s something eerily familiar about the way Michael Redfield and Hugo Armstrong zip and unzip their parkas in Will Arbery’s haunting new play Evanston Salt Costs Climbing by Rogue Machine Theatre. Like characters in a Samuel Beckett fever dream reimagined for our climate-addled era, these…
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Cabaret Review: JASON ROBERT BROWN WITH ANIKA NONI ROSE (Samueli Hall at Segerstrom Center for the Arts)
A MUSICAL PAIRING WRITTEN IN THE STARS AND THE MOON Jason Robert Brown, the revered composer-lyricist who is considered by many as the natural successor to the late great Stephen Sondheim, graced Samueli Hall at Costa Mesa’s Segerstrom Center for the Arts with a three-night cabaret engagement that felt as intimate as it was grand….
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Opera Review: LA SCUOLA DE’ GELOSI (Pacific Opera Project)
SALIERI’S COMIC GEM IS A MUST-SEE U.S. PREMIERE As fires ravaged areas of Los Angeles last Friday, many companies were wondering whether to postpone, cancel or go on as planned. Pacific Opera Project (POP), “after much thought and deliberation with artists and staff,” decided to proceed with the their production of Antonio Salieri’s La scuola…
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Concert Review: GURRELIEDER (LA Phil at Disney Hall)
In an era when orchestral programming often shies from excess, the Los Angeles Philharmonic last weekend plunged unapologetically into the extravagant labyrinth of Arnold Schoenberg’s Gurrelieder. Under the baton of Zubin Mehta—paying homage to his tenure as the orchestra’s lionized music director emeritus—the performance resuscitated Schoenberg’s early, sprawling epic, a two-hour monument to the late-Romantic…
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Theater Review: LA CAGE AUX FOLLES (Pasadena Playhouse)
LA CAGE: STRIPPED OF ITS FEATHERS In Sam Pinkleton‘s well-intentioned but ultimately discordant revival of La Cage aux Folles at the Pasadena Playhouse, that old showbiz maxim about the show must going on feels less like a triumph than a duty. This production of Jerry Herman and Harvey Fierstein’s landmark 1983 musical about love, family,…
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Concert Review: VENETIAN SPLENDOR: Vivaldi Four Seasons & Gondola Songs (Avi Avital and SF’s Philharmonia Baroque Orchestra, SoCal Tour: Soka, Granada Theatre, The Soraya)
BRAVO, AVI! As part of a SoCal tour, Israeli Mandolinist Avi Avital and San Francisco’s Philharmonia Baroque Orchestra stopped at at Soka University Concert Hall on Sunday, Nove 10, 2024. The concert’s main feature was Vivaldi’s Four Seasons, with the solo violin part transcribed to Mandolin by Avital himself. The program repeats tomorrow night Nov…
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Theater Review: FIDDLER ON THE ROOF (starring Jason Alexander at La Mirada Theatre for the Performing Arts)
JASON ALEXANDER ISN’T FIDDLING AROUND — HIS POIGNANT PERFORMANCE GROUNDS THIS REVIVAL In Lonny Price’s revival of Fiddler on the Roof, Jason Alexander’s performance as Tevye stands out as the production’s defining accomplishment. Alexander, well known for his comedic prowess on television, surprises here by sinking into the rich, layered pathos of Tevye — a…
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Opera Review: DON BUCEFALO (Pacific Opera Project at The Garibaldina in Los Angeles)
PACIFIC OPERA PROJECT UNEARTHS A TREASURE In the often unexplored corners of the operatic repertoire lie forgotten gems that, when rediscovered, shine brightly. Pacific Opera Project’s revival of Don Bucefalo by Antonio Cagnoni is one such treasure. Premiering in Milan in 1847, Don Bucefalo enjoyed considerable success in its time but has since slipped into…
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Opera Review: ROMEO & JULIET [ROMÉO ET JULIETTE] (Los Angeles Opera)
The Los Angeles Opera‘s revival of Gounod‘s Roméo et Juliette dazzled in its opening performance last night, thanks to extraordinary vocal performances and masterful conducting. With Amina Edris and Duke Kim delivering passionate portrayals of the star-crossed lovers, and Domingo Hindoyan leading the orchestra in a lush, romantic interpretation of Gounod’s score, the evening was…
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Recommended Theater: LIFE AND TIMES OF MICHAEL K (Handspring Puppet Company and Baxter Theatre at The Wallis)
THE WALLIS HOSTS EXTRAORDINARY THEATER Handspring Puppet Company (War Horse) joins Cape Town’s Baxter Theatre to bring Life & Times of Michael K to the Bram Goldsmith Theater at The Wallis in Beverly Hills November 21 to 24, 2024. I was lucky enough to catch it at St. Anne’s Warehouse in Brooklyn and it’s a must-see to…
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Theater Review: THE PIANO LESSON (A Noise Within)
A WELL-PLAYED PIANO Though the surface plot of August Wilson’s The Piano Lesson is fairly simple ’” an estranged brother and sister argue over whether to sell or keep a beautiful piano that has been in the family for generations – that simplicity is very deceptive. For the piano is not only a valuable instrument…
Theater Review: SANCTUARY CITY (Chance Theater / Anaheim)
by Michael Landman-Karney | May 11, 2026
in Los Angeles, Regional, TheaterTheater Review: SWEPT AWAY (SpeakEasy Stage at Boston Center for the Arts)
by Lynne Weiss | May 10, 2026
in Boston, TheaterTheater Review: ‘NIGHT, MOTHER (Redtwist Theatre / Chicago)
by Croydon Fernandes | May 9, 2026
in Chicago, TheaterOff-Broadway Review: BIKE SHOP: THE MUSICAL (Theater for the New City)
by Rob Lester | May 7, 2026
in New York, TheaterTheater Review: SOMETHING ROTTEN! (Lyric Stage Company of Boston)
by Emily Brenner | May 7, 2026
in Boston, TheaterTheater Review: MJ THE MUSICAL (National Tour / San Diego)
by Dan Zeff | May 7, 2026
in Dance, Theater, Theater-San Diego, ToursTheater Review: FAULT (Chicago Shakespeare)
by Croydon Fernandes | May 7, 2026
in Chicago, TheaterTheater Review: I HATE HAMLET (Saint Sebastian Players / Chicago)
by Mitchell Oldham | May 6, 2026
in Chicago, Theater
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