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Milo Shapiro
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San Diego Theater Review: BLITHE SPIRIT (North Coast Repertory Theatre in Solana Beach)
LET THE SPIRIT MOVE YOU TO NORTH COAST REP Is it bigamy if you’re still seeing your first wife while married to your second? Does your answer change if the first wife has been dead for seven years? Herein lies the plot and fun of a séance that goes a bit too far, leaving Charles…
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Theater Review: HAIRSPRAY (San Diego Musical Theatre at Horton Grand Theatre)
EVEN WHEN YOU’RE HAIR CAN’T HOLD UP, THIS MUSICAL CAN To say you like Hairspray really doesn’t cut it. Do you mean the 1988 John Waters film starring Devine and newcomer Ricki Lake? Or maybe you mean the 2003 Tony winner for “Best Musical,” which also yielded Harvey Fierstein a Tony for his role as…
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Theater Review: A FUNNY THING HAPPENED ON THE WAY TO THE FORUM (North Coast Rep in San Diego)
A FUNNY THING’S HAPPENING AT NORTH COAST REP Only in Ancient Rome! Pseudolus, the wise-cracking slave (Omri Schein), can earn his freedom if he can somehow get the pretty, bubble-headed virgin (Noelle Marion) staying next door to become the beloved of his twenty-something master, Hero (Chris M. Kauffmann). Alas, she is promised to uber-masculine Army…
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San Diego Theater Review: SPAMALOT (Cygnet Theatre)
THE HOLY GRAIL OF SILLY MUSICALS The tales of King Arthur and his knights of the round table stand as icons of literature, leaving them ripe for outrageous parody in Monty Python’s 1975 cult classic Monty Python and the Holy Grail. Spamalot walks the line of being a musical version of Holy Grail and being (as…
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San Diego Theater Review: ROMEO, ROMEO & JULIET (The Roustabouts Theatre Co. at Moxie Theatre)
PARTING IS SUCH SWEET SORROW AFTER A PLAY THIS GOOD “What’s in a name?” Juliet famously asks. A lot, if the name is Ruff Yeager. Yeager, co-founder of The Roustabouts Theatre Co., has been a long-time staple of fine directing and powerful acting in San Diego, particularly chilling as the central character in Roustabouts’ debut…
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San Diego Theater Review: THE LONELIEST GIRL IN THE WORLD (Diversionary Theatre)
FROM ORANGE JUICE TO A PIE IN THE FACE “What these people really want, hidden behind obscure legal phrases, is the legal right to propose to our children that theirs is an acceptable alternate way of life. I will lead such a crusade to stop it as this country has not seen before.” − Anita…
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San Diego Theater Review: SOUTH PACIFIC (San Diego Musical Theatre)
SOME ENCHANTED EVENING, INDEED Rodgers and Hammerstein’s 1949 Broadway hit South Pacific is so full of familiar, classic numbers that it almost feels like a Broadway review in itself − what a coup to have song after song that we recognize beyond its most familiar piece, Some Enchanted Evening. Overall, characters are likable and the…
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San Diego Theater Review: NOISES OFF (Lamb’s Players Theatre in Coronado)
ONE COULD GO ON AND ON FOR OFF Half the fun of theater is in the performance; the other half is in the rehearsal. Rehearsal is the time for experimenting, bonding, and watching everything come together. Except when it isn’t. On those occasions, perhaps not so rare, it’s a time of tongue-biting, panic, and blame….
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Tour Theater Review: SOUL DOCTOR (Lyceum Theatre in San Diego)
JUST WHAT THE DOCTOR ORDERED: A JOYFUL MESSAGE There is an ancient Chinese proverb: “The wise adapt themselves to circumstances, as water molds itself to the pitcher.” In the musical Soul Doctor, the Jewish Orthodoxy apparently aren’t big on such Chinese wisdom. Based on the true story of Shlomo Carlebach, often known as “The Singing…
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San Diego Theater Review: KING CHARLES III (Coronado Playhouse)
WOULD SHAKESPEARE BY ANY OTHER PLAYWRIGHT SMELL AS SWEET? If the title King Charles III sounds rather Shakespearean, yet you cannot recall a “Charles” among all his Henrys and Richards, there’s a good reason. Mike Bartlett’s homage to the “Bard of Avon,” written just over 400 years later than Richard III, is about a king that Shakespeare…
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San Diego Theater Review: A JEWISH JOKE (The Roustabouts Theatre Co. at MOXIE Theatre)
A JEWISH JOKE WAS NO LAUGHING MATTER IN THE 1950s When the nation went into Commie panic in the ‘40s and ‘50s, one of the first places to get hard hit was Hollywood. In 1947, Congress’s House Un-American Activities Committee (HUAC) announced the “Hollywood Ten,” the first wave of accusations against ten Tinseltown Americans for…
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San Diego Theater Review: A LITTLE NIGHT MUSIC (Cygnet Theatre Company)
CYGNET DOESN’T SEND IN ANY CLOWNS IN THIS LOVELY REVIVAL Much like modern art, Stephen Sondheim musicals aren’t for everyone. They are purposefully discordant in places, often dark in tone, and border on operatic on occasion. Other parts will be sweetly melodic with gorgeous harmonies − strikingly different from the same composer. Whether you like…
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San Diego Theater Review: THIS RANDOM WORLD (North Coast Rep)
WELL-PLANNED IRONIES Facebook and LinkedIn have illuminated the error in the supposed six degrees of separation theory, which asserts that all living things and everything else in the world are six or fewer steps away from each other; in our interconnected world, the correct number is probably closer to three. In This Random World, the…
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San Diego Theater Review: CAMPING WITH HENRY AND TOM (Lamb’s Players Theatre)
THREE GREAT MINDS MAKE FOR INTRIGUING THEATER There’s a game where you get to pick three famous people and go to dinner with all of them. In Mark St. Germaine’s Camping with Henry and Tom, it’s kind of like that game, except it’s based on a true story. And you only get to watch the…
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San Diego Theater Review: THE LAST WIFE (Cygnet)
THE LAST WIFE GETS IT RIGHT Historical fiction can be a dicey game, let alone a modernization of historical figures. When the results are as captivating as Kate Hennig’s The Last Wife, be prepared for some stimulating theater while brushing up on your history lessons. When speaking of British History, Katherine Parr may not be…
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San Diego Theater Review: THE FULL MONTY (San Diego Musical Theatre)
THE FULL MONTY IS WORTH BARING IN MIND When the main factory in town shuts down and only menial work, far below previous pay grade, can be found, what’s a man supposed to do? For the two central men in The Full Monty, the answer is to create a one-night-only strip show to compete with…
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San Diego Opera Review: AS ONE (San Diego Opera)
CLASSIC SOUND; MODERN THEME Composer Laura Kaminsky and co-librettists Kimberly Reed and Mark Campbell’s 80-minute chamber opera, As One, is a tribute to the fact that art must keep growing with the times. We expect modern themes explored in painting, music, dance, and more, but encountering today’s issues in opera causes a little more head-cocking….
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San Diego Theater Review: HAND TO GOD (San Diego Repertory Theatre at the Lyceum Stage)
EVIL RIGHT AT HAND What could go wrong when a newly widowed mom leads three teens in a wholesome, Lutheran, extra-curricular church class tasked with creating a Christian puppet show? Thankfully for us, plenty, in this gripping, darkly-comic drama by Robert Askins which premiered off-Broadway in 2011. Trying to fill her empty life with something…
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San Diego Theater Review: THE LEGEND OF GEORGIA MCBRIDE (Cygnet Theatre Company)
GEORGIA MCBRIDE AIN’T NO DRAG Playwright Matthew Lopez (The Whipping Man) has created a theatrical recipe: Take one part Torch Song Trilogy, mix in some La Cage aux Folles and, for a fun fish-out-of-water flavor, add in a generous dash of Sister Act. Sprinkle on some mixed nuts and you’re ready to serve up The Legend…
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San Diego Opera Review: THE PIRATES OF PENZANCE (San Diego Opera)
PLUCKY PIRATES, DARLING DAMSELS AND SILLY SHENANIGANS San Diego Opera has come a long way since announcing in 2014 that, despite being the only opera company in the nation’s eighth largest city, it would be shutting down to avoid bankruptcy. Between a groundswell of support on crowdfunding, restructure of the organization, and some changes to…
Off-Broadway Review: MILK AND HONEY (J2 Spotlight Theatre Company at AMT, NYC)
by Rob Lester | April 17, 2026
in New York, TheaterFilm Review: BRUTE 1976 (Directed by Marcel Walz)
by Allen Tellis | April 16, 2026
in FilmCabaret Review: MARILYN MAYE (54 Below, NY)
by Rob Lester | April 16, 2026
in Cabaret, New YorkComedy Club Review: GREENPOINT COMEDY CLUB (Brooklyn)
by Alex Simmons | April 15, 2026
in Cabaret, New York, TheaterTheater Review: REVENGE OF THE SOY BOY (FRIGID New York City Fringe Festival)
by Alex Simmons | April 14, 2026
in New York, TheaterTheater Review: WHAT THE CONSTITUTION MEANS TO ME (Greater Boston Stage Company)
by Lynne Weiss | April 14, 2026
in Boston, TheaterBroadway Review: BECKY SHAW (Helen Hayes)
by Carol Rocamora | April 14, 2026
in New York, Theater



















