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Milo Shapiro
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San Diego Theater Review: PRIDE AND PREJUDICE (Cygnet Theatre in San Diego)
THERE’S HUMOR TO BE PROUD OF HERE, SO DON’T BE PREJUDICED For those who have read or seen Jane Austen’s Pride and Prejudice, there are many nouns that come to mind such as “classic,” “drama,” “witty,” “depth,” and “struggle.” Until now, though, it would be rare to see “hilarity” on that list. In Kate Hamill’s…
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Theater Review: YOGA PLAY (Moxie Theatre Company in San Diego)
PUTTING CAPITALISM ON THE MAT Which of the following defines yoga to you? A series of gentle exercises meant to relax and invigorate the body; A Hindu spiritual and ascetic discipline using breath control and meditation; An 83 billion-dollar international industry of mats, equipment, clothing, and accessories. All three are true, but for Joan (Jo…
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Review: SISTER ACT (San Diego Musical Theatre)
WELL DONE HAVING FUN ON THE RUN AS A NUN Don’t you just hate it when your boyfriend turns out to be a mobster and murders someone right in front of you, forcing you to flee and hide — all when your Disco Diva career is ready to take off? Well, that’s what happens to…
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Theater Review: JAY JOHNSON: THE TWO AND ONLY (Tour)
THE VOICE BEHIND THE VOICES Ventre Loqui: To speak from the belly. This is the etymology of the word ventriloquism, an art as old as : well, it depends who you ask. For some, there is no older art, as it was the trick of the devil to make the snake appear to speak to…
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Theater Review: CHAPS (Lamb’s Players in San Diego)
CHAPSCHTICK It’s 1944. The war is raging across the English Channel and the Germans could invade at any moment. Britain needs levity to get through these tough days. Miles (Charles Evans, Jr.) is the station manager for a BBC program and he’s got the solution. BBC has announced that a famous, beloved American country band…
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Review: FREAKY FRIDAY (San Diego Musical Theatre)
THANK GOD IT’S FREAKY FRIDAY On the weekend of her mother’s everything-must-be-perfect second wedding, teenager Ellie (Rivers Harris) is in a funk: little brother Fletcher (John Perry Wishchuk), who talks through puppets, is driving her crazy; mother Katherine (Cassie Bleher) is bossing everyone around; her fiancé Mike (CJ Ravine) is trying too hard to get…
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San Diego Theater Review: GABRIEL (North Coast Repertory in Solana Beach)
TENSION, HUMOR, AND INTRIGUE IN BEGUILING WWII DRAMEDY There would be much better places to live in 1943 than on the German-occupied British island of Guernsey, especially if you are sheltering your Jewish daughter-in-law Lily (Lilli Passero), who is passing for gentile. Our protagonist Jeanne (Jessica John) is not fond of Lily, but has no…
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Theater Review: TINY BEAUTIFUL THINGS (San Diego’s the Old Globe)
LETTERS FROM THE LOVELORN LEAP OFF THE PAGE Dear Sugar, I have a problem. My editor assigned me to review a play that does not follow conventional theater techniques, has only one known character, and doesn’t actually have a plot. What should I do? Confused Critic in San Diego Dear Confused Critic, You don’t have…
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Theater Review: CRAZY FOR YOU (San Diego Musical Theatre in San Diego)
A SWEET EMBRACEABLE SHOW In 1930, a musical called Girl Crazy, with a score by George and Ira Gershwin, opened on Broadway to moderate success, running 272 performances. The rarely-revived show didn’t have the chops to endure the decades, but the music from it certainly did. Girl Crazy gave us memorable tunes, like “Bidin’ My…
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San Diego Theater Review: HIR (Cygnet Theatre)
WHO DOES HE THINK SHE IS? Him:Her:Them:Zir:Hir? In the transgender and non-binary community, the struggle with pronouns almost rivals the struggle with civil rights. Hir, now in a San Diego premiere, is both the title and a gender-neutral pronoun combining “his” and “her” (and pronounced “heer”). Its world is the creation of singer/songwriter/ performance artist/playwright Taylor Mac…
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San Diego Theater Review: BLITHE SPIRIT (North Coast Repertory Theatre in Solana Beach)
LET THE SPIRIT MOVE YOU TO NORTH COAST REP Is it bigamy if you’re still seeing your first wife while married to your second? Does your answer change if the first wife has been dead for seven years? Herein lies the plot and fun of a séance that goes a bit too far, leaving Charles…
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Theater Review: HAIRSPRAY (San Diego Musical Theatre at Horton Grand Theatre)
EVEN WHEN YOU’RE HAIR CAN’T HOLD UP, THIS MUSICAL CAN To say you like Hairspray really doesn’t cut it. Do you mean the 1988 John Waters film starring Devine and newcomer Ricki Lake? Or maybe you mean the 2003 Tony winner for “Best Musical,” which also yielded Harvey Fierstein a Tony for his role as…
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Theater Review: A FUNNY THING HAPPENED ON THE WAY TO THE FORUM (North Coast Rep in San Diego)
A FUNNY THING’S HAPPENING AT NORTH COAST REP Only in Ancient Rome! Pseudolus, the wise-cracking slave (Omri Schein), can earn his freedom if he can somehow get the pretty, bubble-headed virgin (Noelle Marion) staying next door to become the beloved of his twenty-something master, Hero (Chris M. Kauffmann). Alas, she is promised to uber-masculine Army…
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San Diego Theater Review: SPAMALOT (Cygnet Theatre)
THE HOLY GRAIL OF SILLY MUSICALS The tales of King Arthur and his knights of the round table stand as icons of literature, leaving them ripe for outrageous parody in Monty Python’s 1975 cult classic Monty Python and the Holy Grail. Spamalot walks the line of being a musical version of Holy Grail and being (as…
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San Diego Theater Review: ROMEO, ROMEO & JULIET (The Roustabouts Theatre Co. at Moxie Theatre)
PARTING IS SUCH SWEET SORROW AFTER A PLAY THIS GOOD “What’s in a name?” Juliet famously asks. A lot, if the name is Ruff Yeager. Yeager, co-founder of The Roustabouts Theatre Co., has been a long-time staple of fine directing and powerful acting in San Diego, particularly chilling as the central character in Roustabouts’ debut…
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San Diego Theater Review: THE LONELIEST GIRL IN THE WORLD (Diversionary Theatre)
FROM ORANGE JUICE TO A PIE IN THE FACE “What these people really want, hidden behind obscure legal phrases, is the legal right to propose to our children that theirs is an acceptable alternate way of life. I will lead such a crusade to stop it as this country has not seen before.” − Anita…
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San Diego Theater Review: SOUTH PACIFIC (San Diego Musical Theatre)
SOME ENCHANTED EVENING, INDEED Rodgers and Hammerstein’s 1949 Broadway hit South Pacific is so full of familiar, classic numbers that it almost feels like a Broadway review in itself − what a coup to have song after song that we recognize beyond its most familiar piece, Some Enchanted Evening. Overall, characters are likable and the…
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San Diego Theater Review: NOISES OFF (Lamb’s Players Theatre in Coronado)
ONE COULD GO ON AND ON FOR OFF Half the fun of theater is in the performance; the other half is in the rehearsal. Rehearsal is the time for experimenting, bonding, and watching everything come together. Except when it isn’t. On those occasions, perhaps not so rare, it’s a time of tongue-biting, panic, and blame….
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Tour Theater Review: SOUL DOCTOR (Lyceum Theatre in San Diego)
JUST WHAT THE DOCTOR ORDERED: A JOYFUL MESSAGE There is an ancient Chinese proverb: “The wise adapt themselves to circumstances, as water molds itself to the pitcher.” In the musical Soul Doctor, the Jewish Orthodoxy apparently aren’t big on such Chinese wisdom. Based on the true story of Shlomo Carlebach, often known as “The Singing…
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San Diego Theater Review: KING CHARLES III (Coronado Playhouse)
WOULD SHAKESPEARE BY ANY OTHER PLAYWRIGHT SMELL AS SWEET? If the title King Charles III sounds rather Shakespearean, yet you cannot recall a “Charles” among all his Henrys and Richards, there’s a good reason. Mike Bartlett’s homage to the “Bard of Avon,” written just over 400 years later than Richard III, is about a king that Shakespeare…
Off-Broadway Review: ARIAS WITH A TWIST (HERE Arts Center / NYC)
by Kevin Vavasseur | September 23, 2026
in New York, TheaterTheater Review: LEGALLY BLONDE (Berkeley Playhouse / Berkeley)
by Chuck Louden | September 21, 2026
in San Francisco
(Bay Area), TheaterTheater Review: TEXAS SODOMY (Whitefire Theatre / Sherman Oaks)
by Michael Landman-Karney | September 20, 2026
in Los Angeles, TheaterTheater Review: THE GLASS MENAGERIE (Center REP / Walnut Creek)
by Chuck Louden | September 20, 2026
in San Francisco
(Bay Area), TheaterTheater Review: HANGMEN (Long Beach Playhouse)
by Michael Landman-Karney | September 19, 2026
in Los Angeles, TheaterTheater Review: THE HUMANITIES (Victory Gardens Theater / Chicago)
by Croydon Fernandes | September 19, 2026
in Chicago, TheaterTheater Review: BEGIN AGAIN (World Premiere Musical / The Old Globe / San Diego)
by Milo Shapiro | September 19, 2026
in San Diego, TheaterTheater Review: JEKYLL & HYDE (Kokandy Productions / Broadway Playhouse / Chicago)
by Emma S. Rund | September 19, 2026
in Chicago, TheaterTheater Review: MARISOL (Open Fist Theatre Company / Los Angeles)
by Lawrence Lucero | September 18, 2026
in Los Angeles, Theater



















