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Milo Shapiro
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Theater Review: LETTICE & LOVAGE (Lamplighters Community Theatre in San Diego)
HOW TO SUCCEED IN HISTORY WITHOUT REALLY TELLING IT Meet Lettice Douffet (Bobbi Randall), an eccentric tour guide at Fustian House, a drab Tudor mansion. Burdened with delivering its painfully dull history to visitors, she finds the plain facts intolerable. Instead, Lettice gradually begins to embellish wildly, weaving dramatic tales of intrigue, passion, and bloodshed…
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Theater Review: SHUCKED (National Tour at San Diego Civic)
CORN-FED HUMOR LEAVES A SWEET TASTE I entered the Civic Theatre braced for a two-hour version of Hee Haw (not a compliment) and wondered if I’d be checking my watch by halfway through Act I as puns about corn wore thin. Instead, in little time, I was thoroughly absorbed in the goofy, tiny-town farm world…
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Theater Review: SOME LIKE IT HOT (National Tour, Hollywood)
EVERYONE WILL LIKE IT HOT It wouldn’t be a valid review to simply write, “I loved it!” a hundred times and ship it off to my editor. However, if you’re looking for a bottom line or a simple recommendation, that’s exactly what this review will come down to. Leandra Ellis-Gaston and the company Evoking the…
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Highly Recommended Theater: GRETEL! THE MUSICAL (Riot Productions in San Diego)
BEFORE HANSEL, THERE WAS, HELL YEAH, GRETEL! Witches. Talking dolls. Folk and rock music. Chicken-legged houses. If that doesn’t get your attention, then you may already be inside Baba Yaga’s oven. From July 20 to 27 at New Village Arts and Scripps Ranch Theatre, Riot Productions is going to cast a spell over San Diego…
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Theater Review: STEEL MAGNOLIAS (Lamplighters Community Theatre in San Diego)
THE MAGNOLIAS MAY BE STEELY, BUT THEY STILL SMELL PRETTY SWEET For over 80 years, Lamplighters Community Theatre has been providing an important role in San Diego’s theatre scene: creating a space for non-professional actors to come together to do quality work at affordable ticket prices. Part of their sweet spot is their knack for…
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Theater Review: THE 70s! THE GOLDEN AGE OF THE ALBUM (Lamb’s Players Theatre in Coronado)
A GREAT 70s TRIBUTE HAS VINYL-LY ARRIVED Normally, calling a show predictable isn’t a compliment. But when I heard that director Kerry Meads and musical director Vanda Eggington were once again teaming up for a musical tribute, The 70s! The Golden Age Of The Album, I predicted a joyous celebration of feel-good music, performed by…
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Theater Review: A STREETCAR NAMED DESIRE (Backyard Renaissance Theatre Company)
STILL PLENTY TO DESIRE A Streetcar Named Desire was one of the greatest hits for playwright Tennessee Williams. Born in 1911, he didn’t have any major successes until The Glass Menagerie premiered on Broadway in 1945. While that certainly put him on the theatrical map, it was Elia Kazan’s 1947 staging of Streetcar that truly…
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Theater Review: MOULIN ROUGE (2025 Touring Production)
CAN THIS SHOW LIVE UP TO THE MOVIE? YES, IT CAN CAN! The 2001 film Moulin Rouge told its La Bohème-like story with tremendous use of cinematography and computer animation, pulling off an other-worldliness while also portraying turn-of-last-century France. Without those skills to fall back on, musical playwright John Logan had his hands full in…
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Theater Review: OKLAHOMA! (Cygnet Theatre in San Diego)
OKLAHOMA! RIDES AGAIN– THIS TIME WITH DEPTH IN THE SADDLE When gay playwright Lynn Riggs wrote the rather dark Green Grow the Lilacs, his eighth play, and saw it produced in 1931, it’s likely he never dreamed it would be turned into an upbeat musical that would still be hitting stages 94 years later. Thirteen…
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Theater Review: BOOK OF MORMON (National Tour)
A MUSICAL SALTIER THAN SALT LAKE ITSELF Let’s start the actual religious text called The Book of Mormon, published in 1830. Without going into all its details about other planets, Jesus visiting America, and more–suffice it to say that if you weren’t raised with it, it sounds a bit bizarre. So when you give already-unconventional…
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Theater Review: UNNECESSARY FARCE (Scripps Ranch Theatre)
UNNECESSARY, PERHAPS, BUT DELICIOUS! Wikipedia defines farce as “a comedy that seeks to entertain an audience through situations that are highly exaggerated, extravagant, ridiculous, absurd, and improbable.” Director Robert May and his cast at Scripps Ranch Theatre make sure that is exactly what we’re getting from playwright Paul Slade Smith’s enchanting Unnecessary Farce. Danny Lovelle…
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Theater Review: A BEAUTIFUL NOISE (National Tour)
THIS RETROSPECTIVE ON NEIL DIAMOND SPARKLES When one thinks back to the top solo music acts of the 1970s, the biggest names to come to mind are likely Elton John, Stevie Wonder, Diana Ross, Barry Manilow, Barbra Streisand, and Donna Summer. But one man, with less fanfare perhaps, outsold them all. In fact, he outsold…
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Theater Review: THE COUNTER (Moxie Theatre in San Diego)
FORGET THE USUAL – MOXIE IS SERVING A TENDER STORY WITH A SIDE OF TRUTH Not every good story needs to take you around the world in eighty days or off to a magical land with wizards; sometimes, a simple, well-written interaction between regular people whom one might meet at, say, a store, can be…
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Theater Review: BRIGHT STAR (Lamplighters Community Theatre in San Diego)
COMFORTABLE HOMEY FOLK SHARE A SWEET STORY Book and music creators Steve Martin (yes, THAT Steve Martin) and Edie Brickell heard a true story from 1902 and became somewhat obsessed with it. They brainstormed a purely fictional account of what could have led up to that moment (most of Act I), the actual moment itself…
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Theater Review: HAMILTON (National Tour in San Diego)
NOT YOUR GRANDMA’S 1776 Until Hamilton, if you’d asked me if I liked rap music, you’d have gotten a pretty quick, “No.” And I still do cringe at the memories of cars driving up my street with offensive lyrics played at sonic boom levels, because that had been my primary exposure to rap. So why…
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Theater Review: THE PROM (San Diego Musical Theatre
MUSICAL ROM-COM PROM IS DA BOMB! Oh, the high school prom! Has any event, short of one’s wedding perhaps, ever been given more stress-inducing over-attention? Who to bring, what to wear, how to get there, corsages, after-parties, and more—it’s amazing it ever goes well. So, what a great setting for a play where the main…
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Theater Review: PERIL IN THE ALPS (Agatha Christie World Premiere by Steven Dietz at North Coast Rep)
SWEETLY PLAYFUL TREATMENT OF A COMPLICATED PLOT The prolific author Agatha Christie (1890-1976) was the creator of 66 novels, 14 volumes of short stories and 20 plays, ten of which have been published. Half of her novels involved a quirky, fussy little Belgian private detective named Hercule Poirot solving mysteries of murder. Ironically, Christie hated…
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Theater Review: HILLARY AND CLINTON (OnWord Theatre at the Alma Hotel in San Diego)
WHAT’S IN A NAME? A LOT WHEN IT’S “CLINTON” “Feelings are a terrible way to make decisions, Bill.” “Yes, but people don’t think you have any.” Reviewing this show is almost like reviewing two separate factors: the show itself and the experience they are creating. In the talkback afterward, Producing Artistic Director and Education Coordinator…
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Theater Review: THE HOT WING KING (Cygnet Theatre)
THESE WINGS ARE FLAMING IN MORE WAYS THAN ONE In our divided nation, there are still a few universals that bring us together. Puppies. Mother’s Day. Pizza. And, tagging close behind on the pizza bandwagon: the deep-fried delight known as “chicken wings.” But the folks at the Anchor Bar in Buffalo who first served them…
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Highly Recommended Theater: FIRST DATE (Point Loma Playhouse in San Diego)
I had a blind date. I waited two hours on the corner. A girl walked by. I said, “Are you Louise?’” She said, “Are you Rodney?” I said, “Yeah.” She said, ‘I’m not Louise.” — Rodney Dangerfield Perhaps the only thing less comfortable than the average official first date is if it’s a…
Off-Broadway Review: MILK AND HONEY (J2 Spotlight Theatre Company at AMT, NYC)
by Rob Lester | April 17, 2026
in New York, TheaterFilm Review: BRUTE 1976 (Directed by Marcel Walz)
by Allen Tellis | April 16, 2026
in FilmCabaret Review: MARILYN MAYE (54 Below, NY)
by Rob Lester | April 16, 2026
in Cabaret, New YorkComedy Club Review: GREENPOINT COMEDY CLUB (Brooklyn)
by Alex Simmons | April 15, 2026
in Cabaret, New York, TheaterTheater Review: REVENGE OF THE SOY BOY (FRIGID New York City Fringe Festival)
by Alex Simmons | April 14, 2026
in New York, TheaterTheater Review: WHAT THE CONSTITUTION MEANS TO ME (Greater Boston Stage Company)
by Lynne Weiss | April 14, 2026
in Boston, TheaterBroadway Review: BECKY SHAW (Helen Hayes)
by Carol Rocamora | April 14, 2026
in New York, Theater



















