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Milo Shapiro
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Theater Review: PERIL IN THE ALPS (Agatha Christie World Premiere by Steven Dietz at North Coast Rep)
SWEETLY PLAYFUL TREATMENT OF A COMPLICATED PLOT The prolific author Agatha Christie (1890-1976) was the creator of 66 novels, 14 volumes of short stories and 20 plays, ten of which have been published. Half of her novels involved a quirky, fussy little Belgian private detective named Hercule Poirot solving mysteries of murder. Ironically, Christie hated…
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Theater Review: HILLARY AND CLINTON (OnWord Theatre at the Alma Hotel in San Diego)
WHAT’S IN A NAME? A LOT WHEN IT’S “CLINTON” “Feelings are a terrible way to make decisions, Bill.” “Yes, but people don’t think you have any.” Reviewing this show is almost like reviewing two separate factors: the show itself and the experience they are creating. In the talkback afterward, Producing Artistic Director and Education Coordinator…
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Theater Review: THE HOT WING KING (Cygnet Theatre)
THESE WINGS ARE FLAMING IN MORE WAYS THAN ONE In our divided nation, there are still a few universals that bring us together. Puppies. Mother’s Day. Pizza. And, tagging close behind on the pizza bandwagon: the deep-fried delight known as “chicken wings.” But the folks at the Anchor Bar in Buffalo who first served them…
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Highly Recommended Theater: FIRST DATE (Point Loma Playhouse in San Diego)
I had a blind date. I waited two hours on the corner. A girl walked by. I said, “Are you Louise?’” She said, “Are you Rodney?” I said, “Yeah.” She said, ‘I’m not Louise.” — Rodney Dangerfield Perhaps the only thing less comfortable than the average official first date is if it’s a…
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Theater Review: TRUE WEST (Roustabouts Theatre Company at Diversionary Theatre in San Diego)
TRUE ZEST IN TRUE WEST As my sixtieth year on earth winds down, I’d like to believe those years have seasoned me with a strong degree of wisdom, patience, and finesse. As I said, I’d like to believe that, but there are two people who can reduce me to a furious, outrageous adolescent in a…
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Theater Review: WHAT THE CONSTITUTION MEANS TO ME (North Coast Rep)
WE, THE THEATRE, IN ORDER TO FORM A MORE PERFECT UNION Heidi Schreck wrote this mostly-autobiographical play and starred in it when it played on Broadway, where it was Tony-nominated for Best Play in 2017. So when Heidi broke the fourth wall at the beginning by saying, “Hi everyone! I’m Heidi!” she meant it. So when…
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Theater Recommendation: AIN’T TOO PROUD: THE LIFE AND TIMES OF THE TEMPTATIONS (National Tour in San Diego)
AIN’T TOO PROUD TO PUT ON A GOOD SHOW From 1964 to 1969, there was hardly a time when there wasn’t a hit on the Top 40 by The Temptations. A staple of ‘60s Motown music, the five men of The Temptations seemed able to do no wrong, with hits like “My Girl,” “The Way…
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Theater Review: A PERFECT GANESH (Lamplighters Community Theatre in San Diego)
GANESHA GRANTS GRACE IN A GLORIOUSLY GRITTY JOURNEY The Hindu religion has multiple gods. Ganesha, also called Ganesh, is revered as the god of wisdom, luck, and beginnings. His beloved spirit is present in everything, and he is generally depicted as joyful, seeing the best in people and the world around him. He is easily…
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Theater Review: THE DARK HEART OF DOOLEY STEVENS (Backyard Renaissance Theatre Company in San Diego)
THIS WILD RIDE SHOULD BE DOOLEY NOTED Francis Gercke—both the playwright and Backyard Renaissance Theatre Company‘s artistic director—welcomed the audience prior to the matinee. During his greeting, he remarked, “If at various points in the play you find yourself thinking, ‘I’m not sure I’m entirely following this,’ don’t worry. You’re exactly where you’re supposed to…
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Theater Review: WE ARE CONTINUOUS (Diversionary Theatre)
CONTINUOUSLY ENTERTAINING What’s most striking about the excellent we are continuous by Harrison David Rivers (The Bandaged Place, This Bitter Earth) is that it doesn’t just break the fourth wall occasionally—it shatters it entirely. The writing style is unlike anything I’ve seen in a multi-actor staging. It’s more akin to three-person storytelling, where the other two characters…
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Theater Review: HELLO, DOLLY! (San Diego Musical Theatre)
GOOD GOLLY, MISS DOLLY! Under Randy Slovacek’s direction for San Diego Musical Theatre, Hello, Dolly! festoons the theater with a cumulatively enchanting restoration of this infectious delight. So much that life fails to encourage, theater redeems—seldom more winningly than in Hello, Dolly! Charismatic matchmaker Dolly Levi (Heidi Meyer) arrives in Yonkers in the late 1800s,…
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Theater Review: WICKED (National Tour)
STILL A WICKED GOOD TIME The stage musical Wicked is now Broadway’s fourth longest-running show—surpassing Cats; productions continue to sprout up globally in many languages; and last year’s film adaptation of just Act I continues to be a ginormous hit. And last night, the equally successful North American Tour—which has played over 6000 performances—settled in for a…
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Theater Preview and Opening: OTHER DESERT CITIES (Cygnet Theatre)
NEIL SIMON IN PALM SPRINGS WITH AN AGENDA Jon Robin Baitz’ Broadway drama Other Desert Cities —which opens this week at Cygnet Theatre—depicts a crisis of apparent betrayal and imminent exposure that besets the Wyeth clan, a wealthy Jewish family sheltered in the oasis of Palm Springs. Viewed one way, Baitz’s Pulitzer Prize finalist is…
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Theater Review: SOME LIKE IT HOT (National Tour)
EVERYONE WILL LIKE IT HOT It wouldn’t be a valid review to simply write, “I loved it!” a hundred times and ship it off to my editor. However, if you’re looking for a bottom line or a simple recommendation, that’s exactly what this review will come down to. Leandra Ellis-Gaston and the company Evoking the…
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Theater Review: WAIT UNTIL DARK (Lamplighters Community Theatre in San Diego)
IT’S WORTH WAITING UNTIL DARK Playwright Frederick Knott’s Wait Until Dark debuted on Broadway in 1966, set in the contemporary world of its time in Greenwich Village. Lamplighters is now presenting Jeffrey Hatcher’s adaptation, which moves the setting to 1944. Aside from this time shift and the removal of some minor characters, the storyline closely follows…
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Theater Review: BACK TO THE FUTURE: THE MUSICAL (National Tour at San Diego Civic Theatre)
BACK TO BACK TO THE FUTURE For those of us old enough to remember the summer of ’85, when the movie Back to the Future reigned in movie theaters, here’s a daunting thought: Marty’s 30-year time travel back to 1955 was a shorter leap than going to 1985 from now. For the musical, the Broadway…
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Theater Review: THE HEART SELLERS (North Coast Rep)
YOU’LL BUY THIS HEART In my ninth-grade English class, Mr. Rozran taught that a short story, versus a novel, should aim to capture a small slice of life, leaving much of what happened before and after to our imaginations. That perspective came to mind while watching The Heart Sellers, a play that offers a focused,…
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Theater Review: TWAS THE NIGHT BEFORE CHRISTMAS (Lamplighters Community Theatre in La Mesa/ San Diego)
THESE CREATURES ARE DEFINITELY STIRRING UP HOLIDAY SPIRT AT LAMPLIGHTERS Ken Ludwig’s story begins with a homey Uncle Brierly (Christopher T. Miller) wanting to read to us the famous poem that this play is named after. Unfortunately for the frustrated fellow, he is repeatedly interrupted by a mouse (Matt Sayre) named Amos who keeps questioning…
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Theater Review: LITTLE WOMEN: THE BROADWAY MUSICAL (Moxie Theatre in San Diego)
LITTLE WOMEN WITH A BIG PRESENCE Allen Knee took on a daunting task in creating a play from Louise Mae Alcott’s hefty 1868–69 two-volume novel, but he also cuts back the narrative for the musical version of Little Women with Jason Howland’s music and Mindi Dickstein’s lyrics, which opened on Broadway with Sutton Foster in…
Theater Review: OCTET (Goodman Theatre)
by Mitchell Oldham | July 19, 2026
in Chicago, TheaterTheater Preview: PROOF (El Portal Theatre / North Hollywood)
by pwsadmin | July 17, 2026
in Los Angeles, Theater


















