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Milo Shapiro
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Theater Review: LEGALLY BLONDE (San Diego Musical Theatre)
WAS BLONDE, BUT NOW I SEE! It’s easy to say that everyone wants to be taken seriously, but for Elle (Johnisa Breault) that notion has never really crossed her mind. She’s happy, perky, pretty, wealthy, loves her UCLA sorority friends and has the perfect boyfriend in Warner (Eli Wood). Life is perfect, so why would…
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Theater Review: THE SPITFIRE GRILL (Lamplighters Community Theatre in San Diego)
A SWEET OFF-THE-GRID MUSICAL With the unexpectedly huge American response to Netflix’s Virgin River, there seems to be a great longing to see what life might be like in a tiny, forested community instead of the hustle and bustle of semi-anonymous city life. From It’s a Wonderful Life to The Andy Griffith Show to Northern…
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Theater Review: SENSE OF DECENCY (North Coast Repertory Theatre in San Diego)
FASCIST LOGIC CAUSES US TO LOOK HARD IN THE MIRROR When we think of all the Nazi monsters, Adolf Hitler’s name reigns supreme. But it’s only a short step down the ladder to be revolted by men like Heinrich Himmler, Joseph Goebbels, and Hermann Göring. Many such key figures committed suicide before they could stand…
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Theater Review: NATASHA, PIERRE & THE GREAT COMET OF 1812 (Cygnet Theatre Company in San Diego)
BEDAZZLED WAR AND PEACE SIZZLES ON STAGE Let’s face it: If you haven’t read Leo Tolstoy’s 1869 novel War and Peace by now (with its 1400-plus pages), you probably aren’t ever going to. Fortunately for you, Dave Malloy read it and apparently loved the heck out of it. So much so, in fact, that he…
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Theater Review: THE EVOLUTION OF CALPURNIA TATE (Lamb’s Players Theatre in Coronado)
THE LOVE CHILD OF LAURA INGALLS AND ANNE OF GREEN GABLES In this novel-turned-musical, it’s 1899 and the world, even in rural Texas, is changing. Just not nearly fast enough for Calpurnia Tate (Aubriella Navarro), who is “age 11-3/4, practically 12!”, as she mentions (and sings) quite often. The Cast Calpurnia isn’t quite a tom-boy,…
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Theater Review: ALADDIN (Broadway San Diego at the Civic Theatre)
I DREAM OF GENIE Ready to spend a little time in the ancient Arabian town of Agrabah? It’s the classic story with Aladdin (Adi Roy), Jasmine (Senzel Ahmady), and of course the genie (Marcus M. Martin). Disney’s 1992 hit animated musical movie became an instant classic, in part because of Robin Williams’ unforgettable voicing of…
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Theater Review: FOOTLOOSE (Wildsong Productions, San Diego)
YOU’LL BE DANCING IN THE SHEETS ALL OVER AGAIN Sitting in a movie theater, in 1984, we teens were spellbound by the original film version of Footloose — and not because it was an amazing story or full of brilliant acting performances (spoiler alert: it wasn’t). Recall that MTV had begun to mesmerize us less…
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Theater Review: HAND TO GOD (Roustabouts Theatre Company at Diversionary Theatre)
OUR PUPPET, WHO ART IN HELL, HALLOWED BE THY BLAME When a newly widowed mom tries to lead three teens in a wholesome, Lutheran, extra-curricular church class, tasked with creating a Christian puppet show, what could go wrong? Thankfully for us, plenty, in Robert Askins’ gripping, darkly-comic drama which premiered Off-Broadway in 2011. Adam Daniel…
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Theater Review: FIVE WOMEN WEARING THE SAME DRESS (Lamplighters Community Theater in San Diego)
ALWAYS A BRIDESMAID:SEVER THE BRIDE In 2000, screenwriter Alan Ball won an Oscar for his hit screenplay American Beauty, followed by his powerfully edgy HBO series Six Feet Under and the Emmy-winning series True Blood. To reach this apex, his storytelling career had to start somewhere and that initiation, in 1993, was the dramedy play…
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Theater Review: THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME (CCAE Theatricals in Escondido)
A FASCINATING JOURNEY INTO THE AUTISTIC MIND Mark Haddon’s novel is a first-person tale shared by the autistic main character: 15-year-old Christopher Boone, who lives in a small lower-class town in southwestern England. Playwright Simon Stephens (Heisenberg) frames Haddon’s tale as a play-within-a-play: Christopher (an astounding Daniel Patrick Russell) has journaled his experiences in a…
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Theater Review: SWEENEY TODD: THE DEMON BARBER OF FLEET STREET (Wildsong Productions in Ocean Beach)
BAKING UP SOMETHING GOOD AT WILDSONG Come on, Wildsong. You’re only two seasons old, in a tiny theater, have mostly young company players, and are on a ridiculously small budget. There’s no way that adds up to even considering doing one of Stephen Sondheim’s toughest musicals, Sweeney Todd, let alone doing it this brilliantly. Sondheim’s…
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Theater Review: FIDDLER ON THE ROOF (San Diego Musical Theatre)
SEEING FIDDLER AGAIN AND AGAIN IS A GREAT TRADITION It’s no surprise that this 1964 triumph ’” with an irresistible book by Joseph Stein and unimprovable songs by Jerry Bock and Sheldon Harnick ’” keeps surprising us with our own humanity. It’s 1905 in a small Russian village called Anatevka, and a fiddler plays a…
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Theater Review: CLYDE’S (Moxie Theatre Company in San Diego)
SANDWICHING GOOD STORYTELLING BETWEEN TWO SLICES OF COMEDY Remember Linda Lavin’s old TV sit-com Alice? And her co-waitresses: the sassy Flo (“Kiss my grits!”) and the ditzy Vera at the truck stop diner? And the owner, cranky-but-loveable Mel, giving them hell through the kitchen passthrough as he cooked everything up? Well, flip that around so…
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Theater Review: ENGLISH (Old Globe in San Diego)
Learning another language is like becoming another person. — Haruki Murakami Years ago, I ran a teambuilding class using improv games for an I.T. group. Despite the diversity of heritage and appearances in the group, there was only one person in the group who was an immigrant. “Min” had a thick Chinese accent and, despite…
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Theater Review: LADY DAY AT EMERSON’S BAR & GRILL (Cygnet Theatre Company in San Diego)
BILLIE’S LIFE WASN’T NO HOLIDAY The title actually says a lot. When a star as bright as Billie Holiday, the sultry jazz singer whose career lasted from 1929 to 1958, is performing at a bar and grill in her hometown of Philadelphia, late in her career, something is clearly amiss. Billie explains that she loves…
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Theater Review: OUTSIDE MULLINGAR (Lamb’s Players Theatre in San Diego/Coronado)
DUBLIN YOUR PLEASURE WITH GOOD DRAMA AND COMEDY With a somewhat-forgettable title and a rather vague plot summary on the website, one walks into Outside Mullingar not quite sure what they are going to see. By the end of the first scene of this 95-minute one-act play, one could still be wondering: “Is this going…
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Theater Review: THE CRUCIBLE (Lamplighters Community Theatre in La Mesa/San Diego)
KNOWING WHICH IS WITCH The word “crucible” has two very different meanings. One is a pot in which substances are heated to high temperatures. Another is a situation in which people are severely tested. Which definition is The Crucible based on? A case could easily be made for either and likely both for playwright Arthur…
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Highly Recommended Theater: CHICAGO (National Tour at San Diego Civic Theatre)
MY KIND OF SHOW, CHICAGO IS Coming to the San Diego Civic Theatre is the National Tour of the 1996 revival of Chicago, now the longest-running revival in Broadway history, and the second longest running musical behind Phantom of the Opera. But it’s a short run, February 13-18, 2024, so don’t say I didn’t give you…
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Highly Recommended Theater: INTIMATE APPAREL (North Coast Repertory Theatre)
There’s no doubt why Lynn Nottage’s drama Intimate Apparel won five national awards for best play, including the Drama Critics’ Circle Award and American Theatre Critics Association’s Primus Award. I’ve seen the cause twice before, and now North Coast Repertory Theatre will be offering a perfect marriage of inspired script and elegant production beginning January…
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Theater Review: PROOF (Backyard Renaissance Theatre Company in San Diego)
MATHEMATICAL PLOT ADDS UP TO SOLID DRAMA David Auburn is brave. Writing and marketing a play that, on the surface, centers on math sounds like a recipe for disaster. In a world where most adults pray that the tip at a restaurant will appear pre-calculated for them at the check’s bottom, selling a play about…
Off-Broadway Review: MILK AND HONEY (J2 Spotlight Theatre Company at AMT, NYC)
by Rob Lester | April 17, 2026
in New York, TheaterFilm Review: BRUTE 1976 (Directed by Marcel Walz)
by Allen Tellis | April 16, 2026
in FilmCabaret Review: MARILYN MAYE (54 Below, NY)
by Rob Lester | April 16, 2026
in Cabaret, New YorkComedy Club Review: GREENPOINT COMEDY CLUB (Brooklyn)
by Alex Simmons | April 15, 2026
in Cabaret, New York, TheaterTheater Review: REVENGE OF THE SOY BOY (FRIGID New York City Fringe Festival)
by Alex Simmons | April 14, 2026
in New York, TheaterTheater Review: WHAT THE CONSTITUTION MEANS TO ME (Greater Boston Stage Company)
by Lynne Weiss | April 14, 2026
in Boston, TheaterBroadway Review: BECKY SHAW (Helen Hayes)
by Carol Rocamora | April 14, 2026
in New York, Theater



















