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Milo Shapiro
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Theater Review: BABETTE’S FEAST (Lamb’s Players Theatre in San Diego)
SIMPLE PLEASURES IN THIS FEAST The Shakers have a song in their hymnal that reads: ’Tis the gift to be simple, ’tis the gift to be free ’Tis the gift to come down where we ought to be, And when we find ourselves in the place just right, ’Twill be in the valley of love…
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Theater Review: A CHRISTMAS STORY (San Diego Musical Theatre at Horton Grand)
A HOLIDAY CLASSIC PUT TO SONG: ONE THAT WON’T SHOOT YOUR EYE OUT While it may seem a bit premature to call the 1983 movie A Christmas Story a “classic,” the near-universal popularity of the film and its nostalgic look back at a Christmas in 1940 certainly give it that feeling. True to the film,…
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Theater Review: THE SANTALAND DIARIES (Diversionary Theatre in San Diego)
ELF-DEPRECATING HUMOR PAYS OFF It’s hard to go wrong with this script, as writer David Sedaris’s biting wit, which has made him an NPR favorite for years, delights the cynic in us all. While it’s fine-and-dandy getting into the holiday spirit, one cannot be completely blind to the craziness that goes with it. Now multiply…
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Theater Review: THE LAST FIVE YEARS (Cygnet Theatre Company in San Diego)
TWO WAY STREET INTERSECTS AT TOUCHING PERSONAL DRAMA The Last Five Years shares the joys, trials, and failures of two people, Jamie (Michael Louis Cusimano) and Cathy (Racquel Williams), in their deeply-loving relationship. At first, it might seem like they are in two different relationships, almost schizophrenically so, because the songs they sing (and virtually…
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Theater Review: KISS MY AZTEC (La Jolla Playhouse)
SHOULD EVERYONE KISS MY AZTEC? IT DEPENDS: For fans of John Leguizamo, the notion of a full-length musical written by him is a thrilling draw. Whether a fan from his numerous edgy one-man Broadway shows like Ghetto Klown and Latin History for Morons, or his dramatic roles in Carlito’s Way and ER, or his comedic…
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Theater Review: 33 1/3 – HOUSE OF DREAMS (San Diego Repertory Theatre)
TRIBUTE TO THE HITS FROM GOLD STAR Gold Star Recording Studio might not be a household name, but the musicians they recorded for certainly are: Tina Turner, Sonny and Cher, and the Beach Boys are just hint at the long list. Gold Star turned out over 120 Top-40 songs in their thirty year history. With…
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Review: ALL SHOOK UP (San Diego Musical Theatre)
A HUNK-A HUNK-A BURNING FUN On the heels of Cygnet’s Rock of Ages, in which every tune is an 80s hit, comes San Diego Musical Theatre’s staging of All Shook Up, in which every musical moment is an Elvis Presley song. (It played Broadway in 2005 with 213 performances.) It’s an interesting trend, fitting in…
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Theater Review: STRAIGHT (Loud Fridge Theatre Group in San Diego)
WALKING THE STRAIGHT LINE 1982’s groundbreaking film Making Love gave us our first cinematic look at a man torn between the woman he loves and the man who fulfills his needs. Since then, we have been many such stories in the arts about one who genuinely cares about an opposite-gender partner while feeling incomplete because…
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Theater Review: ROCK OF AGES (Cygnet Theatre Company in San Diego)
SOLID AS AN 80s ROCK Big hair, short shorts, and tons of Madonnawannabees. It’s hard not to love the spirit of the 80s. A huge part of that was the high-spirited music of the decade. Moving past the 70s folk ballad/disco era but not yet into the angst-y 90s, the 80s were loaded with feel…
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Theater Review: PUT YOUR HOUSE IN ORDER (La Jolla Playhouse in San Diego)
HOUSE IS IN ORDER, BUT IS THAT ENOUGH? There is so much that is right about Ike Holter’s clever script of Put Your House in Order. Because of that, it is unfortunate that, in the end, it is just a bit unfulfilling — and challenging to explain why without giving away much of what certainly…
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San Diego Theater Review: PRIDE AND PREJUDICE (Cygnet Theatre in San Diego)
THERE’S HUMOR TO BE PROUD OF HERE, SO DON’T BE PREJUDICED For those who have read or seen Jane Austen’s Pride and Prejudice, there are many nouns that come to mind such as “classic,” “drama,” “witty,” “depth,” and “struggle.” Until now, though, it would be rare to see “hilarity” on that list. In Kate Hamill’s…
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Theater Review: YOGA PLAY (Moxie Theatre Company in San Diego)
PUTTING CAPITALISM ON THE MAT Which of the following defines yoga to you? A series of gentle exercises meant to relax and invigorate the body; A Hindu spiritual and ascetic discipline using breath control and meditation; An 83 billion-dollar international industry of mats, equipment, clothing, and accessories. All three are true, but for Joan (Jo…
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Review: SISTER ACT (San Diego Musical Theatre)
WELL DONE HAVING FUN ON THE RUN AS A NUN Don’t you just hate it when your boyfriend turns out to be a mobster and murders someone right in front of you, forcing you to flee and hide — all when your Disco Diva career is ready to take off? Well, that’s what happens to…
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Theater Review: JAY JOHNSON: THE TWO AND ONLY (Tour)
THE VOICE BEHIND THE VOICES Ventre Loqui: To speak from the belly. This is the etymology of the word ventriloquism, an art as old as : well, it depends who you ask. For some, there is no older art, as it was the trick of the devil to make the snake appear to speak to…
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Theater Review: CHAPS (Lamb’s Players in San Diego)
CHAPSCHTICK It’s 1944. The war is raging across the English Channel and the Germans could invade at any moment. Britain needs levity to get through these tough days. Miles (Charles Evans, Jr.) is the station manager for a BBC program and he’s got the solution. BBC has announced that a famous, beloved American country band…
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Review: FREAKY FRIDAY (San Diego Musical Theatre)
THANK GOD IT’S FREAKY FRIDAY On the weekend of her mother’s everything-must-be-perfect second wedding, teenager Ellie (Rivers Harris) is in a funk: little brother Fletcher (John Perry Wishchuk), who talks through puppets, is driving her crazy; mother Katherine (Cassie Bleher) is bossing everyone around; her fiancé Mike (CJ Ravine) is trying too hard to get…
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San Diego Theater Review: GABRIEL (North Coast Repertory in Solana Beach)
TENSION, HUMOR, AND INTRIGUE IN BEGUILING WWII DRAMEDY There would be much better places to live in 1943 than on the German-occupied British island of Guernsey, especially if you are sheltering your Jewish daughter-in-law Lily (Lilli Passero), who is passing for gentile. Our protagonist Jeanne (Jessica John) is not fond of Lily, but has no…
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Theater Review: TINY BEAUTIFUL THINGS (San Diego’s the Old Globe)
LETTERS FROM THE LOVELORN LEAP OFF THE PAGE Dear Sugar, I have a problem. My editor assigned me to review a play that does not follow conventional theater techniques, has only one known character, and doesn’t actually have a plot. What should I do? Confused Critic in San Diego Dear Confused Critic, You don’t have…
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Theater Review: CRAZY FOR YOU (San Diego Musical Theatre in San Diego)
A SWEET EMBRACEABLE SHOW In 1930, a musical called Girl Crazy, with a score by George and Ira Gershwin, opened on Broadway to moderate success, running 272 performances. The rarely-revived show didn’t have the chops to endure the decades, but the music from it certainly did. Girl Crazy gave us memorable tunes, like “Bidin’ My…
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San Diego Theater Review: HIR (Cygnet Theatre)
WHO DOES HE THINK SHE IS? Him:Her:Them:Zir:Hir? In the transgender and non-binary community, the struggle with pronouns almost rivals the struggle with civil rights. Hir, now in a San Diego premiere, is both the title and a gender-neutral pronoun combining “his” and “her” (and pronounced “heer”). Its world is the creation of singer/songwriter/ performance artist/playwright Taylor Mac…
Off-Broadway Review: MILK AND HONEY (J2 Spotlight Theatre Company at AMT, NYC)
by Rob Lester | April 17, 2026
in New York, TheaterFilm Review: BRUTE 1976 (Directed by Marcel Walz)
by Allen Tellis | April 16, 2026
in FilmCabaret Review: MARILYN MAYE (54 Below, NY)
by Rob Lester | April 16, 2026
in Cabaret, New YorkComedy Club Review: GREENPOINT COMEDY CLUB (Brooklyn)
by Alex Simmons | April 15, 2026
in Cabaret, New York, TheaterTheater Review: REVENGE OF THE SOY BOY (FRIGID New York City Fringe Festival)
by Alex Simmons | April 14, 2026
in New York, TheaterTheater Review: WHAT THE CONSTITUTION MEANS TO ME (Greater Boston Stage Company)
by Lynne Weiss | April 14, 2026
in Boston, TheaterBroadway Review: BECKY SHAW (Helen Hayes)
by Carol Rocamora | April 14, 2026
in New York, Theater



















