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Paola Bellu
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Off-Broadway Review: WELL, I’LL LET YOU GO (The Space at Irondale in Fort Greene, Brooklyn)
THE WEIGHT OF WHAT REMAINS In Brooklyn’s charming Fort Greene, Bubba Weiler makes his playwriting debut with Well, I’ll Let You Go, a lightly funny meditation on grief and healing, brought to the stage at The Space at Irondale under the direction of Jack Serio (Grangeville). It’s a nonlinear domestic drama that recounts the unraveling…
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Off-Broadway Review: GENE & GILDA (Penguin Rep at 59E59)
Hollywood is full of iconic love stories but none is quite as brilliantly weird and tragically sweet as the romance between Gene Wilder and Gilda Radner, two comedy legends who fell madly in love somewhere between a silly goof and a punch line. And it is hard to think of somebody wanting to put their…
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Highly Recommended Off-Broadway: PEN PALS (Encore Run at DR2 Theatre Begins August 15, 2025)
SIGNED, SEALED AND DELIVERED: PEN PALS GETS AN ENCORE RUN Casting has been revealed for Michael Griffo’s play Pen Pals, which is headed back Off-Broadway at DR2 Theatre with a rotating cast of actors beginning August 15, 2025. Stage and Cinema‘s rave review for the original production is republished below. See you at the theater!…
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Off-Broadway Review: THE WEIR (Irish Repertory Theatre)
GHOSTS POURED NEAT Conor McPherson’s The Weir, a beloved staple for Irish Rep, returns for its fourth production under the intimate, finely tuned direction of Ciarán O’Reilly. This unusual and deeply human play walks you into a small, wind-battered pub in rural County Donegal for “just a quick pint,” only to watch you stumble out…
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Dance Review: MARK MORRIS DANCE GROUP (The Joyce)
PLEASE, SIR, I WANT SOME MORRIS Mark Morris Dance Group kicks off its 45th anniversary season with a two-week sprint at the Joyce Theater. I caught Program A in which the eclectic choreographer revisits three of his works, The Muir (2010), Silhouettes (1999), and Mosaic and United (1993), and then presents a world premiere: You’ve…
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Art | Theater Review: BLOOMING WONDERS (ARTECHOUSE NYC at Chelsea Market)
BLOOM WITH A VIEW In the heart of New York’s Meatpacking District, beneath the High Line and Chelsea Market, ARTECHOUSE’s latest immersive installation, Blooming Wonders, invites visitors into an artful reimagining of the natural world rendered in digital art, light, sound, and interactivity. Created by ARTECHOUSE Studio, an interdisciplinary collective of artists, it features an…
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Off-Broadway Review: LOWCOUNTRY (Atlantic Theater)
HOW LOW CAN YOU GO? Lowcountry, Abby Rosebrock’s new play premiering at Atlantic Theater Company’s Linda Gross Theater, arrives with the promise of plunging into the “messy, tangled web of love and identity in the digital age,” but not even a ripple disturbs the surface. Though entrusted to the direction of Jo Bonney, the play…
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Off-Broadway Review: VIOLA’S ROOM (Punchdrunk & The Shed)
IN THIS BEAUTIFULLY MOODY MAZE, THE LINE BETWEEN ENCHANTMENT AND ENTRAPMENT BLURS I have yet to encounter an immersive theatrical experience that captivates me as deeply as a well-staged play, a beautifully choreographed dance, or a masterfully performed concert. Something always feels off; sometimes, these experiences remind me of poorly designed video games, visually ambitious…
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Off-Broadway Review: DUKE & ROYA (Lucille Lortel Theatre)
MIC DROP IN A MINEFIELD Last night, the Lucille Lortel Theatre unveiled Duke & Roya, a luminous new work by the compelling playwright Charles Randolph-Wright. Under the graceful direction of Warren Adams, this Off-Broadway premiere is rich with soul and poetic rhythm and unfolds like free verse on stage. It’s 2016 and we are in…
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Dance Review: GISELLE (ABT at Metropolitan Opera House)
ABT’S GISELLE IS A TRU RENAISSANCE OF ROMANTICISM Very few ballets have made their mark like Giselle, the jewel of Romantic dance. It emerged in 1841, at the height of an era when people were fascinated by the supernatural and women who seemed more spirit than flesh. Giselle actually redefined the ballerina: no longer merely…
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Off-Broadway Review: IMAGINARY INVALID (Red Bull Theatre at New World Stages)
Sick of It All—and Loving Every Minute: Molière’s Hypochondriac Gets a Hilarious Check-Up Molière’s final theatrical work, The Imaginary Invalid, is a scalpel-sharp satire of medicine and the absurdities of human nature. Written and performed in 1673 while he was seriously ill with tuberculosis, Molière took the stage with a genuine cough and died shortly…
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Off-Broadway Review: A FREEKY INTRODUCTION (Atlantic Theater Company Stage 2)
BUZZARDS, BOOTY, AND BECOMING NSangou Njikam’s A Freeky Introduction soars with swagger, satire, and sacred disruption. “An eagle was born in a nest of buzzards,” proclaimed playwright and performer NSangou Njikam in the comical opening monologue of A Freeky Introduction, his new work that opened tonight at Atlantic Stage 2. As Freeky Dee, he embodies…
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Off-Broadway Review: SEAGULL: TRUE STORY (La MaMa’s Ellen Stewart Theatre)
CHEKHOV WITH TEETH For those who’ve never bought the notion that Chekhov’s The Seagull is simply about broken hearts, director Alexander Molochnikov’s take on the play offers a thrilling, subversive vindication. His Seagull: True Story, now showing at La MaMa’s Ellen Stewart Theatre, is no conventional revival. Brilliantly written by Eli Rarey, it is part…
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Off-Broadway Review: GODDESS (The Public Theater)
GODDESS ISN’T JUST A SHOW, IT’S A CALLING. ANSWER IT. Goddess, which opened at The Public Theater tonight, doesn’t just arrive onstage like any musical—but like a warm and joyful jazz riff. Loosely inspired by the legend of Marimba, the African goddess who turned heartbreak into healing music, it succeeds in blending folklore with funk,…
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Film Review: DIAMONDS / DIAMANTI (directed by Ferzan Özpetek)
COSTUMES, CONFIDENCES AND THE CANOVA SISTERS SPARKLE LIKE DIAMONDS Director Ferzan Özpetek’s latest dramedy, Diamonds, is about to open at the Walter Reade Theater at Lincoln Center, and I had the pleasure of getting an early view. I knew it centered on a costume atelier reminiscent of the legendary Umberto Tirelli’s, and I immediately thought…
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Theater Review: ROLLING STONE PRESENTS: AMPLIFIED, THE IMMERSIVE ROCK EXPERIENCE (Chelsea Market)
THIS ROLLING STONE JUST OPENED, AND ALREADY IT’S GATHERING MOSS If Rolling Stone Presents: Amplified were a device, it would be the BlackBerry of rock retrospectives. It is an earnest, well-meaning tribute to music by an iconic magazine but ultimately out of sync with the moment. It’s not immersive, not penetrating, and certainly not capable…
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Art Review: BECOMING THINGS, BECOMING TIME: BOLMAHAN AT DELIGHT GARDEN (ARTECH in NYC)
The love affair between art, technology, and imagination is nothing new. Jeff Koons creates small-scale models, digitally scanned and mapped, but he didn’t spend years hand-carving his silly balloon dogs. Likewise, Gerhard Richter never wondered out in the woods foraging for flower pigments for his still life works. Technology has always helped the arts. In…
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Off-Broadway Review: ALL THE BEAUTY IN THE WORLD (Patrick Bringley at the DR2 Theatre)
“Art is the most intense mode of individualism that the world has known.” ~ Oscar Wilde The Louvre, Uffizi, and Hermitage may dazzle you with their emphasis on fine arts, the British Museum may educate you with its historical range, but the Metropolitan Museum of Art does it all; it is undoubtedly the Eighth Wonder of…
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Concert / Film Review: THE PHILIP GLASS ENSEMBLE: NAQOYQATSI (Town Hall in New York)
WHEN WILL WE EVER LEARN? UNTIL WE DO, THERE’S ALWAYS THE MUSIC On Saturday, April 19, Town Hall presented Naqoyqatsi (2002), the third and final film in Godfrey Reggio‘s Qatsi Trilogy, and it was a triumph with a felt, deserved, long standing ovation at its conclusion. Edited by Jon Kane, with music composed by Philip…
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Off-Broadway Review: A NIGHT IN NOVEMBER (Alan Smyth at New York Irish Center)
A NIGHT TO REMEMBER Walking into the New York Irish Center in Long Island City for the first time to see a show feels a bit like stumbling into a well-kept secret; it’s an intimate gathering place and an unassuming, cozy, cultural enclave. You hear snippets of conversation in lilting accents, laughter echoing from the…
Music Review: NELLIE McKAY (City Vineyard)
by Rob Lester | April 29, 2026
in Cabaret, New YorkOff-Broadway Review: BROKEN SNOW (Theatre 71)
by Gregory Fletcher | April 28, 2026
in New York, TheaterTheater Review: THE SECRET SHARER (DNAWorks at Emerson Paramount Center)
by Lynne Weiss | April 27, 2026
in Boston, TheaterBroadway Review: JOE TURNER’S COME AND GONE (Barrymore Theatre)
by Paola Bellu | April 25, 2026
in New York, Theater


















