image - 2025-02-03T092338.004

Paola Bellu

  • Off-Broadway Review: THE CHERRY ORCHARD (Donmar Warehouse at St. Ann’s Warehouse)

    Actors perform a dramatic scene in a theater with an engaged audience.

    CHERRIES WITH A FEW PITS Anton Chekhov’s final play, The Cherry Orchard, is a masterwork of dramatic irony. It was written in 1903 as a dark comedy but it was always more akin to a tragedy, especially with the original Stanislavski’s direction full of psychological realism and emotional truth. A new wild version, written &…

  • Off-Broadway Review: IRISHTOWN (Irish Rep)

    Three women sitting at a table with papers under the title 'Rishtown: A Problem.'

    FIERCE CRAIC A really enjoyable, light-hearted, raucous comedy just opened at The Irish Repertory Theatre: the world premiere of Irishtown by Ciara Elizabeth Smyth, directed by Nicola Murphy Dubey. In a building on the outskirts of Dublin, The Irishtown Players, three actors, a playwright and a director, are rehearsing a new play, a sexual assault…

  • Concert Review: AN EVENING WITH T BONE BURNETT (The Town Hall in New York City)

    Promotional poster for an evening with musician T Bone Burnett.

    T Bone Burnett’s intimate concert Saturday night at Town Hall was a terrific tutorial in storytelling. With T Bone’s anecdotes and voice, both nostalgic and timeless, and the musicians playing with such empathy and energy, this was an event more than a concert, with a narrative woven through the tapestry of Americana, blues, and folk. A…

  • Dance Review: MARTHA GRAHAM (Program C at The Joyce)

    Poster for Martha Graham Dance Company's "Dances of the Mind" event in April 2024.

    The Martha Graham Dance Company is back at The Joyce for its 99th season with a new dance concert titled Dances of the Mind, featuring 11 works across three programs through April 13, 2025. I saw Program C, and it was a moving, powerful experience. Janet Eilber, the exquisite Artistic Director of the dance company,…

  • Off-Broadway Review: A MOTHER (World Premiere with Jessica Hecht at Baryshnikov Arts Center)

    A disco ball replacing the letter 'O' in the word 'MOTH'.

    Brecht once said, “In the dark times, will there also be singing? Yes, there will be singing. About the dark times.” This must have been the inspiration for A Mother, a truly amusing collection of heartfelt life snippets by writer Neena Beber, co-conceived with actress Jessica Hecht, now playing at Baryshnikov Arts. It is not…

  • Off-Broadway Review: HUMPTY DUMPTY (Eric Bogosian New York Premiere at The Chain Theater)

    Eggs in a carton spell out 'Humpty Dumpty'.

    LIFE IS LIKE A CARTON OF EGGS; YOU NEVER KNOW WHAT YOU’RE GOING TO GET UNTIL YOU CRACK ONE OPEN How do we cope with the loss of control in a crisis? Imagine two couples (one from Manhattan, the other from Los Angeles) that meet for an idyllic winter vacation in a secluded cabin Upstate…

  • Film Review: BEING MARIA (directed by Jessica Palud)

    Two men and a woman holding a clapperboard on a film set.

    I was a teen in the ’70s and I can assure you that everybody in Europe over 13 who wasn’t living under a rock knew something about the Butter Scene in Last Tango in Paris, the 1972 film directed by Bernardo Bertolucci and starring Marlon Brando and Maria Schneider. You could not escape the despicable…

  • Broadway Review: URINETOWN (Encores! at City Center)

    Audience seating with a sign reading "URINETOWN" in the background.

    URINE FOR A GOOD TIME SO, MIND YOUR PEES AND QUEUES It’s the perfect time for a Urinetown revival. Twenty-four years after its successful Broadway debut, City Center’s Encores! returns with a rousing production. This satirical musical takes place in a dystopian future where a severe water shortage has led to a draconian system of…

  • Off-Broadway and International Tour Review: DEAD AS A DODO (Wakka Wakka)

    Puppet show scene with three colorful characters under spotlight.

    THE BONES OF GREAT THEATER Continuing its international tour, Wakka Wakka, the Drama Desk and Obie Award-winning theater company, returns to NYC with Dead as a Dodo, a surreal and darkly humorous production at the Baruch Performing Arts Center as part of Under the Radar. Their Norwegian-American penchant for irony—and their surreal imagination—are at the…

  • Attraction | Art Exhibit Review: LUNA LUNA: FORGOTTEN FANTASY (The Shed in Hudson Yards)

    Poster for the 'Luna Luna' art exhibition featuring famous artists' names.

    CHE BELLA BELLA LUNA LUNA! There is a whimsical and unmissable art event this winter, Luna Luna, a forgotten art amusement park with attractions made by a pantheon of renowned artists. The original Luna Park opened in 1903 on Coney Island and it had colorful rides illuminated by thousands of lights. Many other Luna Parks…

  • Off-Broadway Review: BLIND RUNNER (St. Ann’s Warehouse)

    Poster for 'Blind Runner' theater show, featuring shadowy figures on a dark stage.

    RUNNING FOR ONE’S LIFE Under the vision of Founder and Artistic Director Susan Feldman, St. Ann’s Warehouse – one of the most eclectic and vibrant venues in New York – is now presenting another cutting-edge production, the North American premiere of Iranian writer and director Amir Reza Koohestani’s play Blind Runner, a moving hymn to freedom. Performed…

  • Off-Broadway Review: THE PIRATES OF PENZANCE (New York Gilbert & Sullivan Players at the Gerald W. Lynch Theater)

    Logo for the comic opera 'The Pirates of Penzance' by Gilbert and Sullivan.

    A SPARKLING, SPIRITED PIRATES The Pirates of Penzance is a spirited lampoon of Victorian morality, skewering its pretensions and hypocrisies while also poking fun at the lackluster operas and ballets that dominated English stages from 1871 to 1896. The legendary duo of William S. Gilbert and Arthur Sullivan, celebrated as the quintessential librettist-composer partnership of…

  • Off-Broadway Review: PEN PALS (Theatre at St. Clement’s)

    Promotional image for the play 'Pen Pals' by Michael Graff.

    A letter is a blessing, a great and all-too-rare privilege that can turn a private moment into an exalted experience. – Alexandra Stoddard The holidays have faded into memory, and the bitter chill of winter days have settled in. But fear not — when the frost bites, the theatre offers warmth, and somewhere out there,…

  • Off-Broadway Review: COCKTAIL MAGIQUE (Company XIV in Bushwick)

    A stylized green face with monocle and top hat, featuring bold text 'MAGIQUE XXV'.

    A MAGIQUE CARPET RIDE Do you need an escape from suffocating daily life? In Bushwick, across the street from Théâtre XIV, home to the best burlesque shows in the city, artistic director Austin McCormick has opened a smaller cozy party crib to stage Cocktail Magique, with the help of Zane Pihlström, an exceptionally talented costume…

  • Broadway Review: GYPSY (Audra McDonald, Majestic Theatre)

    Movie poster for 'Audra Gypsy' with tagline and red neon title.

    THERE’S A NEW GYPSY IN TOWN AND SHE’S STUNNING In the 1920s, Rose Thompson Hovick steamrolled her way through vaudeville and lived vicariously through her reluctant young daughters, Louise and June, forcing them to act, sing, and dance to feed the family and her narcissism. Rose was one of the original “momagers,” a full-blown dictator…

  • Concert / Film Review: THE PHILIP GLASS ENSEMBLE: POWAQQATSI (Town Hall in New York)

    The Philip Glass Ensemble performing live at Powaqaatsi.

    A STUNNING COLLABORATION OF FILM AND MUSIC I saw a special gem at the Town Hall last Monday, a viewing of Godfrey Reggio’s Powaqqatsi with its celebrated score – created by Philip Glass, who was in the house, and performed live by The Philip Glass Ensemble. The non-narrative film is the second of the Reggio/Glass…

  • Off-Broadway Review: LIFE AND TRUST (Emursive in Conwell Tower, Manhattan’s Financial District)

    A glowing red tribal tattoo of a gorilla with 'Life and Trust' text.

    PUT YOUR LIFE AND TRUST INTO THE HANDS OF LIFE AND TRUST There is a daunting immersive theater experience in Manhattan’s Financial District that is also somehow prophetic. The location, 69 Beaver Street, is already scary at night, surrounded as it is by empty, dark urban canyons; the address is one of the side entrances…

  • Off-Broadway Review: NUTCRACKER ROUGE (Company XIV)

    Glowing red neon sign with the words 'NUTCRACKER' and 'TOUC'.

    GET READY TO CRACK SOME NUTS WIDE OPEN Christmas can be very sexy if you step into the sumptuous world of Théâtre XIV in trendy Bushwick, and catch Company XIV’s neo-Baroque classic Nutcracker Rouge. Naughty, sensual, lavish, this decadent extravaganza is the perfect welcome to the holiday season, and certainly not family oriented so leave…

  • Broadway Review: SWEPT AWAY (Longacre Theatre)

    A mysterious boat ride through dark waters in 'Swept Away'.

    PREPARE TO BE SWEPT AWAY What happens when we are faced with extreme necessity? The 1884 tragic wreck of the yacht Mignonette was a cause célèbre in late 19th-century Britain, but not because a crew of four were stranded off the Cape of Good Hope on the South African coast; it was the devastating outcome…

  • Off-Broadway Review: BABE (The New Group)

    Poster for the movie 'Babe' featuring a woman and bold text.

    A GENERATIONAL GAP AND A PLAYWRITING GAP As a result of the #MeToo movement, there has been much brought to light about women working in America. But here’s a note to the younger generations about life for women in the 80s: if you were homosexual, you were considered a pervert and treated as such; when…

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