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Paola Bellu
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Film Review: DIAMONDS / DIAMANTI (directed by Ferzan Özpetek)
COSTUMES, CONFIDENCES AND THE CANOVA SISTERS SPARKLE LIKE DIAMONDS Director Ferzan Özpetek’s latest dramedy, Diamonds, is about to open at the Walter Reade Theater at Lincoln Center, and I had the pleasure of getting an early view. I knew it centered on a costume atelier reminiscent of the legendary Umberto Tirelli’s, and I immediately thought…
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Theater Review: ROLLING STONE PRESENTS: AMPLIFIED, THE IMMERSIVE ROCK EXPERIENCE (Chelsea Market)
THIS ROLLING STONE JUST OPENED, AND ALREADY IT’S GATHERING MOSS If Rolling Stone Presents: Amplified were a device, it would be the BlackBerry of rock retrospectives. It is an earnest, well-meaning tribute to music by an iconic magazine but ultimately out of sync with the moment. It’s not immersive, not penetrating, and certainly not capable…
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Art Review: BECOMING THINGS, BECOMING TIME: BOLMAHAN AT DELIGHT GARDEN (ARTECH in NYC)
The love affair between art, technology, and imagination is nothing new. Jeff Koons creates small-scale models, digitally scanned and mapped, but he didn’t spend years hand-carving his silly balloon dogs. Likewise, Gerhard Richter never wondered out in the woods foraging for flower pigments for his still life works. Technology has always helped the arts. In…
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Off-Broadway Review: ALL THE BEAUTY IN THE WORLD (Patrick Bringley at the DR2 Theatre)
“Art is the most intense mode of individualism that the world has known.” ~ Oscar Wilde The Louvre, Uffizi, and Hermitage may dazzle you with their emphasis on fine arts, the British Museum may educate you with its historical range, but the Metropolitan Museum of Art does it all; it is undoubtedly the Eighth Wonder of…
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Concert / Film Review: THE PHILIP GLASS ENSEMBLE: NAQOYQATSI (Town Hall in New York)
WHEN WILL WE EVER LEARN? UNTIL WE DO, THERE’S ALWAYS THE MUSIC On Saturday, April 19, Town Hall presented Naqoyqatsi (2002), the third and final film in Godfrey Reggio‘s Qatsi Trilogy, and it was a triumph with a felt, deserved, long standing ovation at its conclusion. Edited by Jon Kane, with music composed by Philip…
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Off-Broadway Review: A NIGHT IN NOVEMBER (Alan Smyth at New York Irish Center)
A NIGHT TO REMEMBER Walking into the New York Irish Center in Long Island City for the first time to see a show feels a bit like stumbling into a well-kept secret; it’s an intimate gathering place and an unassuming, cozy, cultural enclave. You hear snippets of conversation in lilting accents, laughter echoing from the…
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Off-Broadway Review: THE CHERRY ORCHARD (Donmar Warehouse at St. Ann’s Warehouse)
CHERRIES WITH A FEW PITS Anton Chekhov’s final play, The Cherry Orchard, is a masterwork of dramatic irony. It was written in 1903 as a dark comedy but it was always more akin to a tragedy, especially with the original Stanislavski’s direction full of psychological realism and emotional truth. A new wild version, written &…
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Off-Broadway Review: IRISHTOWN (Irish Rep)
FIERCE CRAIC A really enjoyable, light-hearted, raucous comedy just opened at The Irish Repertory Theatre: the world premiere of Irishtown by Ciara Elizabeth Smyth, directed by Nicola Murphy Dubey. In a building on the outskirts of Dublin, The Irishtown Players, three actors, a playwright and a director, are rehearsing a new play, a sexual assault…
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Concert Review: AN EVENING WITH T BONE BURNETT (The Town Hall in New York City)
T Bone Burnett’s intimate concert Saturday night at Town Hall was a terrific tutorial in storytelling. With T Bone’s anecdotes and voice, both nostalgic and timeless, and the musicians playing with such empathy and energy, this was an event more than a concert, with a narrative woven through the tapestry of Americana, blues, and folk. A…
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Dance Review: MARTHA GRAHAM (Program C at The Joyce)
The Martha Graham Dance Company is back at The Joyce for its 99th season with a new dance concert titled Dances of the Mind, featuring 11 works across three programs through April 13, 2025. I saw Program C, and it was a moving, powerful experience. Janet Eilber, the exquisite Artistic Director of the dance company,…
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Off-Broadway Review: A MOTHER (World Premiere with Jessica Hecht at Baryshnikov Arts Center)
Brecht once said, “In the dark times, will there also be singing? Yes, there will be singing. About the dark times.” This must have been the inspiration for A Mother, a truly amusing collection of heartfelt life snippets by writer Neena Beber, co-conceived with actress Jessica Hecht, now playing at Baryshnikov Arts. It is not…
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Off-Broadway Review: HUMPTY DUMPTY (Eric Bogosian New York Premiere at The Chain Theater)
LIFE IS LIKE A CARTON OF EGGS; YOU NEVER KNOW WHAT YOU’RE GOING TO GET UNTIL YOU CRACK ONE OPEN How do we cope with the loss of control in a crisis? Imagine two couples (one from Manhattan, the other from Los Angeles) that meet for an idyllic winter vacation in a secluded cabin Upstate…
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Film Review: BEING MARIA (directed by Jessica Palud)
I was a teen in the ’70s and I can assure you that everybody in Europe over 13 who wasn’t living under a rock knew something about the Butter Scene in Last Tango in Paris, the 1972 film directed by Bernardo Bertolucci and starring Marlon Brando and Maria Schneider. You could not escape the despicable…
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Off-Broadway Review: URINETOWN (Encores! / New York City Center)
URINE FOR A GOOD TIME SO, MIND YOUR PEES AND QUEUES It’s the perfect time for a Urinetown revival. Twenty-four years after its successful Broadway debut, City Center’s Encores! returns with a rousing production. This satirical musical takes place in a dystopian future where a severe water shortage has led to a draconian system of…
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Off-Broadway and International Tour Review: DEAD AS A DODO (Wakka Wakka)
THE BONES OF GREAT THEATER Continuing its international tour, Wakka Wakka, the Drama Desk and Obie Award-winning theater company, returns to NYC with Dead as a Dodo, a surreal and darkly humorous production at the Baruch Performing Arts Center as part of Under the Radar. Their Norwegian-American penchant for irony—and their surreal imagination—are at the…
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Attraction | Art Exhibit Review: LUNA LUNA: FORGOTTEN FANTASY (The Shed in Hudson Yards)
CHE BELLA BELLA LUNA LUNA! There is a whimsical and unmissable art event this winter, Luna Luna, a forgotten art amusement park with attractions made by a pantheon of renowned artists. The original Luna Park opened in 1903 on Coney Island and it had colorful rides illuminated by thousands of lights. Many other Luna Parks…
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Off-Broadway Review: BLIND RUNNER (St. Ann’s Warehouse)
RUNNING FOR ONE’S LIFE Under the vision of Founder and Artistic Director Susan Feldman, St. Ann’s Warehouse – one of the most eclectic and vibrant venues in New York – is now presenting another cutting-edge production, the North American premiere of Iranian writer and director Amir Reza Koohestani’s play Blind Runner, a moving hymn to freedom. Performed…
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Off-Broadway Review: THE PIRATES OF PENZANCE (New York Gilbert & Sullivan Players at the Gerald W. Lynch Theater)
A SPARKLING, SPIRITED PIRATES The Pirates of Penzance is a spirited lampoon of Victorian morality, skewering its pretensions and hypocrisies while also poking fun at the lackluster operas and ballets that dominated English stages from 1871 to 1896. The legendary duo of William S. Gilbert and Arthur Sullivan, celebrated as the quintessential librettist-composer partnership of…
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Off-Broadway Review: PEN PALS (Theatre at St. Clement’s)
A letter is a blessing, a great and all-too-rare privilege that can turn a private moment into an exalted experience. – Alexandra Stoddard The holidays have faded into memory, and the bitter chill of winter days have settled in. But fear not — when the frost bites, the theatre offers warmth, and somewhere out there,…
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Off-Broadway Review: COCKTAIL MAGIQUE (Company XIV in Bushwick)
A MAGIQUE CARPET RIDE Do you need an escape from suffocating daily life? In Bushwick, across the street from Théâtre XIV, home to the best burlesque shows in the city, artistic director Austin McCormick has opened a smaller cozy party crib to stage Cocktail Magique, with the help of Zane Pihlström, an exceptionally talented costume…
Interview: DAVID SERERO (director of “Tovah,” a documentary about Tovah Feldshuh)
by Shari Barrett | August 31, 2026
in Film, Interviews, Los AngelesMusic Preview: PACIFIC JAZZ ORCHESTRA BENEFIT CONCERT (October 10, 2026 | L.A.)
by pwsadmin | August 30, 2026
in Los Angeles, MusicTheater Review: ADOLESCENT SALVATION (Theater Wit / Chicago)
by Croydon Fernandes | August 29, 2026
in Chicago, TheaterDance Preview: GLORYA KAUFMAN PRESENTS DANCE AT THE MUSIC CENTER 2026–27 (L.A.)
by pwsadmin | August 28, 2026
in Dance, Los AngelesTheater Preview: KAIJU (The Road Theatre Company & BroadStage / Los Angeles)
by pwsadmin | August 28, 2026
in Los Angeles, TheaterDance Preview: DRACULA, A DARK SHADOW (State Street Ballet / Santa Barbara)
by Gregory Bernard | August 28, 2026
in Dance, Los Angeles, RegionalTheater Review: BEING PIAF (Odyssey Theatre Ensemble / Los Angeles)
by Ernest Kearney | August 27, 2026
in Los Angeles, Theater



















