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Rob Lester
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Off-Broadway Review: I’M ASSUMING YOU KNOW DAVID GREENSPAN (Atlantic Stage 2)
MR. GREENSPAN, PARTY OF FOUR Here’s a one-of-a-kind, one-person, one-act play in which one man plays four women—simultaneously—without ever leaving the stage. Three (sometimes all four) of these women are present in the same scene for a good chunk of the time. Our intrepid performer simply pivots his body as the women speak, often trading off…
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Broadway Review: BOOP! THE MUSICAL (Broadhurst Theatre)
HERE’S THE SCOOP ON BOOP! ENDEARINGLY CUTE, ASTUTE AND A HOOT Some things are meant to last. Cartoon character Betty Boop has been around for 95 years and has just been rejuvenated—as youthful, spirited, spunky, sprightly, spit-curled and curvy as ever. The new Broadway musical, simply called BOOP!—which opened last night at the Broadhurst Theatre—presents…
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Film Review: TIME TRAVEL IS DANGEROUS (directed by Chris Reading; British Sci-Fi Comedy Opens in the US on November 11, 2025))
TIME AND TIME AGAIN, THIS FILM IS WILD, WITTY, AND WICKEDLY FUNNY Here’s a British delight that serves up a deliciously daffy mix of cunning comedy and science fiction—let’s call it “Sly-Fi,” a perfectly fitting term for this kooky genre blend. The triumphant mockumentary, Time Travel Is Dangerous, dares to be loopy and over the…
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Film Review: LIVING LARGE (directed by Kristina Dufková)
THIS FILM IS LIVING LARGE WITH HUGE AMOUNTES OF PLEASURE AND CREATIVITY As sweet and as rich as the high-calorie concoctions the lovable lead character covets and consumes, the stop-motion animated film Living Large is a treat, but the sympathetic portrait of this sad sack doesn’t become saccharine. Twelve-year-old Ben, a burdened, bullied, body-shamed boy…
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Film Review: KENSUKE’S KINGDOM (directed by Neil Boyle and Kirk Hendry)
A KINGDOM OF RICHES If you think that a survivor story on film about a boy and his dog battling the odds and a myriad of dangers will only keep you interested and involved if it looks rugged and realistic, is fueled by a rarely stopping barrage of heart-stopping chills and thrills, tragedy and terror,…
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Film Review HOME COURT (directed by Erica Tanamachi; NYC Premiere at the International Children’s Film Festival)
HOME COURT: HOOPS, HURDLES AND HEART The probable target audience for Home Court consists of those who find joy in playing basketball themselves or those who happily watch from the stands or on television. (Right now, college and professional games dominate TV schedules—it’s called March Madness.) But what if you’re not particularly thrilled by the…
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Concert Review: 100 YEARS OF EPIC FILM SCORES (The New York Pops at Carnegie Hall)
NOW HEAR THIS! Film may be first and foremost a visual medium, but where would it be without music to bring out the emotions, heighten the drama, quicken the heart, create tension, and tie things together? At the cinema, while our brains are taking in the plot, and our sense of sight is absorbing all…
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Special Event Coverage: VAPE! (The Town Hall in Manhattan; A Benefit for the Entertainment Community Fund)
A GRANDLY GREASE-Y SPOOF! Poking fun, flinging a pun, prizing satirizing — that’s the paradise that is parody and Vape!, blatantly billing itself as “The Grease Parody,” aims its playfully poisoned arrows at that popular pop musical about high school, with high spirits. It was presented as a one-night-only concert event at The Town Hall…
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Concert Review: BROADWAY’S LEADING LADIES (The Town Hall in New York & Filmed for PBS)
AN AMAZING NIGHT OF STARS GALORE –AND IT’S COMING TO PBS Filmed to be shown on PBS stations later this year, the concert cavalcade called Broadway’s Leading Ladies at The Town Hall on West 43rd Street in Manhattan on March 10 was received with some of the most ecstatic, enthusiastic, and fanatic cheering and applause…
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Theater Review: MY FIRST EX-HUSBAND (MMAC Theater)
Marital Mayhem and Matrimonial Mishaps: My First Ex-Husband’s Second Cast Delivers Divorce Tales with Bite “Do you take this man — To have and to hold — from this day forward — for better, for worse — for richer, for poorer…?” Half the time, after a while, a woman will take a moment to reconsider,…
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Off-Broadway Review: THE JONATHAN LARSON PROJECT (Orpheum Theatre)
TICK, TICK… ENCORE! LARSON’S TRUNK SONGS SHINE If you’re a fan of potent post-Golden Age theatre music, you should check out a show that just officially opened downtown last night. There’s a lot to see, a lot to hear, and a lot to like when it comes to The Jonathan Larson Project—so head to the…
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Off-Broadway Review: BEAUTY AND THE BEAST (Literally Alive Family Theatre at The Players Theatre)
WHEN CHILDREN’S THEATER IS A BEAUTIFUL THING Two “P” words—“professional” and “pleasant”—describe the stage production in Greenwich Village with two “B” words in its title: Beauty and the Beast. One might also use two “E” words—“earnest” and “eager”—to characterize how its characters dive into the action and moral of the story. The genre of theatre…
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Off-Off-Broadway Review: A EULOGY FOR ROMAN (Multiple Venues: Churches & Community Centers, Manhattan & Brooklyn)
HOW TO URN AUDIENCE SYMPATHY This one-man show is described as an “immersive” experience, and the immersiveness begins right at the entrance of the particularly fitting venue, the oh-so-appropriate First Reformed Church in the cozy neighborhood of Park Slope, Brooklyn. Audiences are invited to play along with the premise that they have gathered not to…
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Off-Broadway Review: CURSE OF THE STARVING CLASS (The New Group at Pershing Square Signature Center)
SINCE THE FRIDGE IS EMPTY, HOW ABOUT A GIANT BOWL OF GRIT? There’s no place like home. Mom calls the cops, convinced Dad is going to kill her—he’s drunker than usual and literally breaks down the door. The next morning, she yells at her son for sweeping up the shattered pieces. He yells back. Daughter…
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Off-Broadway Review: STILL (Loreto Theatre, The Sheen Center)
IN THE STILL OF THE NIGHT, WILL EX-LOVERS REUNITE OR FIGHT? After decades apart, can the passion of once-young lovers sizzle again, like leftover pizza zapped in the microwave? Picking up an old relationship isn’t as easy as picking up takeout—food doesn’t come with the “Can we be a couple again?” dilemma. Still, playing at…
Dance Review: EUGENE ONEGIN (Joffrey Ballet)
by Emma S. Rund | June 9, 2026
in Chicago, DanceTheater Review: CONTINUITY (Shotgun Players / Berkeley)
by Chuck Louden | June 6, 2026
in San Francisco
(Bay Area), TheaterTheater Review: THE PHYSICISTS (The Actors’ Gang / Culver City)
by Ernest Kearney | June 6, 2026
in Los Angeles, Theater



















