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Tony Frankel
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Los Angeles Theater Review: VANYA AND SONIA AND MASHA AND SPIKE (Mark Taper Forum)
LASAGNA AND GROANERS AND KASHA AND TRIPE The comical but frothy Vanya and Sonia and Masha and Spike arrives at the Taper this week, but instead of a delectable meal, Christopher Durang’s play takes dollops of ingredients from Chekhov’s plays and wheels out a dessert cart consisting of flavorful characters and funny dialogue with no…
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Los Angeles Theater Review: DEATH TAKES A HOLIDAY (Musical Theatre Guild in Santa Monica)
MTG DEFIBRILLATES DOA MUSICAL Sheaths can be written about how deadly the musical Death Takes a Holiday is, and where the creators went wrong. What’s more important is that director Calvin Remsberg, musical director Jim May, and a wholly flawless cast have pulled a Frankenstein: They electrified dead tissue and created a vivid being. It…
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Los Angeles Theater Review: MIKE DAISEY: AMERICAN UTOPIAS (Royce Hall at UCLA)
DAISEY: I LOVE HIM, I LOVE HIM NOT I’m jealous of Mike Daisey. In American Utopias at Royce Hall, the infamous monologist fulminated and commentated about three interpolated subjects near and dear to my heart: Disney, Activism, and Community Gatherings. The corpulent and energetic Daisey, who sat at a table mopping himself, was by-and-large riveting…
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Los Angeles / Regional Dance Review: LILIOM (Hamburg Ballett at Segerstrom Hall in Costa Mesa)
IF I LOVED YOU At a time when many ballet companies are commissioning short dance pieces, it’s refreshing that John Neumeier’”since 1973, when he became Artistic Director and chief choreographer of the Hamburg Ballett [sic]’”continues to develop story ballets. His latest sweeping narrative which arrived at Segerstrom Hall last night is Liliom, based on Ferenc…
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Los Angeles Music Review: JOHN WALZ & EDITH ORLOFF (Le Salon de Musiques)
SNAPSHOTS OF PARIS What do composers Léon Boëllmann, Francis Jean Marcel Poulenc, and Bohuslav MartinН have in common? According to François Chouchan and Julius Reder Carlson, the answer is Paris. The programmer/artistic director and resident musicologist of Le Salon de Musiques, the best Chamber Music outfit in Los Angeles, contextualized three sonatas written for cello…
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Los Angeles Dance Review: PLAY AND PLAY: AN EVENING OF MOVEMENT AND MUSIC (Bill T. Jones / Arnie Zane Dance Company at VPAC)
JONESING FOR SOMETHING MORE It’s been 31 years since the creation of the Bill T. Jones/Arnie Zane Dance Company, but since Zane’s death from AIDS in 1988, Jones’”his work and life partner’”has remained the sole artistic director. A touring 30th anniversary season includes two mixed programs, both of which are under the banner of “Play…
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Los Angeles Theater Review: A CAT NAMED MERCY (Casa 0101 Theater)
KILLER PUSSY Suicide! Euthanasia! Incest! Health Care! Racism! Old age! Corporate America! Spirits! The afterlife! Prison! Duplicity! Playwright Josefina López (Real Women Have Curves) is tackling so many issues in her new play A Cat Named Mercy that it suffocates what could have been a most compelling story. As if living with her death-wishing, diabetic,…
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Dance Review: GISELLE (Royal New Zealand Ballet)
GISELLE’S GAZELLES First staged in 1841, Giselle is one of the oldest surviving ballets still in the international repertory, especially because the lead role is a showcase for the world’s leading prima ballerinas. Since its inception, the Romantic story ballet had several revisions, but most companies follow Marius Petipa’s fin de siècle version. The North…
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Los Angeles Theater Review: LET’S MISBEHAVE (International City Theatre in Long Beach)
MAKE IT ANOTHER OLD-FASHIONED PLEASE It’s something of a shocker, really. I had a great time watching Let’s Misbehave, a jukebox musical slim on both premise and reality. It’s actually more of a cabaret in which three super-talented and likeable performers knock off 34 Cole Porter ditties with style and elegance, and that’s the part…
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Los Angeles Music Preview: A NORDIC PROGRAM WITH BOREYKO & HAHN (LA Phil at Disney Hall)
A SCRUMPTIOUS SCANDINAVIAN FEAST Russian conductor Andrey Boreyko arrives at Disney Hall this weekend for a contemplative and vivid Nordic program with the Los Angeles Philharmonic. The returning conductor will be united with the phenomenal Hilary Hahn, who consistently offers a captivating combination of classiness, élan, ferocity, concentration and shading. She will be playing Danish…
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Los Angeles / Regional Music Preview: TORADZE PLAYS SHOSTAKOVICH (Segerstrom Concert Hall)
A SHOSTAKOVICH FESTIVAL Through February 8, 2014, a dizzying array of events celebrating Russian composer Dmitri Shostakovich is being presented by Pacific Symphony and Chapman University. Starting tonight, Russian powerhouse pianist Alexander Toradze, recognized as a masterful virtuoso with deep lyricism and intense emotion, joins Pacific Symphony to introduce a journey into the music of…
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Los Angeles Opera Review: QUEENIE PIE (Long Beach Opera in San Pedro)
QUEENIE WHY? When George C. Wolfe first tried adapting Duke Ellington’s unfinished work Queenie Pie in 1986 it was subtitled “A Jazz Operetta in the Key of Make Believe.” Ellington called it a “street opera,” and Long Beach Opera is producing it as his “only opera,” but the musical oddity that opened on Sunday is…
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Los Angeles Dance Review: FAR (Wayne McGregor | Random Dance at Royce Hall)
FAR OUT The Los Angeles premiere of British choreographer Wayne McGregor’s FAR opened at Royce Hall last night, and you are advised to cancel all plans and catch the last performance tonight. The one-hour work eventually overstays its welcome, but up until then it is charismatic, engrossing, mysterious, spellbinding, and truly one of the most…
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Los Angeles Theater Review: A WORD OR TWO (Ahmanson Theatre)
WHEN A WORD OR TWO WILL NOT DO A Word or Two is an apt title for Christopher Plummer’s solo show about Christopher Plummer and Christopher Plummer’s love of language. He wants to celebrate language in all of its “infinite variety, majesty, and beauty.” His love of language gave him an escape early in life,…
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Los Angeles Music Preview: BACH’S B MINOR MASS (Los Angeles Master Chorale at Disney Hall)
NOTHING MINOR ABOUT IT First-timers to Bach’s B Minor Mass, which Los Angeles Master Chorale is offering for two performances this weekend, may possibly be overwhelmed. First of all, a glance at the 27 movement titles alone can be intimidating: “Kyrie eleison,” “Et in terra pax,” and “Qui tollis peccata mundi,” especially for the non-religious…
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Los Angeles Music Review: NICHOLAS MCGEGAN & UMI GARRETT (Pasadena Symphony)
TWINKLE, TWINKLE, LITTLE STAR When Umi Garrett played Twinkle, Twinkle, Little Star with her hands behind her back on The Ellen DeGeneres Show in 2009, what first appeared as cutesy fun-and-games suddenly turned into a recital to be remembered: The 8-year-old budding piano prodigy stunned the world executing a section from Franz Liszt’s technically formidable…
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Los Angeles Theater Review: NIGHTMARES (Zombie Joe’s Underground Theatre Group)
THAT AIN’T THE WAY TO HAVE FUN, SON One of the most exciting events to come out of Los Angeles theater in the last few years was Zombie Joe’s Urban Death, a naturalistic horror show in the style of Le Théâtre du Grand-Guignol. I stated in my review that his creepy one-hour compilation of original, jocular,…
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Los Angeles Music Review: EDO DE WAART & AUGUSTIN HADELICH (LA Phil at Disney Hall)
EVERYTHING IS NEW AGAIN It was quite a blow when it was announced that both Christoph Eschenbach and Christian Tetzlaff’”due to illness’”canceled their engagement with the LA Phil at Disney Hall last weekend. While I wish them both a speedy recovery, their withdrawal resulted in one of the most exciting evenings with the LA Phil…
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Los Angeles Dance Review: LES BALLETS JAZZ DE MONTRÉAL (The Wallis in Beverly Hills)
MORE JAZZ, PLEASE Interestingly, the work that opened Les Ballets Jazz de Montréal’s program last night at the Bram Goldsmith Theater in the brand new Wallis Annenberg Center for the Performing Arts was “Closer,” a 2006 duet by Benjamin Millepied. This globe-trotting dance-maker is the founding director of our own L.A. Dance Project, that tony,…
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Los Angeles Cabaret Review: LAURA BENANTI: IN CONSTANT SEARCH OF THE RIGHT KIND OF ATTENTION (Catalina Bar & Grill in Hollywood)
ATTENTION MUST BE PAID The two most important aspects of the right kind of cabaret act are the singer and the songs. But when you go to see Laura Benanti’s new cabaret In Constant Search of the Right Kind of Attention at Catalina Bar & Grill (if you can get tickets to her last performance…
Theater Review: MEN OF SOUL (Black Ensemble Theater / Chicago)
by Mitchell Oldham | July 1, 2026
in Chicago, TheaterWHY A BOX OFFICE HIT CAN STILL LOSE MONEY
by Leslie Rosenberg | July 1, 2026
in Extras, FilmTheater Preview: PROOF (El Portal Theatre / North Hollywood)
by pwsadmin | June 30, 2026
in Los Angeles, Theater

















