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Tony Frankel
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Los Angeles/Regional Theater Preview: CHANCE THEATER’S 2014 SEASON (Chance Theater in Anaheim)
TAKE A CHANCE Merrily We Roll Along is a notoriously difficult musical to get right. Even with Sondheim’s magnificent score, the nature of the show’”its lopsided cynicism and moving-back-in-time device’”has hampered every production I have seen. Except one. And while I truly loved Chocolate Factory’s small-scale West End revival, which screened nationwide last October, Chance…
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Los Angeles Concert Review: SALUTE TO VIENNA NEW YEAR’S CONCERT (Walt Disney Concert Hall)
VIENNA SAUSAGE Salute to Vienna is a light-hearted event which reenacts the ridiculously popular New Year’s Concert of the Vienna Philharmonic (a.k.a. Neujahrskonzert). The inoffensive, fun, and slightly cheesy potpourri includes costumed dancers, opera singers, and an orchestra that plays the waltzes and polkas of Johann Strauss Jr. and his contemporaries. Figures vary, but the…
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Regional Theater Preview: TRUDY AND MAX IN LOVE (South Coast Rep in Costa Mesa)
AN UNCONVENTIONAL ROMANCE Meet Max, a celebrity novelist who is single, and Trudy, a happily married woman who is working on a new novel. They meet in a writer’s room and form a fast friendship that leads to a complicated affair. In the world premiere of her play Trudy and Max in Love, Zoe Kazan…
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Los Angeles Theater Preview: ONE STARRY NIGHT (Pasadena Playhouse)
MORE LIKE ONE STARRY STARRY STARRY NIGHT If anybody knows how to put together a night of eclectic songs and singers, it’s Bruce Kimmel. While he has created some terrific revues, this prolific producer, playwright and performer has been the driving force behind cast albums, vocal albums, and (a personal favorite of mine) an original…
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Los Angeles Theater Review: SUNNY AFTERNOON (Gangbusters Theatre Company)
CONSPIRACY THEORISTS AND THEATER LOVERS, UNITE! Remember E. Howard Hunt? This intelligence officer was one of Nixon’s White House Plumbers, that clandestine band of operatives who were assigned to fix any of those nasty little security “leaks” emanating from 1600 Pennsylvania Avenue. Hunt, along with G. Gordon Liddy, plotted a burglary at the Democratic National…
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CD Review/Original Cast: I AM HARVEY MILK (San Francisco Gay Men’s Chorus)
I AM EXHILARATED In 1978, on the night of Harvey Milk and Mayor George Moscone’s assassinations, an unprecedented candlelight march brought mourners to San Francisco’s City Hall. The newly formed San Francisco Gay Men’s Chorus canceled a rehearsal for their upcoming debut concert and opted to perform at the makeshift memorial service. It was there…
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CD Review/Cabaret: IN CONSTANT SEARCH OF THE RIGHT KIND OF ATTENTION: LIVE AT 54 BELOW (Laura Benanti)
CABARET SAUVIGNON She received a Tony nomination for both the Broadway revue Swing! and for playing Cinderella in the revival of Into the Woods. She won a Tony for portraying Louise in the Patti LuPone revival of Gypsy. She soloed in Andrew Lippa’s world premiere of the song cycle I Am Harvey Milk. Recently, she…
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Chicago Theater Remount: THE MOTHER (Oracle)
ORACLE’S THE MOTHER GETS A WELL-DESERVED REMOUNT My annual theater sojourn to the Windy City this year was a bit of a let down. Spoiled by previous pilgrimages, in which no less than 50% of the theater I saw astounded me, this trip yielded scant results (excepting a few great musical revivals). The final show…
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CD Review/Pop: LONG AGO AND FAR AWAY (Alexis Gershwin)
ISN’T IT A PITY? Alexis Gershwin not only comes from a family of Show Biz royalty, but royalties: The song catalog of her uncles George and Ira Gershwin’”according to Los Angeles Times’”generates about $8 million a year. The treasure-trove of tunes created by the Gershwin brothers between the early 1920s and 1937, when George died,…
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Los Angeles Music Review: A SWINGIN’ CHRISTMAS (The Count Basie Orchestra)
IT’S CHRISTMAS, CATS Since its inception in 1935, the Count Basie Orchestra has not just outlived the era in which it was spawned, but has remained a well-oiled machine of Big Band jazz, even after Basie’s death in 1984. After a bit of a sputter with sound issues and energy, their holiday concert last night…
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Los Angeles Music Review: LE SALON DE MUSIQUES – GLIÈRE & GRIEG (Dorothy Chandler Pavilion)
A STUNNING PREMIERE OF A GLIÈRE QUARTET I’ve had ravishing experiences before with Le Salon de Musiques, the premium music outlet which presents sterling chamber music concerts, but the two String Quartets on December 8 offered the most transporting, pleasurable, awe-inspiring, invigorating, relaxing, emotional and meditative experience I have had all year. Founding artistic director François…
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Los Angeles Music Review: CELEBRATE THE SEASON (Metropolitan Master Chorale)
A CELEBRATION WITHOUT THE SEASONING A few years ago, Metropolitan Master Chorale’s Christmas concert bowled me over. The fairly young chorus under the Artistic Direction of Glenn Carlos looked poised to be the next great competitor in a crowded Los Angeles market. The unique selections and strong singers with a beautifully braided blend had me…
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Jazz CD Review: PORT SAíD STREET (Francis Coletta / Jonas Tauber)
A SURPRISINGLY AFFECTING JAZZ DUET I met Swiss bassist Jonas Tauber after a concert recently and he sent me a copy of his 2011 CD Port Saïd Street, which is why this review arrives two years after its release. This 10-track set of duets with guitarist Francis Colleta has Mr. Tauber returning to his original instrument,…
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San Francisco Theater Preview: AMERICA’S NEXT TOP BACHELOR HOUSEWIFE CELEBRITY HOARDER MAKEOVER STAR GONE WILD! (The Kinsey Sicks)
DRAGULOUS I love The Kinsey Sicks. Is it because I love barbershop quartets? Is it because I love drag queens? Is it because I love community activists? Is it because I love irreverent, cheeky, flippant parody and comedic commentary? Is it because I love boffo entertainers? Well, perhaps that is part of it. But there…
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Los Angeles Music Review: RACHMANINOFF & STRAVINSKY WITH DUDAMEL & WANG (LA Phil)
PUPPETS, THE PACIFIC, AND A PROFICIENT PIANO CONCERTO It’s not an uncommon occurrence with a Los Angeles Philharmonic program: I come expecting Yuja Wang’s interpretation of Rachmaninoff’s Piano Concerto No. 3 to truly blow me away. While she certainly had her place in the sun, it was Gustavo Dudamel’s triumphant leadership with Stravinsky’s Petrushka that…
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Theater Review: STOMP (North American Tour)
PLEASE MAKE IT STOMP When I first saw the Blue Man Group at the Astor Place Theatre in 1991, it was performance art nirvana. Sadly, what started as a sweet and satisfying event became a corporate machine; the size of the show in its newer behemoth incarnations (Vegas, Chicago, et al) has robbed it of…
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Los Angeles Music Preview: A CHANTICLEER CHRISTMAS (Disney Hall)
LET ME MAKE THIS PERFECTLY CHANTICLEER I may be enamored by the Los Angeles Master Chorale’s Festival of Carols, I may be enthralled by Pasadena Symphony’s Holiday Candlelight, I may be excited by the Gay Men’s Chorus’s Holiday Spectacular, but Chanticleer’s Christmas concert, which plays Disney Hall on Dec. 20, is always the best choral…
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London Theater / Film Preview: RICHARD II (Crest Theater in Westwood)
ROYAL SHAKESPEARE’S RICHARD II COMES TO WESTWOOD Brits had already heard about Royal Shakespeare Company’s production of Richard II, directed by Gregory Doran and starring former Doctor Who star David Tennant, who is joined in the Company by Oliver Ford Davies as the Duke of York, Michael Pennington as John of Gaunt and Nigel Lindsay…
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Los Angeles Theater Review: THE QUEEN FAMILY’S VERY SPECIAL HOLIDAY SPECIAL (The Actors’ Gang)
A HIT-AND-MISS HOLIDAY HYBRID IS AT LEAST MORE HO HO THAN HO HUM Silliness and charm reign supreme in The Actors’ Gang’s original Christmas show, The Queen Family’s Very Special Holiday Special. As with their Atomic Holiday Free Fall (2011), the troupe has created a framing narrative to loosely lace together a series of musical…
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San Francisco Dance Preview: XXMAS: THE CHRISTMAS BALLET, 2013 EDITION (Smuin Ballet)
THIS SEASON, SMUIN IS A SHOO-IN It’s such a beautifully simple idea that I often ponder why great dance companies don’t offer a seasonal treat as the Bay Area’s Smuin Ballet does. Instead of the same yearly program (you know, that Tchaikovsky chestnut), Michael Smuin created The Christmas Ballet, a changeable program which is divided…
Theater Review: MEN OF SOUL (Black Ensemble Theater / Chicago)
by Mitchell Oldham | July 1, 2026
in Chicago, TheaterWHY A BOX OFFICE HIT CAN STILL LOSE MONEY
by Leslie Rosenberg | July 1, 2026
in Extras, FilmTheater Preview: PROOF (El Portal Theatre / North Hollywood)
by pwsadmin | June 30, 2026
in Los Angeles, Theater

















