Areas We Cover
Categories
New York
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Broadway Review: PROOF (Booth Theatre)
THE MATH DOESN’T ADD UP A starry revival that struggles to convince All the action in the Broadway revival of David Auburn’s Proof takes place on the porch of Robert and Catherine’s home in Hyde Park, Chicago. Teresa L. Williams’s set and Amanda Zieve’s lighting emphasize the sloping lines of the house’s double gables, the…
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Broadway Review: FALLEN ANGELS (Roundabout Theatre Company at Todd Haimes Theatre)
A LITTLE SIN, A LOT OF GIN A fizzy Noël Coward comedy where anticipation —and alcohol—do the heavy lifting There is a particular kind of overupholstered, well-mannered, and suffocating living room that exists primarily so that someone may eventually misbehave in it. In Fallen Angels, now at the Roundabout’s newly renovated Todd Haimes Theatre, writer…
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Off-Broadway Review: A FUNNY THING HAPPENED ON THE WAY TO THE FORUM (Theater 2020)
COMEDY TONIGHT— AND PLENTY OF IT A zippy, low-budget romp that lands big laughs When in ancient Rome,do as the ancient Romans—and moderns—would do:enjoy the kind of humor that never feels ancient.This musical confection from 1962 has ageless funny flavors and farcical fun. If Theater 2020 charged its audience a dime for every laugh-out-loud moment…
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Theater Preview: CREATIVE STAGE COLLECTIVE – MUSICAL MAD LIBS! (Symphony Space, NYC)
MIX, MATCH, AND MAKE IT UP An intergenerational troupe turns audience ideas into live musical theater Here’s a special recipe for success and entertainment. It’s all in the mixing and blending and combining of diverse ingredients. The people participating are of different ages and experiences and talents. The elements of the production are acting, music,…
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Off-Broadway Review: MILK AND HONEY (J2 Spotlight Theatre Company at AMT, NYC)
MIDDLE-AGED PEOPLE IN THE MIDDLE EAST, IN THE MIDDLE OF ADVENTURES Jerry Herman’s early musical still charms Through the magic of musical theatre, we’re vicariously taking a guided tour through Israel in the early 1960s. On your left, a group of widows seeing the sights and setting their sights on finding—maybe (who knows?)—a husband. On…
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Broadway Review: TITANÍQUE (St. James Theatre)
CELINE TAKES THE WHEEL An irreverent Titanic spoof that goes all in on camp and pop spectacle Titaníque, the Titanic parody which premiered in Los Angeles in 2017, opened at The Asylum Theatre in June 2022 and later transferred to the Daryl Roth Theatre, has finally docked on Broadway. And it is irreverent, energetic, and…
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Theater Review: REVENGE OF THE SOY BOY (FRIGID New York City Fringe Festival)
MAY THE FUNNY FORCE BE WITH YOU A solo show that blasts fandom toxicity into hyperspace Plot a course, prime the hyperdrive, and punch it, Chewie! A sci-fi multimedia solo show lands in the 2026 FRIGID New York City Fringe Festival. “Ahsoka Tano is arguably one of the most Millennial Star Wars characters to ever…
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Off-Broadway Review: THE ADDING MACHINE (The New Group at St. Clement’s Theatre)
MAN VS. MACHINE, STILL LOSING Rice’s century-old warning lands with unsettling familiarity In its inaugural production at the newly claimed St. Clement’s Theatre, The New Group launches its next chapter with a revival of The Adding Machine that feels both like a nod to the past and a wary glance toward the future. Written by…
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Broadway Review: BECKY SHAW (Helen Hayes)
LOVE, LIES, AND LETHAL CHARM Gina Gionfriddo’s comedy of dysfunction refuses easy labels—and lands every blow “Rom-com?” No. “Meet-cute”? Far from it. Sitting through Becky Shaw at the Helen Hayes Theater on Broadway last night, laughing my head off, I struggled to define the genre of this captivating work by Gina Gionfriddo. And I’m still…
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Broadway Review: DOG DAY AFTERNOON (August Wilson Theatre)
HOLDING UP UNDER PRESSURE A bold stage adaptation that captures much —but not all—of the film’s tension Adapting an iconic film like Dog Day Afternoon for the stage is a challenge. There are still many people who remember Al Pacino yelling “Attica!” to the cheering crowd and his intense phone conversation with his wife. But…
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Dance Review: SCORCHED EARTH (St. Ann’s Warehouse, Brooklyn)
LAND, LABOR, AND THE BODY Luke Murphy’s dance-theatre work turns ownership into something visceral and urgent St. Ann’s Warehouse unveils Scorched Earth, a striking dance-theatre work from Attic Projects, written, directed, and choreographed by the singularly inventive Luke Murphy. From the team behind Volcano, a dance I reviewed three years ago and will never forget,…
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Concert Review: STANDARD TIME WITH MICHAEL FEINSTEIN—ON THE TOWN (Carnegie Hall, Zankel Hall)
THE SONGBOOK LIVES ON Feinstein’s Carnegie Hall “On the Town” concert celebrates classic songs and those who wrote and performed them with style, wit, and swing Like a party that keeps going and on, the granddaddy concert auditorium in Carnegie Hall and its in-house smaller “cousin,” Zankel Hall, are having a ball this calendar year…
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Off-Broadway Review: THE PUSHOVER (John Patrick Shanley World Premiere, Chain Theatre)
POWER, CONTROL, AND WHAT LURKS BENEATH Shanley’s psychological thriller simmers with tension, even when it overreaches John Patrick Shanley digs back into power and vulnerability in The Pushover, a world premiere now at the Chain Theatre. Directed by Kirk Gostkowski, the play feels like a ring where everyone is both throwing punches and asking for…
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Theater Review: UNCLE VANYA, SCENES FROM COUNTRY LIFE (La MaMa, NYC)
CHEKHOV, REIMAGINED IN BEAUTIFUL CHAOS Dmitry Krymov turns a classic into a surreal theatrical hallucination There are many ways to stage Anton Chekhov. You can do it the traditional way with period furniture, carpets, painted trees, or take a turn toward symbolism, expressionism, even full-on tragicomedy. But Uncle Vanya, Scenes from Country Life at La…
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Off-Broadway Review: SEXUAL MISCONDUCT OF THE MIDDLE CLASSES (Minetta Lane Theatre)
A DANGEROUS STORY, TOLD FROM THE OTHER SIDE A provocative two-hander that shifts the lens onto the older man in a fraught relationship Teacher-student affairs are a classic subject of drama for novels, stage, screen, and beyond, from works like The History Boys to Parallel Lines to Notes on a Scandal. First staged in 2020…
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Off-Broadway Review: TITUS ANDRONICUS (Red Bull Theater at Pershing Square Signature Center)
FEAST ON THIS: BLOOD, REVENGE, AND A SHOCKINGLY GOOD TIME A ferocious, darkly funny take that makes Shakespeare’s grisliest play thrillingly alive (Back) Anthony Michael Martinez, Zack Lopez Roa, Howard W. Overshown, Blair Baker, (front) Enid Graham, Anthony Michael Lopez, Matthew Amendt, Patrick Page, and Francesca Faridany The new Titus Andronicus from Red Bull Theater makes…
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Theater Review: NO SINGING IN THE NAVY (Playwrights Horizons, NYC)
SAILORS, SILLINESS, AND A SHADOW ON THE HORIZON Quirky musical comedy drifts between charm and fatigue before finding a quietly haunting final note When it comes to musical theater, writer Milo Cramer seems to have a particular affinity for sailors—think On the Town, where three sailors spend a 24-hour leave in New York City, singing…



















