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Off-Broadway Review: MESSY WHITE GAYS (The Duke)
THE ONLY THING STRAIGHT IN THIS ROOM IS THE LINE TO THE CREDENZA Messy White Gays—which opened November 2 at Off-Broadway’s Duke on 42nd Street—is a contemporary drawing-room comedy, a modern spin on the comedy of manners, built on witty exchanges, social commentary, and the absurdities of its characters. Classic models include Oscar Wilde’s The…
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Theater Review: BESIDE MYSELF (Laguna Playhouse)
A GREAT PREMISE GETS LOBOTOMIZED Laguna Playhouse offers a dazzling wall of doors and not much behind them Paul Slade Smith’s new play Beside Myself arrives with a knockout premise: Gemma, a therapist, is so consumed by anxiety that she undergoes an experimental “minimally invasive” brain surgery to excise her worry. But near the end…
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Theater Review: THE BEAUTIFUL LAND I SEEK (LA LINDA TIERRA QUE BUSCO YO) (Teatro Chelsea)
GUNNING FOR PUERTO RICO Stephen Sondheim chose an unlikely topic for his 1990 Assassins, a musical that portrays assassinating or attempting to assassinate a president is as American as popular music. I can’t say whether or not playwright Matthew Barbot was inspired by Sondheim’s musical, but Barbot certainly fills a hole in Sondheim’s line-up of…
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Theater Review: THE HEART SELLERS (South Coast Rep)
THE QUIET COST OF BELONGING Suh’s Thanksgiving duet is lovely and lived-in, but leaves one wishing for deeper stakes The Heart Sellers at South Coast Rep offers a focused, uninterrupted glimpse into the lives of two strangers on Thanksgiving Day, 1973, near the end of Richard Nixon’s reign. The story begins with Luna (Nicole Javier),…
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Film Review: THE BUSINESS OF FANCYDANCING (Written and Directed by Sherman Alexie; Restored)
A TRIBE, A DIATRIBE, MOVING AWAY & MOVING ON Say what you will about the ties that bind. If those ties were literally ropes, some of them would stay strong and some would fray or break. Arguably, time does not heal all wounds; some hurts fester and foster resentment for years. Prodigal sons may have…
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MIAMI’S LED SCREEN REVOLUTION: HOW DIGITAL DISPLAYS ARE CHANGING EVENTS FOREVER
The Era of Visual Impact Miami has always been a city that dazzles. From high-energy art fairs to late-night music festivals, the culture here thrives on color, motion, and spectacle. But over the past few years, one technology has quietly transformed how events are experienced: the LED screen. No longer reserved for stadiums and concerts,…
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BEST THCa FLOWER STRAINS WITH STRONG EFFECTS AND FRESH AROMA PROFILES
The U.S. hemp market has changed rapidly, and one product category that continues gaining explosive momentum is THCa flower. Known for delivering a true cannabis-like experience while remaining federally compliant before combustion, THCa flower has become a go-to choice for customers who want potency, purity, and premium aroma—without compromising on legality. Among the fast-growing research,…
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GOLDEN CROWN CASINO AUSTRALIA–A STRAIGHT-UP GUIDE FOR LOCALS
Feeling like a quick whirl on the pokies before tea? Golden Crown has that “log in, spin, and off you go” pace Aussies like. Keen to try a couple of headline games? Aztec Magic Bonanza and Elvis Frog in Vegas are easy first picks. Create your account, have a look around, and see if the…
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Opera Review: HILDEGARD (World Premiere, LA Opera and Beth Morrison Projects at The Wallis)
BEST BE ON YOUR HILDEGARD WATCHING THIS THING When approaching a work based on history, it’s expected that there will be some degree of fictionalization. Even though it won’t be completely true, the broad strokes will be, and you’ll leave having learned a tiny bit of something new. However, Hildegard, the dull new opera by…
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Off-Broadway Review: THE BURNING CAULDRON OF FIERY FIRE (Vineyard Theatre and The Civilians)
A SPELLBINDING CAULDRON BOILS OVER, SUMMONING THEATER’S WILD GODS Suffice it to say, there’s nothing else in New York quite like Anne Washburn’s new play The Burning Cauldron of Fiery Fire, now at the Vineyard Theatre in collaboration with The Civilians. For anyone bored by the constraints of realism and naturalism—and instead drawn to theater…
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WILD TORNADO CASINO REVIEW – AN AUSTRALIAN FAVOURITE FOR ONLINE GAMING
Australia’s online gaming scene is booming, and Wild Tornado Casino has quickly become one of its brightest stars. With an electrifying theme, fast-paced gameplay, and generous promotions, this casino brings the thrill of real gaming to your screen. Whether you love classic table games or high-volatility slots, Wild Tornado offers an experience that feels fresh,…
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SECURITY MEASURES AT PINCO KAZINO
Online gaming in Azerbaijan continues to expand, but trust remains the foundation of any casino’s success. Pinco Casino invests heavily in cutting-edge security technology to protect users from fraud and ensure transparent gaming for all. The platform’s systems comply with international standards, offering complete protection for both personal data and financial transactions. Within the first…
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Cabaret Review: LT’S MUCH TOO GAY CABARET: A PERFORMANCE FOR LADIES, GENTLEMEN, AND EVERYONE IN BETWEEN (Revolution Stage Company)
MUCH TOO GAY? JUST GAY ENOUGH! This past Thursday evening, Revolution Stage Company presented a dazzling, high-energy celebration of LGBTQ+ pride, self-acceptance, and joy—filled with wit, glitter, and heart—in LT’s Much Too Gay Cabaret: A Performance for Ladies, Gentlemen, and Everyone in Between. The show embraced the gay experience in all its vibrancy, tackling everything…
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Theater Review: THE HOUSE THAT WILL NOT STAND (Invictus Theatre Company)
THIS HOUSE STANDS ON FAITH AND FURY Invictus Theatre’s The House That Will Not Stand blazes with wit, grief, and grace Following the smashing success of its production of Angels in America, Invictus Theatre Co. notches up another triumph with Marcus Gardley’s Obie-winner, The House That Will Not Stand. In this (very) loose adaptation of…
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Theater Review: THE 4TH WITCH (Manual Cinema)
BLACK AND WHITE AND DREAD ALL OVER Chicago-based Manual Cinema employs an extraordinary suite of “old-school” technologies and techniques to bring a response to Shakespeare’s Macbeth to the Emerson Paramount theater as part of the Arts Emerson series. With no spoken dialogue, the company uses shadow puppets, projected pantomime, live music, and recorded sound effects…
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Theater Review: THE HILLS OF CALIFORNIA (Berkeley Repertory Theatre)
A FAMILY EPIC THAT EARNS ITS MILEAGE, SPRAWL AND ALL Family dynamics are always great fodder for drama. And when there are several children coming of age together in a household, it’s hard not to grow up with unspoken competitions for approval, success and love. More often than not at least one family member has…
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Off-Broadway Review: 44 – THE MUSICAL (Daryl Roth)
A LOVE LETTER TO THE OBAMAS THAT BRINGS THE WHITE HOUSE DOWN The biggest surprise of the season for me has been 44 – The Musical, which opened last night at the Daryl Roth Theatre. Billed as a satirical look at the rise and presidency of Barack Obama—and the eccentric characters he met along the…
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Theater Review: PINOCCHIO (The Conservatory at Coachella Valley Repertory in Cathedral City)
WOOD YOU BELIEVE IT? CV REP’S PINOCCHIO CARVES OUT A WINNER The Conservatory program at Coachella Valley Repertory opens its arms wide to the next generation of theatre lovers with Pinocchio, Greg Banks’s zippy retelling of the wooden boy who just wants to be real. Director Howard Shangraw packs Banks’s fast-paced adaptation with physical comedy,…
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Off-Broadway Review: REUNIONS (New York City Center)
NOSTALGIA IN THE SPOTLIGHT, MODERNITY IN THE WINGS At a time when most new musicals chase novelty, Reunions looks lovingly backward. Conceived as a pair of one-act chamber pieces performed back-to-back without intermission, the evening runs about an hour and forty minutes and draws its stories from early-20th-century plays. Both feel distinctly old-fashioned (but, in…
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Theater / Restaurant Review: POP UP DINNER THEATER (Barlume Downstairs)
POP-UP, FLOP-DOWN: WHEN DINNER UPSTAGES THE THEATER The foundational idea of Suite 524’s Pop Up Dinner Theater at Barlume Downstairs is solid — four courses from Barlume’s excellent kitchen matched with four one-act plays created for this venue, directed by Michael Domitrovich. The first play is set in the bar, where hors d’oeuvres are served, and…
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