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Michael M. Landman-Karny
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Opera Review: DON BUCEFALO (Pacific Opera Project at The Garibaldina in Los Angeles)
PACIFIC OPERA PROJECT UNEARTHS A TREASURE In the often unexplored corners of the operatic repertoire lie forgotten gems that, when rediscovered, shine brightly. Pacific Opera Project’s revival of Don Bucefalo by Antonio Cagnoni is one such treasure. Premiering in Milan in 1847, Don Bucefalo enjoyed considerable success in its time but has since slipped into…
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Opera Review: ROMEO & JULIET [ROMÉO ET JULIETTE] (Los Angeles Opera)
The Los Angeles Opera‘s revival of Gounod‘s Roméo et Juliette dazzled in its opening performance last night, thanks to extraordinary vocal performances and masterful conducting. With Amina Edris and Duke Kim delivering passionate portrayals of the star-crossed lovers, and Domingo Hindoyan leading the orchestra in a lush, romantic interpretation of Gounod’s score, the evening was…
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Recommended Theater: LIFE AND TIMES OF MICHAEL K (Handspring Puppet Company and Baxter Theatre at The Wallis)
THE WALLIS HOSTS EXTRAORDINARY THEATER Handspring Puppet Company (War Horse) joins Cape Town’s Baxter Theatre to bring Life & Times of Michael K to the Bram Goldsmith Theater at The Wallis in Beverly Hills November 21 to 24, 2024. I was lucky enough to catch it at St. Anne’s Warehouse in Brooklyn and it’s a must-see to…
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Theater Review: THE PIANO LESSON (A Noise Within)
A WELL-PLAYED PIANO Though the surface plot of August Wilson’s The Piano Lesson is fairly simple ’” an estranged brother and sister argue over whether to sell or keep a beautiful piano that has been in the family for generations – that simplicity is very deceptive. For the piano is not only a valuable instrument…
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Music Review: LONDON PHILHARMONIC ORCHESTRA (Edward Gardner, conductor; Patricia Kopatchinskaja, violin at Segerstrom Concert Hall)
SHOSTAKOVICH AND TCHAIKOVSKY Under the expert direction of its principal conductor Edward Gardner, London Philharmonic Orchestra recently graced Segerstrom Concert Hall in Orange County with an enthralling performance. Known for his energetic and nuanced interpretations, Gardner masterfully drew out the orchestra’s full expressive capabilities, allowing every note to resonate deeply with the audience. This concert,…
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Theater Review: CYRANO DE BERGERAC (Pasadena Playhouse)
PLAYWRIGHT MARTIN CRIMP HAS A NOSE FOR UPDATES Martin Crimp’s Cyrano at the Pasadena Playhouse is nothing short of theatrical alchemy. This bold reimagining of Edmond Rostand’s beloved classic breathes new life into an age-old tale, cleverly intertwining the timeless themes of love, identity, and self-worth with a distinctly modern sensibility. Crimp’s adaptation, first brought…
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Concert Review: SONDHEIM TONIGHT! A CELEBRATION OF GENIUS (San Diego Symphony at the Rady Shell)
The San Diego Symphony delivered a night of sheer enchantment on Friday, August 23rd, with Sondheim Tonight! A Celebration of Genius. Held at the stunning Rady Shell at Jacobs Park, this concert was nothing short of magical, with the Symphony’s remarkable adaptability on full display as they navigated Sondheim’s intricate and emotionally resonant compositions. The…
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Theater Review: CREVASSE (Son of Semele and The Victory Theatre Center at Victory Theatre)
A RIVETING TALE OF ART AND IDEOLOGY AT ITS FINEST In Tom Jacobson’s Crevasse, playing at the Victory Center Theatre, the curtain rises on a fractured world where art, love, and propaganda intersect amidst the gathering storm clouds of World War II. This ambitious play, set in the fall of 1938, deftly traverses the fraught…
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Opera Review: RUSALKA (Pacific Opera Project at Descanso Gardens in La Cañada Flintridge)
NYMPH LOADS Pacific Opera Project (POP) is staging the Los Angeles premiere of Antonín Dvořák’s Rusalka at the picturesque Descanso Gardens. This 1901 opera, one of the most renowned in the Czech repertoire, tells the haunting story of a water nymph who falls in love with a human prince. The libretto, penned by Jaroslav Kvapil,…
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Opera Review: INNOCENCE (San Francisco Opera)
THE CAPTIVATING INNOCENCE AT SAN FRANCISCO OPERA IS KAIJA SAARIAHO’S MASTERPIECE San Francisco Opera is offering the hauntingly beautiful U.S. premiere of Innocence, a contemporary opera that is destined to be a staple of the modern operatic repertoire. Composed by the late Finnish composer Kaija Saariaho, the opera delves into themes of guilt, redemption, and…
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Opera Review: PARTENOPE (San Francisco Opera)
HANDEL MEETS GATSBY IN CHRISTOPHER ALDEN’S VIBRANT PRODUCTION OF PARTENOPE Baroque opera enthusiasts are in for a treat with San Francisco Opera‘s recent production of Handel’s comic opera, Partenope, which opened last weekend at War Memorial Opera House for five performances only. Composed in 1730 during a period of intense competition and innovation in London’s…
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Theater Review: JELLY’S LAST JAM (Pasadena Playhouse)
MUSIC, MEMORY AND MORTALITY: THE MAGIC OF JELLY’S LAST JAM In the resplendent realm of musical theatre, Jelly’s Last Jam has once again ascended to prominence. Recently produced as a concert version by Encores! in New York, Angelinos get an all-new full-out revival, now gracing the stage of the Pasadena Playhouse, where the show opened…
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Theater Review: THE SANDWICH MINISTRY (Skylight Theatre)
BUILDING BONDS OVER BREAD AND BUTTER In the evocative narrative of Miranda Rose Hall‘s The Sandwich Ministry, — which opened last Saturday at Skylight Theatre — the audience is invited to partake in a touching and contemplative journey through the lives of a trio of women, set within the humble confines of a church’s parish…
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Theater Review: MISALLIANCE (A Noise Within in Pasadena)
UNDERWEAR TYCOONS AND AERIAL INTRUSIONS: THE UNRAVELING COMEDY OF MISALLIANCE So, you stroll into the theater, right? You see this fancy conservatory set up, all English manor-style, and you think, “Oh, a nice, polite little comedy is about to unfold.” But hold your horses! George Bernard Shaw, that sly old fox, has other plans with…
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Opera Review: TURANDOT (Los Angeles Opera)
A NIGHT OF MAJESTY Giacomo Puccini‘s magnum opus Turandot was posthumously completed by his compatriot Franco Alfano. This opera, which premiered at La Scala in 1926 under the baton of Arturo Toscanini, signifies the swan song of the Italian operatic movement, a tradition tracing its roots back to the early baroque compositions of Peri and Monteverdi….
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Theater Review: GHOST WALTZ (Latino Theater Company at Los Angeles Theatre Center)
BRINGING BACK ROSAS’ BLOOM The inaugural presentation of the Latino Theater Company‘s 2024 season, Ghost Waltz stands as a testament to the company’s commitment to groundbreaking theatrical endeavors. Commissioned by the company, penned by local playwright Oliver Mayer and deftly helmed by director Alberto Barboza, this production transcends mere entertainment, serving as an enlightening exploration…
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Opera Review: ELĪNA GARANČA (Recital Tour at BroadStage)
On the auspicious evening of Friday, May 10, 2024, the audience at BroadStage in Santa Monica was graced with a recital of exceptional caliber, featuring the illustrious mezzo-soprano ElÄ«na GaranÄa, whose performance was augmented by the symphonic grandeur of a full orchestra. ElÄ«na GaranÄa, whose reputation as a preeminent mezzo-soprano in the classical music sphere is…
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Theater Review: GALILEE 34 (South Coast Rep in Costa Mesa)
A STUNNING WORLD PREMIERE, Galilee 34 blends the divine and profane in its exploration of early Christianity Eleanor Burgess, a prolific playwright whose works have graced numerous stages (The Niceties, Wife of a Salesman) and who has penned scripts for several television series (Perry Mason, Interview with the Vampire), offers us the world premiere of Galilee…
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Album Review: LAINIE KAZAN (Four Remastered Classic ’60s Albums: “Right Now!” [1966], “Lainie Kazan” [1966], “The Love Album” [1967], and “Love Is Lainie” [1968])
SHAZAM, KAZAN! So, have you heard? Lainie Kazan‘s 60s tunes are now just a click away on all those streaming sites. We’re talking the kind of songs that make you want to break out in a dramatic Broadway pose or croon under a streetlamp’”showtunes and the classics, you know? Now, before she starred in My…
Album Review: FOR BILLIE — STELLA HEATH
by Michael Landman-Karney | August 21, 2026
in AlbumsTheater Preview: TARTUFFE (REMIXED) (Marylebone Theatre / London)
by Gregory Bernard | August 20, 2026
in International, TheaterTheater Preview: HANGMEN (by Martin McDonagh / Long Beach Playhouse)
by pwsadmin | August 20, 2026
in Los Angeles, TheaterTheater Review: KIMBERLY AKIMBO (Theatre Palisades / Odyssey Theatre / West LA)
by pwsadmin | August 19, 2026
in Los Angeles, Theater



















