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  • Theater Review: A MIDSUMMER NIGHT’S DREAM (Commonwealth Shakespeare Company / Boston)

    SOME ENCHANTMENT REQUIRED Thirty years on, Commonwealth Shakespeare still knows how to charm a crowd A lot is unknown about William Shakespeare, including the order and dates in which he wrote Romeo and Juliet and A Midsummer Night’s Dream. What is clear, however, is that the two plays serve as mirrors to one another: in…

  • Theater Review: URINETOWN: THE MUSICAL (Ray of Light Theatre / San Francisco)

    WHERE THERE’S A WILL, THERE’S A PAY TOILET This irreverent musical entertains while refusing to let its audience off the hook After more than 25 years of producing fun, hip musicals all over San Francisco, Ray of Light Theatre is still in its honeymoon phase of finally having its own theater, The Barbary Stage, downtown…

  • Off-Broadway Preview: A GHOST IN YOUR EAR (Audible Theater / New York)

    SOMETHING WICKED THIS WAY SOUNDS Audible Theater’s immersive headphone horror transforms the oldest ghost story trick into a chilling theatrical experience Imagine listening to an audiobook through headphones when the story begins listening back. That’s the unnerving premise behind A Ghost in Your Ear, the acclaimed London horror hit making its American premiere this fall…

  • Cabaret Preview: MALTBY & SHIRE: OUR STORY GOES ON (Merkin Hall / New York)

    THE STORY GOES ON—AND IT SHOULD The American Songbook Association celebrates Richard Maltby, Jr. and David Shire while reaffirming why America’s great songwriting tradition deserves to endure Few songwriting partnerships have enriched the American musical theater canon quite like Richard Maltby, Jr. and David Shire. On Monday, October 5, the American Songbook Association (ASA) celebrates…

  • THE RISE OF AMERICAN ANIME IN FILM AND TELEVISION

    For decades, anime reached American viewers mainly as an import: dubbed television episodes, subtitled tapes and late-night programming that felt strikingly different from domestic cartoons. Today, the exchange runs in both directions. U.S. creators draw openly from anime’s visual language, while global studios, streaming platforms and international production teams blur the old boundaries between national…

  • THE UNDERDOG ARC: WHY SPORTS STORIES KEEP WINNING ON STAGE AND SCREEN

    Sports movies rarely feature the best team on paper, and audiences keep buying tickets anyway because the story rewards someone who was never supposed to win. Theater found the same formula long before sports movies became a genre of their own, casting boxers, coaches, and bench players in productions built around a single turn of…

  • DISCOVER SAN FRANCISCO’S VIBRANT INDEPENDENT ARTS AND ENTERTAINMENT SCENE

    San Francisco pulses with creative energy found nowhere else. From boundary-pushing art collectives to late-night performance spaces, the city’s independent arts and entertainment scene reflects its reputation as a sanctuary for visionaries and innovators. Dive into a world where artistic freedom, cultural diversity, and bold experimentation shape every experience. Nightlife, Performance, and Alternative Entertainment As…

  • WHY PLANE MOVIES STILL KNOW HOW TO BUILD SUSPENSE

    Plane movies have one simple advantage. Once the aircraft is in the air, there are not many places the story can go. That sounds like a limit, but it is also why the genre works. A plane is a closed space. The passengers cannot leave. The pilot cannot pull over. If something bad happens or…

  • Off-Broadway Review: THE PASS (La MaMa E.T.C.)

    NO PASSING THE TRUTH John Donnelly’s drama examines the devastating cost of repression, secrecy, and the life that might have been The American premiere of John Donnelly‘s The Pass (originally produced at London’s Royal Court Theatre) is smartly directed by Max Hunter, who infuses both the play and its performances with energy, theatricality, and genuine…

  • Dance Preview: FALL FOR DANCE FESTIVAL (New York City Center)

    A WORLD OF DANCE IN TEN DAYS Eleven premieres and an extraordinary range of artists make New York City Center’s annual festival one of the season’s most rewarding events. For more than two decades, New York City Center’s Fall for Dance Festival has been one of New York’s most welcome annual traditions, offering audiences the…

  • HOW ONLINE CASINO WELCOME OFFERS BECAME PART OF THE SHOW

    There was a time when online casino welcome offers all looked more or less the same. A giant number sat at the top of the page, a timer counted down beside it, and the whole idea was simple: make the bonus look too big to ignore. That formula still exists, but people react to it…

  • WHY PROGRESSIVE PRIZES CONTINUE TO ATTRACT PLAYERS

    Casino games have undergone a dramatic evolution over the last two decades, moving from physical levers on classic reels to complex online algorithms. Yet, through all the technological shifts, one specific genre continues to dominate player attention above all others. Progressive jackpot slots remain a supreme attraction across gaming floors and digital platforms alike. The…

  • Music Review: JOE HISAISHI FILM MUSIC CONCERT (LA Phil / Hollywood Bowl)

    TOO MUCH AND NOT ENOUGH Glorious music, rushed through and overproduced Joe Hisaishi, one of the world’s great living composers, was last at the Hollywood Bowl in 2023, in what I considered one of the highlights of that year. Since then, he seems to be making Los Angeles a regular stop, which has me beyond…

  • Theater Review: APPLAUSE (The Group Rep / Lonny Chapman Theatre / North Hollywood)

    ALL ABOUT EVE… WITH JAZZ HANDS Bruce Kimmel’s affectionate revival proves that a sturdy backstage classic and a committed cast can still earn plenty of applause, even when there are reservations about the score Applause won the 1970 Tony Award for Best Musical. It was, unfortunately, a lackluster season, with the other nominees being Purlie…

  • THE FIVE GREATEST MOVIES OF ROBERT DOWNEY JR.

    There are few stars in Hollywood that have shared a career that’s quite as remarkable as Robert Downey Jr.. He’s played some truly iconic roles, all the while experiencing a wealth of ups and downs. He burst onto the scene in the 1980s, and like many struggled to cope with the fame, turning to the…

  • FIVE HARD-HITTING BROADWAY SHOWS YOU SHOULD SEE

    Broadway has long been celebrated for its dazzling musicals, spectacular choreography and unforgettable performances. Yet beyond the bright lights and standing ovations lies another of its greatest strengths: the ability to tackle difficult subjects with honesty, compassion and emotional depth. From mental health and grief to social injustice and addiction, some of Broadway’s most memorable…

  • HOW THEATRE IS HELPING BREAK THE STIGMA AROUND ADDICTION RECOVERY

    For centuries, theatre has held a mirror up to society, encouraging audiences to confront difficult truths about the human experience. From grief and loss to mental illness and addiction, the stage has long been a place where complex issues can be explored with honesty and compassion. In recent years, productions centred on the theme, covering…

  • TWO REQUESTS, ELEVEN DAYS, AND THE REHEARSAL ROOM WHERE THEY STOPPED BEING THE SAME PROBLEM

    Professional studio microphone setup with pop filter.

    “Can we just get the song without the singer on it?” Every music director has fielded that sentence, usually from a producer, usually on a Tuesday, usually about a number that opens in eleven days. What makes it interesting is that it is almost never one request. Buried inside it are two, and they have…

  • WHAT LIVE THEATRE OFFERS THAT FILM NEVER WILL

    A large audience seated in rows inside an auditorium, attentively listening.

    Broadway just closed out its biggest season on record. The 2025-2026 season grossed $1.91 billion and drew roughly 14.6 million attendees, the first time attendance has climbed past pre-pandemic levels since 2019, according to figures tracked by BroadwayWorld. That is not a niche art form quietly holding on while streaming eats its lunch. That is…

  • Theater Review: SALLY & TOM (Zach Theatre / Austin, TX)

    PURSUIT OF TOO MUCH HAPPINESS At Zach Theatre, Suzan-Lori Parks’ ambitious play-within-a-play has plenty to argue about, but its self-consciousness too often gets in the way of its drama. The play’s the thing—until it isn’t. It was 1997 when Annette Gordon-Reed published her book Thomas Jefferson and Sally Hemings: An American Controversy. Since then, Gordon-Reed…

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